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The Defining Themes of Today’s Biennial Art

The article analyzes the defining themes and styles of the past four years in the international biennial circuit, based on a survey of 130 biennials. It identifies a core group of artists who appeared most frequently, including Ali Eyal, Apichatpong Weerasethakul, Carolina Caycedo, Kapwani Kiwanga, and Tuan Andrew Nguyen, among others. Many of these artists are also featured in the upcoming 61st Venice Biennale curated by the late Koyo Kouoh. The piece categorizes their work under two broad themes: "Post-Colonial Post-Conceptualism," which involves poetic engagement with colonial history and artifacts, and "Families and Networks," where artists explore personal and political family histories.

On Paranoid Time

Film Notes has published Qingyuan Deng's essay exploring the intersection of Lacan's concept of retroactive meaning and Eve Kosofsky Sedgwick's distinction between paranoid and reparative reading, as applied to recent artists' films and moving-image installations. The essay examines how works like Alison Nguyen's installation "Perforation, Ellipse" at New York's Storefront for Art and Architecture use cinematic techniques—such as perforations, splices, and missing scenes—to hold the temporal gap between an event and its belated political comprehension, focusing on the censorship of Vietnamese bolero songs after the American War.