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The Interview: Steven Soderbergh

Steven Soderbergh discusses his new film *The Christophers* (2025), which follows a cantankerous artist and his young assistant tasked with forging his unfinished works, exploring themes of authorship, originality, and the ethics of art-making. In an interview with ArtReview, Soderbergh also addresses his recent use of AI in a documentary about John Lennon, defending the technology as a creative tool akin to his own filmmaking process, and reflects on his career spanning genres from indie dramas to studio blockbusters.

I Turned My TV Into a Rotating Art Gallery Using Free Museum Downloads

The article provides a guide on how to turn a TV into a rotating art gallery by downloading high-resolution, public-domain images from museum digital collections. It explains the need to filter for Open Access works to avoid copyright issues and recommends several museums with extensive free collections, including the Art Institute of Chicago and the Getty Museum.

Venice Biennale: Is art ever separate from politics?

The article, published by DW, examines the ongoing debate about the relationship between art and politics, using the Venice Biennale as a case study. It highlights how the 2024 edition of the Biennale has become a platform for political statements, particularly regarding Russia's exclusion from the event following its invasion of Ukraine, and the broader question of whether cultural institutions can remain neutral in times of geopolitical conflict.