Betye Saar’s Birthday Present

Betye Saar, the iconic assemblage artist, is donating her collection of Black dolls to the New York Historical on the occasion of her 100th birthday. The article also covers strong performance art at the Venice Biennale, including works by Florentina Holzinger and Miet Warlop at the Austrian and Belgian pavilions, amidst a fraught edition marked by the death of artistic director Koyo Kouoh, canceled pavilions, and protests. Additional features include a review of Ceija Stojka's exhibition at the Drawing Center and a profile of sculptor Edmonia Lewis.

Venice Biennale: The Must-Sees Off the Official Program

Biennale de Venise, les immanquables du off

The article highlights must-see exhibitions taking place in Venice alongside the official Biennale, curated by the magazine L'Œil. It features three major shows: "Le pli et le temps" at Fondazione dell’Albero d’Oro, exploring the fold as a material and temporal concept through the work of Patrick Saytour and Piero Manzoni; "Lorna Simpson. Third Person" at Punta della Dogana, a major European survey of Simpson's paintings, collages, and films organized by the Pinault Collection; and "Picasso, Morandi, Parmiggiani. Still Lifes" at Galleria di Piazza San Marco, a dialogue between three masters of still life, co-organized by Tornabuoni gallery and the Musée national Picasso-Paris.

From Cannes to Nice, via Grasse and Saint-Paul-de-Vence… 8 Refreshing Exhibitions on the Côte d’Azur

De Cannes à Nice, en passant par Grasse et Saint-Paul-de-Vence… 8 expos rafraîchissantes sur la Côte d’Azur

Beaux Arts Magazine highlights eight refreshing exhibitions across the French Riviera from spring to summer 2026. Featured shows include a Carole Benzaken survey at La Malmaison in Cannes, a hotel biennial at the Canopy by Hilton Cannes, a group exhibition on media theorist Nathalie Magnan at Villa Arson in Nice, and a dialogue between Henri Matisse and Yves Saint Laurent at the Musée Matisse in Nice. Other stops include Ellsworth Kelly at Fondation Maeght in Saint-Paul-de-Vence, and shows in Grasse featuring painter Jean-Honoré Fragonard, photography, and costumes.

Celebrated in the 1970s, American artist Nancy Graves returns to the spotlight at Ceysson & Bénétière

Célébrée dans les années 1970, l’artiste américaine Nancy Graves retrouve la lumière chez Ceysson & Bénétière

Beaux Arts Magazine reports on a resurgence of interest in American artist Nancy Graves (1939–1995), highlighted by a new exhibition at Ceysson & Bénétière. Graves, who worked across painting, sculpture, film, and stage design, was a rising star in the 1970s—exhibiting at MoMA and the National Gallery of Art, and becoming the youngest artist to have a solo show at the Whitney Museum of American Art at age 29. The article traces her career from studying literature at Vassar and art at Yale, to her brief marriage to sculptor Richard Serra, and her pioneering use of NASA satellite imagery and natural history themes in works like her life-size camel sculptures.

Julius von Bismarck “This is not the storm” at Australian Centre for Contemporary Art, Melbourne

Julius von Bismarck's first Australian solo exhibition, "This is not the storm," opens at the Australian Centre for Contemporary Art (ACCA) in Melbourne on Friday, 17 April. The Berlin-based artist blends art, science, and environmental themes to challenge conventional perceptions of nature as a social construct.

Kelly Akashi and friends celebrate Altadena's resilience after Los Angeles wildfires

Artist Kelly Akashi created "Field Set," an installation and performance on the site of her former home and studio in Altadena, California, which was destroyed by the Eaton wildfire last year. The project, supported by the nonprofit Los Angeles Nomadic Division (Land), featured salvaged materials, hand-blown glass orbs, wildflower plantings, and a soundscape by artist Phil Peters, drawing around 500 visitors over two days. Akashi integrated remnants from the fire into her recent Lisson Gallery show and has been awarded the Hyundai Terrace Commission for the 2026 Whitney Biennial, where she will present a glass replica of her chimney titled "Monument (Altadena)."

