Newcastle Art Gallery’s stunning new exhibitions open up a multiverse

Newcastle Art Gallery has opened three new exhibitions following its February reopening with the blockbuster show 'Iconic Loved Unexpected'. The new presentations include Tiyan Baker's solo show 'Mouth Mnemonica', 'The Mordant Family Gift' featuring 25 works donated by philanthropists Simon and Catriona Mordant, and Brian Robinson's 'Multiverse'. The exhibitions collectively showcase a diverse range of national and international artistry, with works by artists such as Gemma Smith, Tim Silver, Alasdair Macintyre, and Rafael Lozano-Hemmer. Baker's solo exhibition focuses on preserving the Bidayǔh language through multimedia works including autostereograms and video installations.

Follow PAPER Undercover at New York Art Week

The article follows the author's undercover experience during New York Art Week, focusing on the simultaneous openings of Frieze New York and TEFAF New York in May. Frieze, held at The Shed in Hudson Yards, features contemporary galleries from 28 countries, while TEFAF at the Park Avenue Armory offers a mix of contemporary art, antiques, and Old Masters. The author highlights standout works, including Kelly Sinnapah Mary's solo presentation at James Cohan and Aki Goto's dental installation at Gallery G, and notes the packed schedule of talks, gallery openings, and museum galas.

Frida Kahlo and Diego Rivera at MoMA in New York in a Passionate Theatrical Dialogue

Frida Kahlo et Diego Rivera au MoMA de New York dans un dialogue théâtral plein d’ardeur

The Museum of Modern Art (MoMA) in New York has opened a theatrical exhibition titled "Frida and Diego: The Last Dream," curated by Beverly Adams, the museum's curator of Latin American art. The show features around twenty paintings and drawings by Frida Kahlo and Diego Rivera from MoMA's collection, alongside photographic portraits. The exhibition's dramatic staging, designed by British set designer Jon Bausor—who also worked on the Metropolitan Opera's concurrent production of "El Último Sueño de Frida y Diego"—creates a tense dialogue between the artists' contrasting styles: Rivera's political murals and Kahlo's intimate, colorful self-portraits. Highlights include Kahlo's "Self-Portrait with Cropped Hair" (1940) and Rivera's "Zapata, Agricultural Leader" (1931).

Raque Ford ”The only one willing to to the hard part” at Fridericianum, Kassel

The article reviews Raque Ford's exhibition "The only one willing to do the hard part" at Fridericianum in Kassel. Ford, born in 1986 in Columbia, Maryland, and based in New York, presents works that blend artistically formed shapes with bold color contrasts and slogan-like text. Using plastic and industrial materials, she creates an aesthetic that oscillates between abstraction and simple visual codes, with layered compositions that challenge conventional boundaries.

Giorgio Vasari beyond the Lives: what the exhibition at the Capitoline Museums in Rome looks like

An exhibition titled "Vasari and Rome" has opened at the Capitoline Museums in Rome, running until July 19, 2026. Curated by Alessandra Baroni and promoted by Roma Capitale, the show features over seventy works—including drawings, prints, engravings, letters, medals, sculptures, and paintings—that trace Giorgio Vasari's relationship with 16th-century Rome. Sixteen autograph works and seven drawings are among the highlights, arranged in four sections that follow the chronology of Vasari's Roman sojourns, from his arrival in 1532 under Cardinal Ippolito de' Medici to his later engagements with patrons like Bindo Altoviti and Cardinal Alessandro Farnese. The exhibition is staged in an intimate, chamber-like setting on the top floor of Palazzo Caffarelli, contrasting the small space with the vast theme of Vasari's role in papal Rome's political and cultural life.

Don’t Miss: Giles Duley’s “Distortion / Memory / Resilience” at Sutton Tower

Photographer and storyteller Giles Duley has opened a two-week exhibition titled “Distortion / Memory / Resilience” at Sutton Tower on the Upper East Side of New York. The show features his powerful images documenting life during war, alongside artistic touches such as wooden school desks filled with artwork by Ukrainian children. Duley, who lost two legs and one arm after an I.E.D. injury in Afghanistan in 2011, continues to work actively in war zones including Sudan, Afghanistan, and Ukraine. Proceeds from the exhibition support his NGO, the Legacy of War Foundation, which has raised over $4 million since 2017 to help communities rebuild after conflict.

