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‘They accomplished so much, even as they were dying’: the groundbreaking gay art of Peter Hujar and Paul Thek

Author and Frieze Magazine editor-in-chief Andrew Durbin has released a dual biography titled 'The Wonderful World That Almost Was,' chronicling the lives and creative partnership of Peter Hujar and Paul Thek. The book focuses on their relationship from the mid-1950s through the 1970s, detailing their collaborative influence and the development of their respective practices in photography and sculpture before both died of AIDS-related complications in the late 1980s.

Art Problems: Do I Need to Go to Art Fairs?

Art critic Paddy Johnson addresses the common dilemma faced by unrepresented artists regarding the necessity of attending major art fairs. While acknowledging that fairs can be physically exhausting and prohibitively expensive, Johnson argues that their true value lies in strategic information gathering and long-term career planning rather than immediate sales or representation.

Miljohn Ruperto Rethinks Western Ideas of Time

The rise of the 'one-work exhibition' is transforming how audiences engage with art, shifting the focus from the rapid consumption of numerous objects to a singular, immersive spatial experience. By isolating a single masterpiece or installation, institutions are creating environments that demand 'slow looking' and provide a meditative counterpoint to the overwhelming speed of digital and contemporary visual culture.

The Tech Bro Problem in Public Art

The article critiques the growing influence of wealthy tech entrepreneurs on public art commissions, arguing that their personal tastes and desire for monumental, often self-aggrandizing works are reshaping civic spaces. It highlights how this trend sidelines professional curatorial expertise and community input, replacing public dialogue with private patronage that prioritizes technological spectacle over artistic depth or social relevance.

On the Familial Turn in Photography

A growing number of contemporary photographers are shifting their focus from traditional documentary subjects to their own personal and familial archives. This movement, termed the 'familial turn,' sees artists using intimate, domestic materials as primary sources for artistic exploration and narrative construction.

6 Exhibitions to See During EXPO Chicago 2026

The art world is witnessing a significant shift toward 'one-work exhibitions,' where entire gallery or museum spaces are dedicated to a single object. This curatorial trend, often referred to as 'slow looking,' prioritizes deep engagement and spatial experience over the traditional model of high-volume, rapid-fire viewing. By isolating a single masterpiece or installation, institutions are challenging the 'speed and glut' that defines modern digital and visual consumption.

los angeles frieze art world jeffrey epstein tod lippy 1234775119

Artist Tod Lippy is launching a mobile protest piece titled "All Of the Gang" during Frieze Los Angeles, featuring an LED truck that displays emails and documents linking prominent art world figures to Jeffrey Epstein. The project highlights correspondence and associations involving major industry names like Larry Gagosian, Leon Black, and David A. Ross, aiming to confront the public with the industry's perceived complicity and lack of accountability.

8 gulf artists defining the regions new cultural renaissance 2728529

Artnet News profiles eight Gulf artists who are shaping the region's cultural renaissance, including Mohammad Alfaraj and Dana Awartani. The article highlights their growing international recognition, with Alfaraj winning Art Basel Emerging Artist and Gold Awards in 2025 and Awartani exhibiting at the 2024 Venice Biennale. It notes the expansion of major art fairs like Art Basel and Frieze into the Gulf, alongside new homegrown initiatives such as the Diriyah Contemporary Art Biennale and Rubaiya Qatar.

year in latinx art 2025 artists museums 1234768159

The article reflects on the state of Latinx art in 2025, a year marked by devastating wildfires in Los Angeles and the start of the second Trump administration, which has intensified ICE raids and targeted communities of color. Amid this crisis, artists have created poignant responses, including AMBOS's ceramics project at Frieze Los Angeles benefiting migrants awaiting asylum hearings, and Consuelo Jimenez Underwood's solo exhibition at Artpace in San Antonio, which explored borders both literal and cosmic. The piece also highlights a two-person show by Beatriz Cortez and rafa esparza at the Americas Society, titled "Earth and Cosmos," featuring works that challenge time and space.