filter_list Showing 3 results for "Capucine" close Clear
search
dashboard All 8 museum exhibitions 3trending_up market 3article culture 1article news 1
date_range Range Today This Week This Month All
Subscribe

how did hiroshige become an international sensation

A new exhibition at the British Museum, “Hiroshige: Artist of the Open Road,” showcases over 100 works by the Japanese ukiyo-e master Utagawa Hiroshige, including a landmark gift of 35 prints from U.S. collector Alan Medaugh. Many of the prints have never been publicly displayed before, and some are believed to be the only surviving examples of their kind. The show runs through September 7 and features landscapes, bird-and-flower prints, fan prints, and an immersive digital experience created with Outernet London.

Van Gogh’s love of Hiroshige, the Japanese master of the landscape, is reflected in a British Museum exhibition

The British Museum's exhibition "Hiroshige: Artist of the Open Road" (through September 7) showcases over 100 prints by the Japanese master Utagawa Hiroshige, including rare loans that highlight his influence on European avant-garde artists. A key display is Vincent van Gogh's own copy of Hiroshige's "The Plum Garden at Kameido" (1857), on loan from the Van Gogh Museum in Amsterdam, along with Van Gogh's squared-up tracing used for his painting. New research by British Museum senior scientist Capucine Korenberg reveals a short pencil line on the print that confirms Van Gogh used this exact copy as a guide for his tracing and subsequent painting.

the eight Impressionist exhibitions

Between 1874 and 1886, a group of avant-garde artists in Paris—including Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Camille Pissarro, and Berthe Morisot—organized eight independent exhibitions as a rebellion against the government-sponsored Salon. Rejected by the Salon's conservative jury, which favored academic standards, these artists pooled resources to stage their own shows, initially held at photographer Nadar's atelier on the boulevard des Capucines. The exhibitions had fluctuating lineups and varied titles, and the term "Impressionist" was only applied retrospectively by art historians in the 20th century.