How Tech Billionaires Turn Couture into Content

Wie Tech-Milliardäre Couture zu Content machen

The Met Gala, long considered the premier event for fashion and cultural influence, has become increasingly dominated by tech billionaires. This year, Jeff Bezos and Lauren Sánchez Bezos purchased their role as co-hosts, sparking protests in New York and raising questions about whether money alone now buys entry into the highest echelons of fashion. Individual tickets cost $10,000 and a table $350,000, with sponsors including OpenAI, Snapchat, and Meta. The event, organized by Anna Wintour to raise funds for the Costume Institute at the Metropolitan Museum of Art, raised $31 million last year but has transformed from a benefit into a spectacle optimized for viral moments and algorithmic appeal.

Taking a Deep Dive into a Connecticut Ranch House

Artist couple Janis Provisor and Brad Davis transformed an indoor swimming pool in their Connecticut ranch house into a studio, prioritizing their creative work over leisure. The article explores how they adapted the unconventional space to suit their artistic practices.

Are the Visitors' Lions at the Venice Biennale an Opportunity for Art Criticism? Let's Seize It?

I Leoni dei Visitatori alla Biennale di Venezia sono un’opportunità per la critica d’arte. Cerchiamo di coglierla?

The article discusses the newly instituted "Leoni dei Visitatori" (Visitors' Lions) at the Venice Biennale, established after the resignation of the International Jury. The author, Alberto Villa, argues that this change shifts significant influence to art media and critics, as visitors will rely on reviews and recommendations from specialized magazines, websites, and social media to decide which pavilions to prioritize. Villa calls on critics to embrace this responsibility with heightened critical rigor, seeing it as an opportunity to revive the mediating role of art criticism.

Janusz Jurek Embraces the Weirdness of Everyday Life in Captivating Street Photographs

Polish photographer Janusz Jurek, who works as a graphic designer and commercial photographer, creates candid street photographs that capture humor, happenstance, and the bizarre. He focuses on authentic moments outside the mainstream, often turning away from main attractions to observe people's reactions, small gestures, and strange coincidences. Jurek is preparing a photo collection titled "Look, Before It’s Gone," compiling five years of his street photography.

AKKA Venice Project: Beyond the Exhibition

Lidija Khachatourian, founder of AKKA Project, discusses her gallery's evolution from Dubai to Venice, where it remains the only gallery dedicated to African and diasporic artists. In an interview with ART AFRICA, she explains her shift from a market-driven model toward a research-led, custodial approach that prioritizes long-term relationships and slowness over high-volume programming. The gallery, established in Venice in 2019, operates with a deliberate resistance to market pressures, focusing on care, continuity, and direct material support for its artists.