Post-Paintings, Pyrex Bowls, and Dollar-Store Flowers: Our Critic’s Guide to Art on the UES Right Now

Eliza Douglas makes her New York solo debut with 'Ghosts' at Gagosian's Park Avenue outpost, featuring layered paintings that incorporate UV-printed portraits of her aunt, UFO journalist Leslie Kean, over reworked canvases previously shown at the shuttered Air de Paris gallery. The exhibition runs through July 31, 2026, alongside concurrent shows at Gagosian's Madison Avenue space featuring Marcel Duchamp and Robert Rauschenberg, and a pairing of David Hammons with Jannis Kounellis at White Cube on the Upper East Side.

Jonathas de Andrade - En galerie

Jonathas de Andrade's solo exhibition, titled "Ivresse d’une vie de bain de mer," is on view at Galleria Continua in Paris. The show brings together recent and never-before-seen works inspired by Brazilian Neo-Concretism and geometric abstraction. Andrade transforms vernacular forms into chromatic compositions, drawing from a project initiated after a 2025 commission from the Victoria and Albert Museum. The works engage with the materials and practices of maritime communities in northeastern Brazil, particularly canoeiros and jangadeiros (fishermen and raft sailors). The exhibition includes the film "Jangadeiros e Canoeiros" (2025), along with silkscreens, recycled sails, and paintings on wood, blending photography, abstraction, and readymade elements.

London Gallery Weekend 2026 Highlights And Recommendations

London Gallery Weekend 2026 will take place from June 5 to 7, featuring over 120 galleries across the city, including nine first-time participants and several with new or expanded spaces. The free, open-to-all event is organized by geographic focus days: Central London on Friday, South London on Saturday, and East London on Sunday, with participating galleries open from 11am to 6pm on Friday and Saturday, and 12pm to 5pm on Sunday. Highlights include Gagosian showing rare early works by Christo, Niru Ratnam presenting Keith Piper, Sadie Coles HQ screening new films by Helen Marten, and Victoria Miro debuting Shahzia Sikander's first exhibition since announcing representation.

Newcastle Art Gallery’s stunning new exhibitions open up a multiverse

Newcastle Art Gallery has opened three new exhibitions following its February reopening with the blockbuster show 'Iconic Loved Unexpected'. The new presentations include Tiyan Baker's solo show 'Mouth Mnemonica', 'The Mordant Family Gift' featuring 25 works donated by philanthropists Simon and Catriona Mordant, and Brian Robinson's 'Multiverse'. The exhibitions collectively showcase a diverse range of national and international artistry, with works by artists such as Gemma Smith, Tim Silver, Alasdair Macintyre, and Rafael Lozano-Hemmer. Baker's solo exhibition focuses on preserving the Bidayǔh language through multimedia works including autostereograms and video installations.

Photographer Catherine Opie is everywhere all at once this spring

Photographer Catherine Opie is experiencing an extraordinary year in 2026, with multiple major exhibitions opening simultaneously across Europe and Los Angeles. A career-spanning survey at London’s National Portrait Gallery will travel to Edinburgh’s Royal Scottish Academy, while other shows appear in Kassel, Germany, and Trondheim, Norway. In Los Angeles, her new exhibition “Holding Blue” opens May 28 at Regen Projects, featuring 44 images of Norwegian mountain landscapes shot over 20 days in early 2024, accompanied by nine ceramic sculptures. Her work also appears in group shows at the Autry Museum of the American West, Hauser & Wirth, and David Zwirner. Opie, who retired from UCLA after serving as chair of the art department and teaching photography for more than 20 years, describes this period as the “Catherine Opie World Tour 2026.”

Lubaina Himid and Magda Stawarska: Zanzibar

Lisson Gallery in London presents "Lubaina Himid and Magda Stawarska: Zanzibar," an immersive installation running from June 4 to August 22, 2026. The exhibition features nine diptychs painted by Himid in 1999, paired with a 38-minute multi-layered sound composition by Stawarska created in 2023. The works explore themes of memory, displacement, and belonging, drawing on Himid's birthplace in Zanzibar and her family's migration to London. The installation includes Taraab music, opera, archival BBC clips, and Himid's own voice, creating a multi-dimensional experience that reflects both artists' sense of loss and connection to their native countries.

