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Edward Burtynsky: Taking Place

Edward Burtynsky, the renowned Canadian photographer known for his large-scale depictions of industrial landscapes, is the subject of a feature titled "Edward Burtynsky: Taking Place." The article highlights his 40-year career documenting humanity's impact on the planet, from his early influences in St. Catharines, Ontario, to his recent exhibition "BURTYNSKY: Extraction/Abstraction," which premiered at London's Saatchi Gallery in February 2024 before traveling to M9 in Mestre, Italy. It also notes his founding of Toronto Image Works and his ongoing solo and group exhibitions worldwide.

Collect Like an Expert: How to Find Great Emerging Artists

The article offers guidance on discovering emerging artists, highlighting Instagram as a key platform. It profiles Mark Van Wagner, an artist, collector, and dealer who found Taylor Anton White's work on Instagram and later featured him at Marquee Projects in Bellport, New York, giving the artist three solo shows.

The Whelm of Massive Group Shows, and My Tender Eyes

The article reflects on the overwhelming experience of massive group exhibitions, using examples like Lawndale's "The Big Show" (77 artists in 2025), "Hecho en Dallas" (66 artists), and the School of the Art Institute of Chicago's 1999 MFA thesis show (around 150 artists). The author, a gallerist, recounts visiting two recent San Antonio shows—"A Postmodernist Says ¿Que?" at Centro de Artes and "Fan of a Fan 3" at C7 Space—which feature dozens of works hung salon-style, forcing viewers to make choices about where to focus attention.

Art and Soul: Inside Madagascar’s Burgeoning Creative Scene

The article explores Madagascar's burgeoning contemporary art scene, centered on Hakanto Contemporary, a non-profit art space in Antananarivo founded by artist Joël Andrianomearisoa. It highlights the group exhibition "Lamba Forever Mandrakizay," featuring 21 Malagasy artists reflecting on the traditional lamba textile, and the innovative culinary-art fusion by chef Lalaina Ravelomanana. The piece also mentions the Musée de la Photo, founded in 2018, which preserves Malagasy photographic heritage.