The article explores a growing trend in contemporary art where artists like Pierre Huyghe, Nina Katchadourian, and Marge Monko create works that blur the line between art objects and sentient beings. These works incorporate human performers, animals, AI, and smart devices, prompting viewers to question whether these entities possess or simulate personhood, and forcing an examination of our instinct to anthropomorphize.
The article provides a practical guide to documenting contemporary art exhibitions, outlining methods for creating useful, ethical, and durable records. It emphasizes the importance of shot lists, consistent file naming, descriptive metadata, and accessibility features like captions and transcripts to ensure archives remain searchable and meaningful over time.
Cosa c’entra una fiera della tecnologia con il mondo dell’arte? Un report dal MIR di Rimini
The article reports from the MIR (Live Entertainment Expo) technology trade fair in Rimini, an event focused on professional audio/video equipment and systems integration. While dominated by corporate stands and live sound demonstrations, the fair also hosted discussions on the precarious working conditions and pension system for cultural and entertainment workers, revealing underlying anxieties in the creative industries.