Nine Lessons on My Path From Engagement to Leadership

The article is an excerpt from the forthcoming field resource 'Curating Engagement,' featuring a first-person reflection by an arts professional. The author outlines nine lessons learned over two decades of practice, moving from engagement-focused roles to institutional leadership. Key lessons emphasize curiosity as a foundational practice, engagement as a form of service to communities rather than extraction, and the importance of site and history as collaborators in curatorial work.

I thought my cuckoo clock was amazing, but it’s got nothing on my statue of Bert the cheery chef | Adrian Chiles

Adrian Chiles, a writer and broadcaster, recounts his acquisition of a whimsical figurine of a cheerful chef, which he named Bert after the reclamation yard owner from whom he bought it in the Black Country. He describes the personal joy and daily lift the statue brings him, contrasting it with a cuckoo clock whose novelty eventually wore off. Chiles details the statue's charming, slightly worn appearance and its role as a conversation piece, particularly due to the West Midlands slang word "bostin'" written on its menu board.

What Art Can Do

A conversation between German author and filmmaker Alexander Kluge and curator Hans Ulrich Obrist, originally published in 2017, has been republished following Kluge's recent death at age 94. The dialogue explores the unique capacities of different art forms, the need for interdisciplinary collaboration, and the role of art as an "oasis" or "garden" within an overwhelming technological landscape.

Sarah Lee captures the wonders of spring – in pictures

Guardian photographer Sarah Lee has published a series of photographs capturing the arrival of spring in the UK. The images, taken as the clocks moved forward for British Summer Time, focus on natural details and scenes that signify the seasonal change.

Required Reading

This week's cultural roundup connects diverse stories from art conservation to literary analysis. Novelist Karma Brown draws parallels between restoring artworks and revising novels, inspired by visits to the Art Gallery of Ontario, while an interview with Namwali Serpell examines the complex "monumentalization" of Toni Morrison's legacy. The column also includes a poignant image from Tehran—a framed artwork hanging in a bomb-damaged apartment—and touches on topics ranging from celebrating Eid in Gaza to discussions about "girl games" and the Lindy West drama.

At the Feast of the Revolution: A Film to Tell the Story of Gabriele D’Annunzio’s Fiume Enterprise

Alla Festa della Rivoluzione. Un film per raccontare l’impresa a Fiume di Gabriele D’Annunzio

Director Arnaldo Catinari’s new film, *Alla Festa della Rivoluzione*, explores the 1919 occupation of Fiume led by the poet-soldier Gabriele D’Annunzio. Distributed by 01 Distribution and set for a mid-April release, the film depicts the city-state as a visionary laboratory where art served as a structural foundation and social hierarchies were temporarily dismantled. The narrative follows three fictional characters—a spy, a government official, and a deserter—whose lives intersect amidst the political and aesthetic fever of the D’Annunzio enterprise.

Contrast Reigns in Austn Fischer’s Conspicuous Black-and-White Photos

Austn Fischer, a Wisconsin-born, London-based photographer, creates black-and-white images that explore fashion as performance and identity. His work features striking contrasts, such as lace ruffs paired with athletic wear, and he has collaborated with clients like The New Statesman and Crack Magazine, photographing subjects including Ai Weiwei and David Byrne. Fischer describes his process as working backwards, arranging scenes intuitively and later reflecting on their personal significance, especially regarding his sexuality and masculinity.

Rika Nakajima: A New Book of the Dead, Part 3

連載 中島りか 新しい死者の書 第三回

Japanese artist Rika Nakajima reflects on the trial of Tetsuya Yamagami, who assassinated former Prime Minister Shinzo Abe in 2022, weaving together her own experience running the project space "Datsuisho – (a) place to be naked" in Tokyo's Yanaka district. As the space faced demolition in late 2025, Nakajima draws parallels between the trial's timing and the closure of her venue, recalling earlier events at the space that discussed the state funeral controversy and the cult issues exposed by the assassination. She describes attending the trial in Nara, observing Yamagami's demeanor, and connecting the case to broader themes of political aesthetics, fascism, and the theatricality of the judicial system.