Vasari Art Codex

filter_list Showing 3 results for "SALT" close Clear

dashboard All 49 museum exhibitions 24 article news 7 article local 5 person people 3 article culture 3 article policy 3 trending_up market 2 candle obituary 1 rate_review review 1

article culture schedule Apr 24, 2026 link 2 artists, 1 gallery

Long Live the King?

Sam Jacob's essay in ArtReview uses the upcoming Baz Luhrmann film 'EPIC: Elvis Presley in Concert' (2026) as a springboard to explore the cultural and technical implications of digital restoration. The film, a spinoff from Luhrmann's 2022 Elvis biopic, draws on 59 hours of previously unseen footage from Elvis Presley's 1970 and 1972 Las Vegas performances, recovered from Warner's Kansas salt-mine archive. Using Peter Jackson's Park Road Post technology—including Machine Assisted Learning (MAL) for demixing audio and video—the damaged, fragmented material has been digitally scanned, reconstructed, and enhanced to 4k resolution with 12-channel sound, presented in IMAX cinemas.

newspaper ArtReview open_in_new Read original

article culture schedule Mar 6, 2026 visibility 7 link 7 artists, 1 gallery

dear ivanka trump moving protest 819011

The activist collective Halt Action Group (HAG) organized a second 'Dear Ivanka' protest in New York City as Ivanka Trump prepared to move to Washington, D.C. Protesters marched from Grand Army Plaza to Trump’s Park Avenue residence, carrying symbolic moving boxes labeled with social and political concerns such as women's rights, affordable healthcare, and freedom of the press. The event featured prominent art world figures and utilized visual metaphors, including a disavowed Richard Prince artwork, to urge Trump to act as a moderate influence on her father’s administration.

newspaper Artnet News open_in_new Read original

article culture schedule Feb 23, 2026 visibility 4 link 5 artists, 1 gallery

refik anadol moma ai art 60 minutes debate 1234774176

Refik Anadol’s controversial AI installation 'Unsupervised' at the Museum of Modern Art has sparked a heated debate on the nature of art and technology, recently highlighted in a '60 Minutes' segment. While Anadol defends his work as a poetic use of 'data as pigment' that captures viewer attention for an average of 38 minutes, critics and fellow artists raise concerns about the substance and ethics of the medium. The piece, which uses MoMA’s metadata to create morphing abstractions, became a viral sensation that challenged traditional museum engagement.

newspaper ARTnews open_in_new Read original