In Venice, the Punta della Dogana tells the striking trajectory of activist artist Paulo Nazareth

À Venise, la Punta della Dogana raconte la trajectoire saisissante de l’artiste activiste Paulo Nazareth

Brazilian artist Paulo Nazareth (b. 1977) has mounted a major exhibition at the Punta della Dogana in Venice, working remotely to honor his pledge not to set foot in Europe until he has walked through all 54 African countries. The show includes a striking new installation: a line of salt tracing the shape of a slave ship (tumbeiro) on the first floor, evoking the hundreds of enslaved people who died in such vessels. Other works range from embroidered dishcloths and spontaneous photographic self-portraits to cardboard signs and resin-encased packaging critiquing racist marketing, alongside fragile handmade boat models that echo refugee crossings. The exhibition, titled "Algebra," was curated by Fernanda Brenner and runs through 2026.

For the 9th edition of Printemps Asiatique Paris, K-art in the spotlight

Pour la 9e édition du Printemps Asiatique Paris, le K-art à l’honneur

The 9th edition of Printemps Asiatique Paris, running from June 3 to 12, 2026, places Korean art (K-art) at center stage, celebrating Franco-Korean friendship. The event moves from its previous location to the refined spaces of Galerie Charpentier and includes a "Parcours galeries" route featuring around twenty Parisian galleries. Participating galleries include Louis & Sack with Lee Hyun Joung's memorial landscapes, Magna Gallery with Hoon Moreau's oak sculptures, and Françoise Livinec with works by Bang Hai Ja. Other highlights include Jean-François Cazeau gallery showing major Asian artists like Zao Wou-Ki, Léonard Tsuguharu Foujita, and Yayoi Kusama; Mingei gallery presenting Japanese bamboo basketry from the 8th century to today; Sinapango gallery with lacquer objects including a Ming-dynasty erotic incense box; and Jacques Barrère gallery with a large Goryeo-dynasty bodhisattva sculpture. The Musée national des Arts asiatiques – Guimet mounts complementary exhibitions on Silla civilization treasures and K-beauty.

Kiki Smith - En galerie

Kiki Smith, a multidisciplinary artist born in 1954, is the subject of an exhibition titled "Flight" at Galerie Lelong. The show features bronzes, stained glass, and drawings in which birds and nature reflect human emotions, continuing her 40-year exploration of the unity of living things—human, animal, and plant—from the microscopic to the cosmic. The article, published in L'ŒIL no. 796 on June 1, 2026, is behind a paywall.

Get a taste of the beautiful game through art at exhibits across LA

The article highlights several art exhibitions and installations across Los Angeles that celebrate soccer and sports culture in anticipation of the World Cup. Featured works include Lyndon J. Barrois Sr.'s "Fútbol is Life" at LACMA, featuring miniature sculptures made from chewing gum wrappers depicting historic soccer moments; Pelle Cass's "Play!" at Union Station's Metro Art Passageway Gallery, showing densely layered timelapse photographs of athletes; and Mark Dean Veca's mural "Miracle of La Brea" at the new Wilshire/La Brea Metro Station, which traces the history of the Miracle Mile. The piece also notes the recent opening of the David Geffen Galleries at LACMA and upcoming museums like Refik Anadol's Dataland and the Lucas Museum of Narrative Art.

Stanley Donwood on his show with Thom Yorke in Venice: ‘These drawings… they’re not planned’

Stanley Donwood, the artist and longtime collaborator of Radiohead's Thom Yorke, discusses his recent and upcoming projects in an interview. These include the conclusion of 'This Is What You Get', a retrospective at Oxford's Ashmolean Museum; the 'Motion Picture House' installation based on Radiohead's albums Kid A and Amnesiac; and his first exhibition outside the UK with Yorke, titled 'No Go Elevator (not without no keycard)', staged in Venice during the 2026 Biennale. The Venice show, presented with Tin Man Art, features 15 ink-on-paper works combining drawings and text from Yorke's notebooks.

