Appropriation Culture: Richard Prince and Arthur Jafa

An upcoming exhibition at ArtReview pairs artists Richard Prince and Arthur Jafa to explore the ethics and aesthetics of image appropriation. Jafa's work, such as the video "Love is the Message, The Message is Death" (2016), uses found footage of police violence and Black cultural icons, while Prince's "Girlfriends" series rephotographs amateur snapshots from biker magazines. Jafa has cited Prince as a key influence on his own practice of transposing images across contexts.

After the Afterparty: Berlin Art Tests Its Pulse during Gallery Weekend

Gallery Weekend Berlin took place from late April into early May, drawing large crowds despite ongoing concerns about the city's declining art-market relevance. The weekend kicked off with early previews on Wednesday, including Alex Heide's solo exhibition "the darkroom beams horizons" at the new space Klix, and continued with events at Sprüth Magers, the Between Bridges Foundation, and the hidden venue CHB Fine Arts, which featured works by Nairy Baghramian, Jack O'Brien, Sofia Duchovny, Ilya Lipkin, and Mania Godarzani-Bakhtiari. Friday, coinciding with May Day, saw gallery visits at Molitor and KOW, where Ketuta Alexi-Meskhishvili and Candice Breitz presented solo shows.

Exhibition | Mark di Suvero, 'Avanti!' at Paula Cooper Gallery, 534 West 21st Street, New York, United States

Paula Cooper Gallery in New York will present an exhibition of large-scale sculptures and drawings by Mark di Suvero from May 2 through July 17. The show features the debut of the kinetic sculpture 'Avanti!' (c. late 1990s), a human-intervention piece with a suspended beam that viewers can rock with their body weight, alongside the 1986 work 'Nelly' and the stainless steel 'Tables Turn’d' (2004), as well as a selection of works on paper including interactive "sliding drawings."

How the National Gallery of Art Used Video to Take an Exhibition Beyond Its Walls

The National Gallery of Art's production studio created a multi-platform video strategy around its 2025 traveling retrospective of artist Elizabeth Catlett. The centerpiece was a documentary following contemporary artist LaToya Hobbs as she created a new linocut portrait of Catlett's granddaughter, Naima Mora, using high-resolution time-lapse filmmaking. The project was presented at the Museum Digital Summit 2026 by a team including Sarah Turner, Chad Lawrence, Adam Enatsky, Karla Carnewal Torallas, and Amelia Mylvaganam.

뉴뮤지엄 DEMO2026 Art, Design, and Technology Festival(6/3-5) - Lounge

NEW INC, the New Museum's cultural incubator, has announced the full schedule for DEMO2026, a three-day art, design, and technology festival running from June 3–5 at the New Museum's newly expanded OMA-designed building on the Bowery. The festival features keynote speakers including multimedia artist Lawrence Lek, cultural historian Dr. Sarah Elizabeth Lewis, artist and Ojas sound system founder Devon Turnbull, NTS Radio founder Femi Adeyemi, and artist-engineer Xin Liu. Public programming includes demonstrations, performances, workshops, and talks showcasing projects by 39 current NEW INC members, with a Track Showcase on view through June 10. This marks the first edition of DEMO held in the New Museum's expanded space since its reopening.

History Made Material

Material gewordene Geschichte

The German Pavilion at the 61st Venice Biennale has been transformed by artist Sung Tieu, who clad its Nazi-era facade with millions of small marble tiles to replicate the look of a prefabricated East German apartment block—specifically the Gehrenseestraße housing complex in Berlin where she spent part of her childhood. Inside, the exhibition features glass casts of her mother's limbs, aluminum beams evoking cramped living quarters, and works by the late Henrike Naumann, all curated by Kathleen Reinhardt to explore bureaucracy, migration, and systemic violence.

Urban Art Biennale: Rust, dust and decay revamps Germany's Völklingen ironworks

Dozens of urban artists from 17 countries have gathered at Germany's Völklinger Hütte (Völklingen Ironworks), a UNESCO World Heritage site, for the Urban Art Biennale 2026 opening this Saturday. The exhibition features 50 artists including Tomas Lacque, Boris Tellegen (Delta), Vortex-X, Ampparito, Remi Rough, and Anders Reventlov, who have created site-specific installations that engage with the industrial landmark's sprawling spaces, rust, dust, and sense of decay. Works range from a van covered in ash-like paint to a massive wooden sculpture and a rooftop text piece visible from 45 meters high.

Urban Art Biennale returns to UNESCO industrial site in Germany | Daily Sabah

Dozens of urban artists from 17 countries have gathered at the Völklinger Hütte (Völklingen Ironworks) in Germany, a UNESCO World Heritage Site and former ironworks, for the Urban Art Biennale 2026. The exhibition features 50 artists, including Tomas Lacque, Boris Tellegen, Ampparito, Remi Rough, Anders Reventlov, and the collective Vortex-X, who have created site-specific installations, murals, and sculptures that engage with the industrial ruins and history of the 15-acre complex, which ceased production in 1986.