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year in latinx art 2025 artists museums

The article reflects on the state of Latinx art in 2025, a year marked by devastating wildfires in Los Angeles and the start of the second Trump administration, which has intensified ICE raids and targeted communities of color. Amid this crisis, artists have created poignant responses, including AMBOS's ceramics project at Frieze Los Angeles benefiting migrants awaiting asylum hearings, and Consuelo Jimenez Underwood's solo exhibition at Artpace in San Antonio, which explored borders both literal and cosmic. The piece also highlights a two-person show by Beatriz Cortez and rafa esparza at the Americas Society, titled "Earth and Cosmos," featuring works that challenge time and space.

8 Artists to Follow If You Like Marcel Duchamp

Marcel Duchamp’s legacy continues to shape contemporary art through his pioneering use of readymades, conceptual rigor, and institutional critique. This analysis identifies eight modern and contemporary artists whose practices echo Duchamp’s subversion of traditional aesthetics, ranging from his early experiments with found objects to his later explorations of gender and mechanical desire.

Art as Memorial in Lotusland

The article "Art as Memorial in Lotusland" by Aleina Grace Edwards appears in the February 2026 issue of Contemporary Art Review LA (CARLA). It is part of a larger issue exploring themes like scent in art, tarot, social urgencies in curation, and video art, positioning it within a critical discussion of contemporary art practices in Los Angeles.

Miljohn Ruperto Rethinks Western Ideas of Time

The rise of the 'one-work exhibition' is transforming how audiences engage with art, shifting the focus from the rapid consumption of numerous objects to a singular, immersive spatial experience. By isolating a single masterpiece or installation, institutions are creating environments that demand 'slow looking' and provide a meditative counterpoint to the overwhelming speed of digital and contemporary visual culture.

Angela de la Cruz Breaks the Frame

The art world is witnessing a significant shift toward the 'one-work exhibition,' a format that rejects the traditional gallery model of high-volume displays in favor of singular, immersive encounters. By isolating a single masterpiece or installation, institutions are encouraging 'slow looking' and recasting the act of viewing as a deliberate spatial experience. This trend serves as a direct response to the digital age's relentless pace and the overwhelming 'glut' of contemporary visual culture.

6 Exhibitions to See During EXPO Chicago 2026

The art world is witnessing a significant shift toward 'one-work exhibitions,' where entire gallery or museum spaces are dedicated to a single object. This curatorial trend, often referred to as 'slow looking,' prioritizes deep engagement and spatial experience over the traditional model of high-volume, rapid-fire viewing. By isolating a single masterpiece or installation, institutions are challenging the 'speed and glut' that defines modern digital and visual consumption.

What Oototol’s Art Reveals about Indonesian History

Tara Anne Dalbow explores the emerging trend of 'one-work exhibitions,' where galleries and museums dedicate an entire show to a single masterpiece. This format encourages 'slow looking,' a meditative practice that prioritizes deep engagement and spatial experience over the rapid-fire consumption of images typical of the digital age.

Can Video Art Rewire South Korea’s Global Image?

The rise of the 'one-work exhibition' is transforming the traditional museum experience by focusing an entire show on a single object. These minimalist presentations prioritize 'slow looking' and spatial immersion, forcing viewers to engage deeply with a lone masterpiece rather than scanning through a crowded gallery of multiple works.