Theodoros Papagiannis: Reusing Materials For Art’s Slow Arrow, As An Antidote To Barbarism

Theodoros Papagiannis, a Greek sculptor and professor, is the subject of a tribute exhibition titled "In Praise of Sculpture" at the Sianti Gallery in Athens. The show features works by eighteen artists, all graduates of the 1st Sculpture Workshop of the Athens School of Fine Arts, honoring Papagiannis as their teacher. In an interview, Papagiannis discusses his philosophy of reusing materials, the importance of memory in art, and his belief that art must remain rooted in tradition while engaging with the present. He also reflects on Greece's sculptural heritage, the influence of ancient works like the Elgin Marbles, and his ongoing project of drawing from Greece's archaeological museums.

Zum Lachen aufgelegt

A brilliant retrospective at the Wiels art center in Brussels examines how Lutz Bacher used bitter humor and readymades to dissect American visual culture, power, and gender roles—all while keeping her own identity hidden. The exhibition highlights Bacher's practice of working under a pseudonym since the 1970s, refusing interviews, and letting her art speak for itself.

“Paroles, Paroles” at Centre d’Art Contemporain—la synagogue de Delme

The article announces the group exhibition “Paroles, Paroles” at the Centre d’Art Contemporain—la synagogue de Delme, featuring six artists, performers, and poets (including one duo). The show examines how language—its words, accents, and expressions—reflects political, social, and technological shifts, and how linguistic hybridization, transformation, and adaptation reveal both freedoms and constraints.

The Strong Presence of Guatemalan Indigenous Artists at the Sydney Biennale

LA FUERTE PRESENCIA DE ARTISTAS INDÍGENAS GUATEMALTECOS EN LA BIENAL DE SYDNEY

The 25th Sydney Biennale, titled "Rememory" and curated by Hoor Al Qasimi, centers on colonialism and historical reparation, featuring a strong presence of Indigenous and First Nations artists. Notably, five Maya artists from Guatemala—Sandra Monterroso, Angélica Serech, Ángel Poyón, Fernando Poyón, and Edgar Calel—are participating, exploring ancestral knowledge, community practices, and tensions between Indigenous cosmologies and modernity. Their work engages with Australian debates on Indigenous sovereignty and colonial repair, challenging historical institutional representation.