8 Mind-Bending Digital and Art Exhibitions To Visit

LUXUO highlights eight immersive exhibitions that integrate digital technologies, AI, and sensory engagement to redefine contemporary art experiences. Featured venues include DATALAND in Los Angeles, the world's first museum dedicated to AI-generated art, opening in June 2026 with its inaugural show "Machine Dreams: Rainforest"; the Museum of the Future in Dubai, which uses narrative simulations to explore speculative futures; and Moco Museum Amsterdam's "Digital & Immersive Art" by Studio Irma, focusing on interactive light-based installations. Other exhibitions blend projection mapping, 3D environments, and data-driven installations to transform how audiences perceive and interact with art.

Tracing the Body Through Dust and Memory

South African artist Igshaan Adams presents 'Unsettling Dust: The Body’s Archive' at the Guggenheim Bilbao, an immersive exhibition that merges weaving, choreography, sculpture, and social history. The show features monumental woven tapestries derived from collaborative dance performances between South African and Greek dancers in Athens, transforming the gallery into a living archive of movement and memory. On view from 5 May to 1 November 2026, it is part of the museum's in situ series.

Detroit’s MOCAD Reopens with a New Vision and a New Kind of Leadership

The Museum of Contemporary Art Detroit (MOCAD) has reopened after an eight-month renovation, marking its 20th anniversary with a new vision centered on artists and community. Co-directors Jova Lynne and Marie Madison-Patton have titled this new chapter "A Practice of Multiplicity," emphasizing the wholeness of artists' lives beyond their work. The renovation includes infrastructural upgrades like an HVAC system, a new Learning Studio, a transformed café for programming, and a facade that opens to the street. Two inaugural surveys highlight Detroit artists Olayami Dabls and Carole Harris, whose practices explore the city's history, culture, and social transformation.

Alma Allen on Representing the US at the 61st Venice Biennale

ArtReview published a questionnaire sent to artists and curators participating in the 61st Venice Biennale (2026), featuring responses from Alma Allen, who is representing the United States at the Giardini pavilion. Allen gave cryptic, philosophical answers, declined to answer several questions, and criticized the art world establishment, calling outsider artists the most important and refusing to provide a framework for interpreting her work. The article includes details about her bronze sculpture "Not Yet Titled" (2023) and her reflections on US identity, violence, and bureaucracy.

Matías Duville on Representing Argentina at the 61st Venice Biennale

Matías Duville will represent Argentina at the 61st Venice Biennale in 2026 with a site-specific installation titled *Monitor Yin Yang*, transforming the Argentina Pavilion into a walkable landscape made of salt and charcoal. The work expands drawing into a spatial, sonic, and time-based experience, inspired by the natural environments of Mar del Plata and Patagonia. Duville discusses his approach in an interview with ArtReview, noting how early encounters with vast territories and geological time continue to shape his practice, and how the project relates to the Biennale's theme, *In Minor Keys*, by focusing on subtle intensities and open-ended evolution.

François Bonnel Explores the Emotional Side of Geometry

François Bonnel, a former advertising executive of 25 years, pivoted to art in 2018 and now presents his latest solo exhibition, “François Bonnel: The Geometry of Joy,” at Maddox Gallery in Mayfair, London, from June 4 to July 2, 2026. The show features abstract paintings that blend geometric and hard-edge abstraction with playful, intuitive compositions, using color, line, and light to evoke emotions like joy and harmony. Works such as *Caught* (2026) and *I Really Like You* (2026) demonstrate his exploration of three-dimensional space and the suggestive power of abstraction.

3 art museums celebrate Betsy Wyeth, who made Maine’s landscape her canvas

Three museums are celebrating the legacy of Betsy James Wyeth, the wife of painter Andrew Wyeth, with exhibitions that highlight her role as a designer, preservationist, and creative force behind the environments that inspired her husband's iconic works. The Farnsworth Art Museum and Colby College in Maine, along with the Brandywine Museum of Art in Pennsylvania, are presenting shows that explore Betsy's architectural and landscape sensibilities, including her work on properties like Benner Island, Allen Island, and the Olson House. The exhibitions, titled "By Design: The Worlds of Betsy James Wyeth," run through late 2026 and early 2027.

