11 Contemporary Emirati Artists To Know

The article highlights 11 contemporary Emirati artists, providing an overview of their practices and significance within the Gulf's evolving art scene. It contextualizes this list against recent major events in the region, including the debut of Art Basel Qatar in early February and the subsequent U.S. attacks on Iran, which caused turmoil across the Gulf, disrupted airline operations, and forced Art Dubai to scale back its event to a smaller fair in mid-May. Artists and galleries in the Gulf also had to temporarily close.

How Is Arts Patronage Changing?

At TEFAF New York, Artnet News editor Andrew Russeth moderated a panel titled “Who Supports Art Now? Patronage in a Shifting Cultural Landscape” featuring two prominent figures in American arts philanthropy: Sarah Arison and Michi Jigarjian. Arison, who became the youngest president of the Museum of Modern Art’s board in 2024 at age 39, also leads the Arison Arts Foundation and chairs YoungArts. Jigarjian, CEO of Work of Art Holdings and a partner at 7G Group, has led Baxter St at CCNY for 15 years and serves on the boards of the Brooklyn Museum and MoMA PS1. The discussion took place during fair week in mid-May at the Park Avenue Armory.

How Swizz Beatz and Alicia Keys Built a Best-in-Class Art Collection With a “Collect What You Feel” Philosophy

Swizz Beatz and Alicia Keys, the musician power couple, have built a major art collection known as the Dean Collection, now touring as the exhibition "Giants" at the San Diego Museum of Contemporary Art. The show, which debuted at the Brooklyn Museum in 2024, features works by Gordon Parks, Jean-Michel Basquiat, Malick Sidibé, and a new multimedia installation by Mickalene Thomas. In an interview with GQ's Frazier Tharpe, the couple discusses their philosophy of collecting art based on emotional connection rather than investment or social status, and how their passion for art has deepened over their 15-year marriage.

The New Generation of Berlin Curators: Independent Laboratory or New Establishment

La nuova generazione dei curatori di Berlino: laboratorio indipendente o nuovo establishment

The article examines the shift in Berlin's contemporary art curation landscape, focusing on a new generation of curators who are more pragmatic and operational than their predecessors. Figures like Anna Gritz at Haus am Waldsee, Lisa Long at Julia Stoschek Foundation, and Bonaventure Soh Bejeng Ndikung—who moved from independent space Savvy Contemporary to lead Haus der Kulturen der Welt—exemplify this change. The piece argues that Berlin's art ecosystem has evolved from a low-pressure experimental zone into a competitive, almost corporate environment where curators must act as project managers, fundraisers, and cultural mediators.