art world acronyms

The article provides a comprehensive guide to essential acronyms used in the art world, explaining what each abbreviation stands for and its significance. It covers organizations like AAM (American Alliance of Museums), AAMD (Association of Art Museum Directors), and ADAA (Art Dealers Association of America), as well as art fairs such as ABMB (Art Basel Miami Beach) and ARCO (Arte Contemporáneo in Madrid). It also includes advisories like AIG (Art Intelligence Global), historical galleries like AIR (Artists in Residence), and defunct fairs like FIAC (Foire Internationale d'Art Contemporain), offering context on their origins and current relevance.

As the US Slides Into Tyranny, Europe Champions Black American Artists

Four major European museums are simultaneously staging ambitious exhibitions of Black American artists, including Kerry James Marshall at London's Royal Academy, Jacob Lawrence at Kunsthal KAdé in Amersfoort, Nina Chanel Abney in Paris and Amersfoort, and Mickalene Thomas at Les Abattoirs in Toulouse and the Grand Palais in Paris. The article, written as an opinion piece, describes the author's experience at the opening of Abney's show at Elbow Church in the Netherlands and contrasts the European embrace of these artists with the political climate in the United States.

12 Art Books to Kick Off Summer

Hyperallergic's Lakshmi Rivera Amin presents a curated list of 12 art books for summer reading, including a novel lampooning the art world, Megan O'Grady's meditation on art and living, Kory Stamper's exploration of color lexicography, Nan Goldin's reissued photo essay, and Jennifer Higgie's prose poetry novel. The roundup also features Vincenzo Latronico's 'Perfection,' Nina Burleigh's satirical 'Turn Around, Don’t Drown,' and a graphic novel by Naoki Matayoshi and Shinsuke Yoshitake, among others.

parlez vous le francais french old masters glossary and museum list

Artnet News published a French-language glossary of Old Masters terminology and a list of French museums dedicated to Old Masters. The article defines an Old Master as a European painter who worked before 1800, then provides an A–Z bilingual glossary covering terms from Baroque to Venetian Renaissance. It also profiles two museums: the Musée du Louvre in Paris, highlighting its history, collection size, and a wartime anecdote about Théodore Géricault's "Le Radeau de la Méduse," and the Musée du Louvre-Lens, a branch museum opened in 2012 on a former mining site.

art paris photo fair elle perez diary parties

The article is a first-person diary by artist Elle Pérez, chronicling their experience at Paris Photo 2024. Pérez describes the fair as the art world's best-kept secret, noting its uniquely fun and intergenerational atmosphere where artists and curators genuinely enjoy gathering. The diary covers a week of events including book meetings with Aperture, dinners with photographers, and the main fair at the Grand Palais, highlighting the camaraderie and joy of being together despite the anxieties facing photographers today.

The Art Diary May 2026 – Revd Jonathan Evens

The article titled "The Art Diary May 2026 – Revd Jonathan Evens" appears to be a diary or column by Revd Jonathan Evens, published on Artlyst, covering art-related events, reflections, or commentary for May 2026. The specific content is not provided in the snippet, but the format suggests a curated overview of exhibitions, cultural happenings, or personal observations from the author's perspective.

Do you remember the last negative review you read?

« Vous souvenez-vous de la dernière critique négative que vous avez lue ? »

The traditional art of negative criticism is vanishing from mainstream media, replaced by a culture of polite consensus or violent but unprincipled social media attacks. Historically, critics like Baudelaire, Zola, and Huysmans used sharp, subjective arguments to defend avant-garde movements and challenge academicism, viewing the attack on certain artists as a necessary byproduct of championing others. Today, limited editorial space and a desire to support the arts have led French journalists to focus almost exclusively on praise, resulting in a loss of discernment and comparative analysis.

Salon des Indépendants

The article is about the Salon des Indépendants, a historic French art exhibition society founded in 1884. It provided a platform for artists to exhibit works without a jury, challenging the official Paris Salon's conservative standards.

Paris Diary 1

The article is a first-person diary entry from an unnamed narrator visiting Paris and Brussels. The narrator recounts working in the studio of painter Camila Oliveira Fairclough, attending a public dialogue at Almine Rech gallery in Brussels with artist Erik Lindman, and viewing an exhibition pairing Lindman's paintings with works by Robert Motherwell and two Picassos chosen by Bernard Picasso. The narrator also visits a posthumous exhibition of Didier Demozay at Galerie Bernard Jordan and sees a temporary mural by Marielle Paul in a Paris housing complex, later visiting her studio in a historic 19th-century artist building once occupied by Eugène Carrière.

Artists agonise over when a work is finished—but should we viewers care?

The article explores the perennial struggle artists face in determining when a work is complete, a process often fraught with the risk of overworking or 'wrecking' a piece. Drawing on insights from Howard Hodgkin and David Sylvester, it examines how artists like Degas, Matisse, and Cézanne navigated the boundary between a finished object and a work-in-progress, sometimes intentionally leaving canvases 'open' or 'fragmentarily complete' to preserve their emotional and visual immediacy.

Same is More: Parisian Architecture à l’identique by Octave Perrault

Paris is undergoing a wave of architectural preservation and renovation that prioritizes the "à l’identique" (identical) approach, most notably seen in the reconstruction of Notre-Dame Cathedral following its 2019 fire. This trend extends to other major cultural landmarks, including the renovation of the Bourse de Commerce by Tadao Ando and the upcoming multi-year closure of the Centre Pompidou for technical upgrades. The author uses the critical lens of 19th-century writer Joris-Karl Huysmans to question whether this obsession with restoring buildings to a previous state stifles contemporary architectural evolution.

culture harmonia rosales ingrid best interview

Harmonia Rosales, an Afro-Cuban artist known for reimagining Renaissance and baroque iconography with Black bodies, and Ingrid Best, an Afro-Latina wine entrepreneur and art collector, discuss their friendship and mutual support in an interview for Cultured. They first connected at Rosales’s 2022 show at UTA in Los Angeles, where Best was part of a collective that purchased Rosales’s work, including the piece *Strangler Fig: Adam and Eve*. Rosales later became the first artist to invest in Best’s wine business, IBEST Wines, which sources from underrepresented regions. Their conversation covers ownership, community, and creating structures that sustain women’s legacies beyond mere representation.

Hilma af Klint en 2 minutes

Hilma af Klint (1862–1944) is profiled as a pioneering Swedish abstract artist who created a vast body of visionary, large-scale abstract paintings decades before Kandinsky, yet kept them secret during her lifetime. The article traces her life from a childhood steeped in science and nature, through her studies at the Royal Academy of Fine Arts in Stockholm, to her dual artistic practice: conventional landscapes and portraits for income, and radically abstract works guided by spiritualist séances and theosophical beliefs. She founded the group "The Five" with fellow female artists, and from 1906 onward produced the monumental series "Paintings for the Temple" (193 works), convinced she was channeling a higher force. She stipulated in her will that her abstract works not be revealed until 20 years after her death, and they were only rediscovered in the late 1960s.