Jackson Pollock Transformed American Art—and Was Destroyed by His Own Success

The article traces Jackson Pollock's transformative yet destructive rise to fame, focusing on his move to East Hampton with Lee Krasner, his development of drip painting in a small unheated barn, and the influence of predecessors like Janet Sobel and Max Ernst. It details his 1948 debut at the Betty Parsons Gallery, the mocking 1949 Life Magazine feature that ironically catapulted him to celebrity, and photographer Hans Namuth's documentation of his process, which revealed the deliberate nature of his technique.