Global Art Biennials: Renovation, Revelation—or Repetition?

The article examines the current state of global art biennials, arguing that recent controversies—such as the 2022 documenta antisemitism crisis and geopolitical tensions at the 61st Venice Biennale—reveal these exhibitions as deeply politicized platforms rather than neutral cultural events. It highlights how juries and curators have introduced geopolitical criteria, and cites ongoing debates in Artforum (April 2026) featuring voices like Daniel Birnbaum, Michelle Grabner, and Adam Szymczyk, who diagnose visible tensions but overlook deeper structural conditions.

The Forgotten of Art: The Story of Artist Valeria Alberti

I dimenticati dell’arte. La storia dell’artista Valeria Alberti

Valeria Alberti (1930-2011), a courageous, rebellious, and nonconformist Italian artist, had a brief but intense career before disappearing from the art world. Recent research by scholar Manuel Barrese reconstructs her trajectory as the only woman in a circle of artists and intellectuals around poet Emilio Villa and the Galleria Appia Antica. Alberti debuted in 1957 alongside Alberto Sartoris, collaborated with ceramist Mario Molli, and created painted panels for the transatlantic liners Leonardo Da Vinci and Michelangelo. She exhibited at Galleria Ferro di Cavallo and Galleria Azimuth, and received Piero Manzoni's Certificate of Authenticity No. 26 in 1961. Her later work included geometric metal sculptures, but she ultimately vanished from the art scene.