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Global Art Biennials: Renovation, Revelation—or Repetition?

The article examines the current state of global art biennials, arguing that recent controversies—such as the 2022 documenta antisemitism crisis and geopolitical tensions at the 61st Venice Biennale—reveal these exhibitions as deeply politicized platforms rather than neutral cultural events. It highlights how juries and curators have introduced geopolitical criteria, and cites ongoing debates in Artforum (April 2026) featuring voices like Daniel Birnbaum, Michelle Grabner, and Adam Szymczyk, who diagnose visible tensions but overlook deeper structural conditions.

‘Writing is exactly like love – you need to do it in the dark’: novelist Leila Slimani on why literature is erotic

French-Moroccan novelist Leïla Slimani discusses her residency at Madrid's Museo del Prado, where she draws inspiration from Francisco Goya's Black Paintings for her writing. She reflects on her career, including winning the Prix Goncourt for her novel *Lullaby*, her appointment by French President Emmanuel Macron as a representative for Francophone culture, and the personal trauma of her father's imprisonment that fueled her early writing. The article explores her views on literature, painting, and the erotic nature of writing.

Boats and trains, not planes: reflections on a greener—but sometimes greenwashed—Venice Biennale

The article recounts the author's train journey from London to Venice for the 61st Venice Biennale, highlighting the environmental benefits and pleasant experience of traveling by rail versus flying, despite higher costs and longer duration. It then focuses on the Biennale's central exhibition "In Minor Keys" curated by the late Koyo Kouoh, which foregrounds environmental themes through works that engage with earth, nature, and ecological stakes, featuring artists like Otobong Nkanga, Célia Vasquez Yui, Theo Eshetu, Linda Goode Bryant, and Annalee Davis.

In a Year of Remarkable Filmmaker Debuts, Here’s How Aleshea Harris Set ‘Is God Is’ Apart

Aleshea Harris has adapted her award-winning 2016 play 'Is God Is' into a feature film, marking her directorial debut. The story follows twin sisters with burn scars who, summoned to their mother's deathbed, learn their father caused their disfigurement and are urged to seek revenge. The film stars Kara Young, Mallori Johnson, Vivica A. Fox, Sterling K. Brown, and Janelle Monáe. Harris brings her playwright's precision to the screen, using avant-garde typography and captions inspired by a 1964 edition of Eugène Ionesco's 'The Bald Soprano' designed by Robert Massin, with title design by Teddy Blanks.