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Return of Aparicio painting to Prado exemplifies trajectory of human taste

The Prado Museum in Madrid has launched a new exhibition series called "A Work, a Story," beginning with José Aparicio's 1818 painting "El año del hambre de Madrid" (The Year of the Famine in Madrid). Once the museum's most popular attraction, the propagandistic work celebrating Spanish resistance to Napoleon fell from favor and was removed from display for over 150 years, residing in government buildings and other museums before returning to the Prado.

MCASD welcomes art exhibition from collection of Swizz Beatz, Alicia Keys

The Museum of Contemporary Art San Diego (MCASD) is hosting the West Coast debut of "Giants," a major exhibition featuring the personal art collection of musical icons Alicia Keys and Swizz Beatz (Kasseem Dean). The show features works by nearly 40 Black American and diasporic artists, including monumental pieces by towering figures in the contemporary art world. To localize the presentation, the museum has collaborated with the Deans to launch a companion exhibition titled "Hometown Heroes," which spotlights San Diego-based artists.

Impressively harmonious artistic manifesto propels Storywork: The Prints of Marie Watt from the Collections of Jordan D. Schnitzer and His Family Foundation exhibition at the Utah Museum of Fine Arts

The Utah Museum of Fine Arts (UMFA) is hosting "Storywork: The Prints of Marie Watt from the Collections of Jordan D. Schnitzer and His Family Foundation," an exhibition running through June 21. It features over 60 works by Marie Watt, an enrolled member of the Seneca Nation's Turtle Clan, including prints, monumental blanket stacks, hanging textiles, and small-scale sculptures. The show is drawn from the collections of Jordan D. Schnitzer, a top 200 collector recognized by ARTNews, whose foundation has supported more than 180 exhibitions and loaned works to over 130 museums at no cost.

After the firestorm: First look at Australian artist’s Venice Biennale works

Australia has opened its pavilion at the Venice Biennale featuring artist Khaled Sabsabi's multimedia installation "conference of one's self," a vivid work inspired by a 12th-century Sufi poem. The exhibition follows a political firestorm: Creative Australia initially selected Sabsabi and curator Michael Dagostini to represent the country, then rescinded the invitation after controversy over a 2007 video featuring Hezbollah leader Hassan Nasrallah. The decision was later reinstated, and Sabsabi also has a companion work in the main Biennale exhibition curated by Koyo Kouoh. The pavilion is funded by the federal government and private donors including Simon Mordant and the Turnbull Foundation.

Labour, connection on display at Sarnia gallery exhibitions

Two exhibitions have opened at the Judith and Norman Alix Art Gallery in Sarnia, Ontario. Mark Stebbins's solo show 'The Lingering Instant' features 27 meticulously hand-crafted paintings, each requiring at least 100 hours of labor using syringe-extruded paint, dip pens, and tiny brushes on burlap and wood panels. The companion exhibition 'Together Apart | Under One Roof' presents works by Winnipeg studio neighbours Aganetha Dyck, Diana Thorneycroft, and Reva Stone, exploring feminist art practice, collaboration, and human-nature connections. Both exhibitions opened April 17 and run until August 30, with Stebbins also hosting a free artist talk on June 6 and a paid workshop on June 7.

‘Ojai Mystique’ exhibition returns to Ojai Valley Museum

The Ojai Valley Museum has opened its annual 'Ojai Mystique' exhibition, featuring 19 invited artists from California and beyond. Each artist created two paintings inspired by the Ojai Valley—a large masterwork and a smaller companion piece—resulting in 38 works that explore the region's landscape, atmosphere, and light. The exhibition runs through August 9 and includes a series of Sunday Town Talks with artists and a master framer.