What not to miss from the new edition of The Phair, the photography fair in Turin

Cosa non perdere della nuova edizione di The Phair, la fiera della fotografia di Torino

The seventh edition of The Phair, a photography fair in Turin, Italy, opened on Thursday, May 21, at the Sala Fucine of the Officine Grandi Riparazioni. Founded by Roberto Casiraghi and Paola Rampini, the fair features 42 national and international galleries. Highlights include a surprising automotive partnership at the entrance, and standout presentations from Red Lab Gallery (Ezio D’Agostino and Carlotta Valente), Alberto Damian Gallery (Paolo Gioli), Roccavintage (Costanza Gastaldi), Tucci Russo (Giulio Paolini), Raw Messina (Kri Babusci), and Galleria Umberto Benappi (Ugo Mulas). Other notable artists include Arnulf Rainer, Anton Corbijn, Luigi Ontani, and Simon Starling.

Yosra Mojtahedi, Iranian artist who moved from painting to astonishing living sculptures

Yosra Mojtahedi, artiste iranienne passée de la peinture à de stupéfiantes sculptures vivantes

Yosra Mojtahedi, an Iranian artist born in 1986, has transitioned from painting to creating stunning living sculptures. Her work, characterized by black and white contrasts, features sculptures that breathe, have hair, and incorporate torn tights and synthetic locks, evoking themes of identity, censorship, and bodily autonomy. She recently presented a spectacular installation titled "Isthme noir" at the Espace Monte-Cristo in Paris and an exhibition at the Abbaye de Maubuisson, where her spiritual universe unfolds across multiple rooms. Mojtahedi's practice includes sound elements in Persian or Kurdish, and she views her sculptures as "bodies" that are both intimate and political.

A Roma si celebra il fotografo riminese Marco Pesaresi a 25 anni dalla morte: docu-film e mostra

Rome is celebrating the work of Rimini-born photographer Marco Pesaresi (1964–2001), 25 years after his death, through two events organized by the photography training center Daylight School, led by Marco Sconocchia. A documentary film titled "Il granchio nudo – La storia di Marco Pesaresi," produced by Riccardo Caccia and Michela Fragomeni and directed by Marta E. Antonioli and Elena Padovan, will be screened on May 21 at Nuovo Cinema Aquila. The film features unpublished materials, including Pesaresi's diaries and poems, and includes interviews with those who knew him. A group exhibition, "UNDERGROUND. Il mondo sotto. Omaggio a Marco Pesaresi," opens May 29 at Daylight School, reinterpreting the themes of his photobook "Underground" through the eyes of 15 photographers.

We Didn’t Choose to Be Born Here: Inherited Frequencies

Botswana-born artist Thero Makepe presents 'We Didn’t Choose to Be Born Here: Inherited Frequencies' at the Javett Art Centre at the University of Pretoria, an exhibition running until February 13, 2027. The show combines staged portraiture, archival imagery, and documentary photography to explore themes of memory, migration, and political inheritance, focusing on the intertwined histories of Botswana and South Africa. Makepe traces his own family’s anti-apartheid struggle, including his grandfather Hippolytus Mothopeng’s flight from apartheid South Africa and the legacy of PAC leader Zephaniah Mothopeng, treating history as fragmented and continuously reassembled rather than fixed.

Beppe Madaudo on display in Pietrasanta: matter, memory and suspended figures

From May 3 to June 28, 2026, Art Studio La Marina gallery in Pietrasanta hosts "Anteprima," a solo exhibition by Italian artist Beppe Madaudo (born Palermo, 1950), curated by Diego Ferrante. The show presents works where animals, human figures, and hybrid forms emerge from layered matter, exploring themes of memory, tension, and transformation. Key pieces include a depiction of the fish St. Peter, whose profile is outlined in red while its interior is built from threads, combustions, and fragments, and two horse paintings on contrasting ash gray and burnt red backgrounds that alter the visual weight of the same silhouette.

The paintings Jannis Psychopedis never let go

Seventy works kept for decades in the studio of painter Jannis Psychopedis form the core of a new retrospective at the Basil and Elise Goulandris Foundation Museum in Athens, tracing the artist’s journey from 1962 to the present. Titled 'Jannis Psychopedis: Landscapes of Memory. The Ones I Kept,' the exhibition gathers paintings and mixed-media works that rarely appeared in public and were never intended as an archive. Psychopedis said he always saved 'two or three works from every period,' preserving them as 'support for the next movement' and as a record of life, art and experience. Emerging during the liberal climate of the 1960s, the artist belonged to the pioneering New Greek Realists and painted the tensions of a society shaped by advertising, consumerism and political upheaval.