Zurich’s controversial Bührle Collection is rehung, including five paintings by Van Gogh—plus one forgery

The Kunsthaus Zurich has unveiled a comprehensive new display of the Emil Bührle Collection, featuring 205 works including five significant paintings by Vincent van Gogh and one acknowledged forgery. This reinstallation marks a shift from previous thematic displays focused on provenance research to a denser presentation of the collection's breadth. Notable works on view include a 1887 self-portrait and the masterpiece 'The Sower at Sunset,' though one Van Gogh remains in conservation and another has been withdrawn due to Nazi-era ownership complications.

Joan Semmel Is Doing Her Best Work at 93

Nonagenarian painter Joan Semmel is experiencing a significant career renaissance, marked by a major survey exhibition at the Jewish Museum and a concurrent solo show at Alexander Gray Associates. At 93, Semmel continues to work from her Soho studio, where she has lived for over fifty years, producing unflinching figurative paintings that explore the female body, aging, and the gaze. The article traces her trajectory from her early education at Cooper Union and a formative period in Madrid to her pivotal role in feminist art history.

In an Unlikely Pairing, Giacometti Sculptures Head to The Met's Temple of Dendur

The Metropolitan Museum of Art has announced a major summer exhibition titled "Giacometti in the Temple of Dendur," featuring 17 sculptures by the 20th-century Swiss master Alberto Giacometti. The show, organized in collaboration with the Fondation Giacometti, will place the artist's iconic slender bronze figures within and around the first-century BCE Roman Period Egyptian temple. The installation includes significant loans such as "Femme qui marche I" and "Femme de Venise I," marking a rare dialogue between modern existentialist sculpture and ancient architectural history.

Inside the Vancouver Art Gallery’s Juicy New Show

The Vancouver Art Gallery has unveiled 'Highlights from the Collection,' a major long-term exhibition featuring 200 works selected from its permanent holdings of over 13,000 items. Curated by a team led by Eva Respini, the show marks a strategic shift for the institution by committing to a semi-permanent display that will remain on view until 2030. The exhibition includes iconic pieces ranging from Gathie Falk’s ceramics to Andy Warhol’s Marilyn Monroe prints and Claes Oldenburg’s sculptures.

Marcel Duchamp & Sturtevant | Dialogues are mostly fried snowballs

Thaddaeus Ropac Milan is hosting a landmark exhibition titled "Dialogues are mostly fried snowballs," marking the first-ever joint presentation of Marcel Duchamp and Sturtevant. The show stages a cerebral confrontation between Duchamp’s original readymades, such as "Porte-bouteilles" and "Trébuchet," and Sturtevant’s radical repetitions of his work. By showcasing these pieces alongside archival materials and films, the exhibition traces how Sturtevant used Duchamp’s style as a medium to investigate the canonization and "understructure" of conceptual art.

‘Ugly’ but ‘beautiful’: LACMA finally unveils controversial new Geffen Galleries — was it worth the wait?

The Los Angeles County Museum of Art (LACMA) has finally unveiled its new David Geffen Galleries, a $724 million concrete and glass structure designed by Swiss architect Peter Zumthor. Spanning Wilshire Boulevard, the 110,000-square-foot elevated gallery space will house 1,700 works from the museum’s permanent collection, including masterpieces by Francis Bacon, Henri Matisse, and Katsushika Hokusai. The building is scheduled to open to the public on April 19, marking the completion of a massive campus expansion that has been nearly two decades in the making.

In Geneva, John M Armleder’s Stunning Lesson in Art History

À Genève, la renversante leçon d’histoire de l’art de John M Armleder

The Musée d’Art et d’Histoire (MAH) in Geneva has unveiled its sixth "carte blanche" exhibition, curated by the influential Swiss artist John M Armleder. Following in the footsteps of figures like Ugo Rondinone and Wim Delvoye, Armleder was invited by museum director Marc-Olivier Wahler to mine the institution's vast collection of 800,000 objects. The resulting show defies traditional museum hierarchies by juxtaposing fine art with decorative objects, such as silver-topped corks and musical instruments, alongside Armleder's own prolific output of multiples.

