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Two of Modernism’s Lesbian Icons Get the Novel Treatment

Deborah Levy's novel "My Year in Paris with Gertrude Stein" follows an unnamed narrator who travels to Paris to write an essay about Gertrude Stein, struggling with the weight of Stein's legacy while visiting her grave at Père Lachaise cemetery. The book explores Stein's life as a modernist icon, her relationship with Alice B. Toklas, and her role as a host to figures like Pablo Picasso and Ernest Hemingway, while the narrator grapples with Stein's defiant personality and literary style.

Inside the technicolour world of Jack White

Jack White, the musician best known as the frontman of The White Stripes, has begun showing his visual art, which he has been creating since his teenage years. The article offers a glimpse into his vibrant, technicolour artistic practice, marking his debut as a visual artist in the public eye.

WUF13: Director of National Art Museum explains how art shapes cities and urban change [INTERVIEW]

At the 13th session of the World Urban Forum (WUF13) in Baku, Shirin Malikova, director of the Azerbaijan National Art Museum, gave an interview discussing how art reflects and shapes urban development. She cited historical examples such as Bernardo Bellotto's 18th-century vedute paintings, which were used to reconstruct Warsaw's historic center after WWII, and the Eiffel Tower, originally a temporary installation that became a permanent symbol of Paris. The museum also presented an exhibition at the forum focusing on Baku's transformation across different eras, highlighting how art captures the multilayered history and cultural identity of cities.

Artribune Podcast: l’artista Vincenzo Schillaci parla nel suo Monologhi al Telefono

The latest episode of the Artribune Podcast features artist Vincenzo Schillaci (born 1984 in Palermo), recorded via telephone. Schillaci discusses his evolving artistic practice, where painting is an ongoing process of layering and erasure. His work spans painted surfaces, works on paper, and bronze interventions, forming an open system in which the artwork continuously transforms, challenging the boundaries between gesture, material, and form. The episode highlights his recent series inspired by Aristotle's concept of phantasma, and his exploration of materials like electrodeposited copper and bronze to capture different states of the image.

Should art have moral limits?

At Metropolitan State University of Denver, students, artists, professors, and curators debate whether art should have moral limits, particularly when it addresses violence, political division, or sensitive social issues. The discussion features perspectives from Jess Gerome, an art education student who argues discomfort should not dictate creative expression, and Xtna Doleres, a multidisciplinary artist who believes art carries an ethical responsibility to speak truth and represent communities respectfully. Professor Jason Miller adds that while art alone may not cause harm, it must be taken seriously when it suggests real-world danger.

Le dimore storiche sono il più vasto e straordinario museo diffuso d’Italia. Una giornata per celebrarle

On Sunday, May 24, 2026, Italian historic homes will open their doors free to the public as part of the 16th National Day promoted by ADSI – Associazione Dimore Storiche Italiane. The 2025 edition involved over 500 properties and more than 250,000 visitors, highlighting the widespread cultural heritage across Italy. The article argues that this event is not merely cultural or tourist-oriented but raises broader questions about the future of Italy's fragile territories and the need for a cohesive national strategy for territorial rebalancing.