2026 Busan Biennale 'Dissident Chorus' turns its attention to sound amid an overexposure to the visual

The 2026 Busan Biennale, titled "Dissident Chorus," will open on August 29 across three venues on two of Busan's islands, featuring 44 artists and teams from 23 countries. Conceived as a "polyphonic score" in three movements, the biennale will take place at the Busan Museum of Contemporary Art on Eulsukdo Island, a former ship-equipment warehouse on Yeongdo Island, and the former Busan Nam High School. Co-directed by Evelyn Simons and Amal Khalaf, the exhibition deliberately emphasizes sound, performance, choreography, and club culture over traditional visual art objects, with artists including Joshua Serafin, Natasha Tontey, Eric Baudelaire, and Korean participants Park Hyun-sung, Suki Seo-kyeong Kang, and Lim Min-ouk.

Whistler Didn't Mean to Make His Mourning Mother an Art World Star. Today, She's a Highlight at a Major Exhibition in London

James McNeill Whistler's iconic 1871 painting 'Arrangement in Grey and Black No. 1,' better known as 'Whistler's Mother,' is currently on display at Tate Britain in London as part of 'James McNeill Whistler,' Europe's largest-ever retrospective of the artist's work. The painting, on loan from the Musée d'Orsay in Paris, was created in Whistler's London studio when his mother Anna McNeill Whistler agreed to pose after a model canceled. The exhibition runs through late September 2026.

'Fade' review: Studio Museum Harlem's 'F' series returns

The Studio Museum in Harlem has opened 'Fade,' the sixth installment of its influential 'F' series, featuring 17 emerging Black and Afro-Latinx artists. The exhibition includes works such as London Pierre Williams's large-scale oil painting 'The Stage: He that leaves me blue, a dream (2026)' and Antonio Darden's 'Untitled (Reclining Figure) (2025),' among others. Curated to feel like an unfolding conversation rather than a traditional group show, 'Fade' explores themes of ancestry, spirituality, grief, and transformation, with sculptures, paintings, and installations that hover between memory and dream.

Amoako Boafo Drew on Venice’s Rich Creative Heritage for His First Solo Show in Italy

Amoako Boafo, the Ghanaian artist known for his finger-painted portraits of stylish Black sitters, opened his first solo show in Italy at the Museo di Palazzo Grimani in Venice during the 61st Venice Biennale. Titled "It doesn’t have to always make sense" and produced by Gagosian, the exhibition runs through November 22 and features Boafo's paintings alongside works by friends and collaborators, including poems by Raphael Worlasi Langani and a sculpture made with Stephen Allotey. The show also includes a video documenting Boafo's life and a "heroine wall" of portraits honoring women he admires, such as curator Koyo Kouoh.

Il Ritratto di Maffeo Barberini acquistato dallo Stato per 30 milioni è esposto a Roma al Senato a ingresso gratuito

The Italian State has acquired Caravaggio's "Ritratto di Monsignor Maffeo Barberini" for €30 million, concluding a negotiation that lasted over a year. The painting, executed around 1600, will be on free public display from May 28 to June 21, 2026, in the Sala Capitolare of the Biblioteca del Senato in Rome, before its permanent transfer to the Gallerie Nazionali di Arte Antica at Palazzo Barberini. The exhibition also features a selection of documents from the Archivio di Stato di Roma, including judicial records that shed light on Caravaggio's legal troubles.

I Am Not an Anacronista Painter: The Misunderstood Research of Artist Carlo Maria Mariani

“Io non sono Un Pittore Anacronista”. La ricerca fraintesa dell’artista Carlo Maria Mariani

The Fondazione Carlo Maria Mariani issues a corrective statement defending the late artist Carlo Maria Mariani (1931–2021) against persistent misclassification as an "Anacronista" or "Postmodern" painter. The foundation argues that critics and institutions have superficially lumped Mariani into the anachronistic movement of 1970s–80s Italy, ignoring the conceptual and cerebral foundations of his work. Currently, a solo exhibition titled *I Segni dei Tempi* is on view at the Museo e Real Bosco di Capodimonte in Naples until July 14, curated by Andrea Viliani and Antonio Martino. This follows a 2024 show at the Galleria degli Uffizi in Florence and precedes a major retrospective at Palazzo Citterio in Milan in 2026, curated by Eike Schmidt.