A Giant Wool Form by Nicola Turner Heaves and Skitters Through an 18th-Century Chapel

Artist Nicola Turner has unveiled a site-specific installation titled "Time’s Scythe" within an 18th-century chapel at the Yorkshire Sculpture Park. The work features massive, creature-like forms made from hand-stitched recycled wool and horsehair that appear to crawl and surge through the building's architectural openings, spilling from balconies and wrapping around the exterior.

CK Reed Illustrates Chicago's Neighbors Boutique Art Fair

Artist and illustrator CK Reed provides a visual and narrative account of the inaugural Neighbors Boutique Art Fair in Chicago. Founded by Mirka Serrato and curated by Jonny Tana, the fair transformed a historic residence on Astor Street in the Gold Coast into an intimate, domestic exhibition space. The event focused on a "non-conforming cultural proposal," deliberately platforming underrepresented communities and galleries within a setting that prioritized human connection over the typical commercial whirlwind of larger fairs.

Boston had Isabella Stewart Gardner, and Fitchburg had Eleanor Norcross

The Fitchburg Art Museum is celebrating its 100th anniversary with the exhibition “Kaleidoscope: 100 Years of Collecting for our Community.” The show honors the legacy of founder Eleanor Norcross, a Victorian-era artist and collector who studied under William Merritt Chase and exhibited in Parisian salons. Although Norcross died in 1923 before the museum opened, her estate and personal collection of paintings and decorative arts provided the foundation for the institution, which officially opened in 1929.

Jo Ractliffe at the Jeu de Paume: “I am not a militant photographer, but when you work in South Africa you cannot escape stories of violence”

Jo Ractliffe au Jeu de Paume : « Je ne suis pas une photographe militante, mais quand on travaille en Afrique du Sud on ne peut échapper aux histoires de violence »

South African photographer Jo Ractliffe discusses her upcoming retrospective at the Jeu de Paume, reflecting on her career path that began during the isolation of the apartheid era. Eschewing traditional photojournalism, Ractliffe developed a singular poetic language focused on landscapes and animals to address the heavy histories of violence, ownership, and displacement in Southern Africa.

Edmonia Lewis Was the Earliest Known Black Artist to Depict Emancipation. This Is Her First Retrospective.

The Peabody Essex Museum is hosting "Said in Stone," the first-ever comprehensive retrospective dedicated to Edmonia Lewis, a pioneering 19th-century sculptor of Black and Ojibwe heritage. The exhibition assembles a significant body of her marble works, including the landmark sculpture "Forever Free" (1867), which is recognized as the first formal visual representation of emancipation by a Black American artist. The show traces her journey from her upbringing with her Ojibwe family and her traumatic years at Oberlin College to her eventual success as an expatriate artist in Rome.

A tour of 10 must-see booths at the miart 2026 fair in Milan

Un giro in 10 stand da non mancare alla fiera miart 2026 a Milano

The 30th edition of miart, Milan’s international modern and contemporary art fair, has launched at the Allianz MiCo South Wing under the artistic direction of Nicola Ricciardi. Titled "New Directions," the 2026 edition features 160 galleries from 24 countries, organized into sections like Emergent, Established, and Established Anthology. Despite some logistical complaints regarding the new layout, the opening saw high attendance and early optimism from dealers regarding sales.

Alserkal Art Month 2026: The ultimate opening weekend guide

Alserkal Avenue in Dubai has launched its 2026 Art Month, expanding its traditional week-long celebration into a five-week program. The opening weekend features 18 participating galleries debuting flagship exhibitions, including a solo show by Anthony Akinbola at Carbon 12 and a 20th-anniversary group exhibition at Gallery Isabelle. Key highlights include interactive screen-printing workshops with Shilpa Gupta and the unveiling of her public art installation, "Still A Sky We Hold," alongside curated tours and artist talks.

'Is This Art?': Mulberry Art Studios' newest exhibition features cryptic art from telephone poles

Mulberry Art Studios in Lancaster, Pennsylvania, has launched a posthumous exhibition titled "Is This Art?: The Collected Works of Donald Shoffstall." The show features a collection of photocopied signs and posters that Shoffstall, a local figure who experienced homelessness, stapled to telephone poles throughout the city during the late 20th century. Curated by Steve Sylvester and Jerry Greiner, the exhibition presents these stream-of-consciousness writings and abstract graphic works as significant pieces of outsider art.

The Antwerp Six and the Problem of Now

A new exhibition at MoMu in Antwerp, guest-curated by Geert Bruloot, explores the enduring legacy of the 'Antwerp Six'—a group of visionary designers who graduated from the Royal Academy of Fine Arts in the 1980s. The show features dedicated rooms for members including Walter Van Beirendonck and Dirk Van Saene, showcasing their distinct aesthetics ranging from maximalist rave-wear to surrealist runway recreations. It traces their journey from a self-funded trip to a London trade fair in 1986 to becoming global icons who challenged the dominance of Parisian couture.

A Landmark Calder Exhibition with Over 300 of His Revolutionary Works Goes on View in Paris

The Fondation Louis Vuitton in Paris has launched "Calder: rêver en équilibre," a massive retrospective featuring over 300 works by the American modernist Alexander Calder. The exhibition spans the artist's entire career, from his early engineering-influenced "Circus" performances and hand-wrought jewelry to his iconic suspended mobiles and monumental outdoor sculptures. Notably, the show marks the first time the Frank Gehry-designed institution has installed artworks on its exterior lawns, creating a dialogue between Calder’s geometric forms and the building's avant-garde architecture.

Roksana Pirouzmand’s Dual‑Site Meditation on Loss

Roksana Pirouzmand’s dual-site exhibition in Los Angeles, hosted at OXY ARTS and JOAN, features performance-based sculptures and installations that utilize literal erosion to explore themes of loss and displacement. The works include anatomical clay casts of the artist and her mother, which are subjected to water, vibration, and physical interaction, causing them to crack and deteriorate over the course of the show. At OXY ARTS, a kinetic metal floor involves the viewer directly, as their footsteps cause clay hands to collide and break, illustrating the physical impact of movement and presence.

Prada's Cultured Symposium on Fashion and Design Will Take Place This Year at Santa Maria delle Grazie in Milan

Il colto simposio su moda&design di Prada quest’anno si svolgerà nella chiesa di Santa Maria delle Grazie a Milano

The fifth edition of Prada Frames, an annual multidisciplinary symposium curated by the design studio Formafantasma, is set to take place from April 19 to 21, 2026, at the historic Santa Maria delle Grazie in Milan. Hosted within the Renaissance sacristy attributed to Donato Bramante, the event coincides with the Salone del Mobile and features a series of lectures and discussions. This year's theme, "In Sight," explores the evolving power of images, the blurring lines between human and machine-generated content, and the material environmental impact of digital image production.

Qatar Pavilion Announces Artists for 2026 Venice Biennale

The Qatar Pavilion has unveiled its artist lineup and conceptual framework for the 61st Venice Biennale in 2026. Titled "untitled 2026 (a gathering of remarkable people)," the exhibition will feature a collaborative presentation centered around a tent-like structure designed by Rirkrit Tiravanija. The pavilion will include a film by Sophia Al-Maria, a large-scale sculpture by Alia Farid, sound performances by Tarek Atoui, and a culinary program curated by chef Fadi Kattan, all hosted within a temporary site in the Giardini designed by architect Lina Ghotmeh.

Faig Ahmed on Representing Azerbaijan at the 61st Venice Biennale

Artist Faig Ahmed will represent Azerbaijan at the 61st Venice Biennale in 2026 with a project exploring the intersections of mystical poetry and quantum physics. Located in the Campo de la Tana, the pavilion aims to create a contemplative space where technology and ancient oral traditions facilitate a personal dialogue for the viewer. Ahmed’s presentation responds to the Biennale’s overarching theme, 'In Minor Keys,' by focusing on subtle, often overlooked phenomena.

Anyone can say something against injustice. This group uses artwork to do that.

The exhibition "Instructions for Unrest: Art Against Complacency" has opened at Art Produce Gallery in San Diego, featuring a group of artists who utilize their work as a tool for political and social disruption. Curated by Alessandra Moctezuma in collaboration with the nonprofit Space 4 Art, the show presents a diverse range of media aimed at addressing issues such as immigrant rights, LGBTQ+ protections, and environmental policy.

Jewelry artist Douriean Fletcher’s exhibition opens at Walters Art Museum this weekend

The Walters Art Museum in Baltimore is set to open "Douriean Fletcher: Jewelry of the Afrofuture," a major exhibition featuring over 100 works by the renowned jewelry artist. Fletcher, who gained international acclaim for her costume design work on Marvel’s "Black Panther" franchise, will see her contemporary Afrofuturistic pieces displayed alongside ancient artifacts from the museum's permanent collection, including items from Ancient Egypt and Ethiopia.

At the Walters: Douriean Fletcher’s jewelry for the ‘Black Panther’ movies

The Walters Art Museum is showcasing the intricate jewelry designs of Douriean Fletcher, the specialty jeweler responsible for the iconic adornments in the 'Black Panther' film franchise. The exhibition highlights Fletcher's craftsmanship and her ability to blend Afrofuturist aesthetics with traditional African metalworking techniques, bringing cinematic artifacts into a fine art museum context.

Guide to Cultural Festivals in Italy in April 2026: PARMA 360, Turin Jazz, Rome Science, Genoa of the Arts

Guida ai festival culturali in Italia di aprile 2026: PARMA 360, Torino Jazz, Scienze di Roma, Genova delle arti

The Italian cultural landscape in April 2026 features a diverse array of festivals, headlined by the 10th anniversary of PARMA 360. This contemporary creativity festival, themed 'LUX. Visions on Light,' transforms the city of Parma into a widespread laboratory with exhibitions across 22 locations. Other notable events include the Symeoni Festival in Ferrara, which celebrates the art of movie posters and the legacy of painter Sandro Simeoni, alongside various music and educational programs.

Sands and Rituals from the Antipodes: To Be Discovered in a Former Church in Venice

Sabbie e riti dagli antipodi. Da scoprire in una ex chiesa di Venezia

The Church of San Lorenzo in Venice, home to Ocean Space, is hosting "Tide of Returns," an exhibition by the Repatriates Collective. The installation transforms the historic nave with sand dunes populated by thousands of decorated shells known as Dadikwakwa-kwa, or shell dolls, from the Anindilyakwa people of Australia. The show also features a tripartite installation of video, textiles, and braids by German-Bolivian artist Verena Melgarejo Weinandt, exploring themes of ancestral connection and the universal significance of water.

Vian Sora: Tepe Gawra

Vian Sora’s solo exhibition "Tepe Gawra" at Bortolami Gallery marks her debut with the gallery, featuring a series of large-scale paintings that bridge ancient Mesopotamian history with contemporary Iraqi experience. The works, such as 'Celestial capsule' and 'Scarlet', utilize a complex layering process of poured acrylics and precise oil applications to explore themes of mortality, survival, and the aftermath of conflict.

Art shows how Shirley Cards and race shaped photography | Opinion

Artist Jeremy Okai Davis has launched a solo exhibition titled “Presence of Color” at the Harvey B. Gantt Center for African-American Arts + Culture. The show, curated by Dr. Tamara Brothers, features large-scale paintings that utilize a pixelated, neo-impressionist style to depict Black figures and historical icons like Angela Davis. The works specifically address the history of "Shirley Cards"—color-calibration tools used by Kodak that were based on white skin tones, effectively marginalizing Black subjects in film photography for decades.

Mondialisation and Mondialité: For a Museum of Errantry with Édouard Glissant

The Center for Art, Research and Alliances (CARA) in New York is hosting "The Earth, the Fire, the Water, and the Winds: For a Museum of Errantry with Édouard Glissant," an exhibition traveling from the Instituto Tomie Ohtake in São Paulo. The show eschews traditional curatorial hierarchies, instead utilizing the theories of Martinican philosopher Édouard Glissant to present works by artists such as Gerardo Chávez and Eduardo Zamora. Rather than providing didactic labels, the installation encourages "errantry" and "relationality," allowing visitors to discover visual resonances and meanings through their own active engagement with the landscape of the gallery.

Sound Minds: The Artists Decoding the Noise That Dominates Our Contemporary World

The exhibition "état bruit" at Konschthal Esch explores the concept of noise as a form of interference, cultural signal, and political tool. Featuring works by seven contemporary artists, including Nik Nowak’s Indonesian-inspired sound truck and Open Group’s haunting video installation of refugees mimicking artillery, the show investigates how sound reflects both community identity and the trauma of conflict.