A surge of gallery exhibitions in New York this January focuses on deceased artists and estates, including shows for Marcia Marcus at Olney Gleason, Hung Liu at Ryan Lee, and Lynn Geesaman at Yancey Richardson. This trend reflects a broader shift toward historical reappraisals, with young dealers increasingly taking on artist estates and museums doubling their share of solo shows for dead artists from 18% in 2019 to nearly 50% in 2025.
Cara Romero, an enrolled citizen of the Chemehuevi Indian Tribe, is the subject of her first institutional solo exhibition, "Panûpünüwügai," at Dartmouth's Hood Museum in New Hampshire. The show features her photography that fuses Indigenous ancestral memory with pop culture, depicting Native women as powerful agents reclaiming space against colonial stereotypes. Romero has also been featured in over 10 museum group exhibitions since last fall, including shows at the Hudson River Museum and Cantor Art Center.
The 2026 Turner Prize nominees have been announced, featuring artists Marguerite Humeau, Tanoa Sasraku, Kira Freije, and Simeon Barclay. The shortlist is notably lacking in painting, video art, and overtly political work, instead offering sci-fi utopianism, jazz performance poetry, ephemeral sculpture, and anti-corporate satire. Critics describe the selection as timid and safe compared to previous years, missing the anger, radicalism, and transformative joy of past editions.
Thaddaeus Ropac Milan is hosting a landmark exhibition titled "Dialogues are mostly fried snowballs," marking the first-ever joint presentation of Marcel Duchamp and Sturtevant. The show stages a cerebral confrontation between Duchamp’s original readymades, such as "Porte-bouteilles" and "Trébuchet," and Sturtevant’s radical repetitions of his work. By showcasing these pieces alongside archival materials and films, the exhibition traces how Sturtevant used Duchamp’s style as a medium to investigate the canonization and "understructure" of conceptual art.
Artist Sheila Hicks is presenting a new collection of jewelry, titled "Cosmic Jewelry," at the Venice Biennale, developed with Elisabetta Cipriani Gallery, London. The collection debuted on May 6 at the Monaco & Grand Canal Hotel during the opening of the 61st International Art Exhibition of La Biennale di Venezia, alongside works by other artists such as Giorgio Vigna and Michele Oka Doner. Known for her monumental textile-based works, Hicks has translated her signature use of thread and fiber into wearable art, creating brooches and necklaces that incorporate gemstones and minerals, produced with Atelier L & L. The pieces draw from her larger-scale "Boules" and "memory bundles," reflecting a two-year process of rethinking proportion and movement for bodily adornment.
Boston Art Review (BAR) has published a guide to must-see museum exhibitions for fall 2026, highlighting major shows across the United States. The article curates a selection of institutional presentations that are expected to draw significant attention during the autumn season, though the specific exhibitions and venues are not detailed in the provided text.
Nouveau centre d’art et pépites cachées : un week-end plein de surprises à Bruges
Bruges, the Flemish city known for its medieval charm and UNESCO World Heritage status, has inaugurated a new art center called BRUSK in spring 2026. Located in the museum district, the building designed by Robbrecht en Daem and Olivier Salens features a monumental 350-square-meter fresco by French artist Laure Prouvost titled "The Whispering Walls Rêve," which references the city's past and present. The center also includes a conservation and research facility, with free access to the ground floor. The article proposes a weekend itinerary starting at the Grand-Place (Markt) and highlights Bruges as a hub for contemporary creation alongside its historic treasures.
The fourth edition of Roma Gallery Weekend will take place from May 15 to 17, 2026, featuring 31 galleries across Rome. The event kicks off with a new Gallery Night on May 14, where simultaneous openings and special projects serve as a concentrated prologue. Participating galleries include established names like Gagosian, Galleria Continua, and Lorcan O'Neill, as well as emerging spaces such as Amanita and Cantadora. Highlights include exhibitions of Francesca Woodman, Tracey Emin, Friedrich Kunath, and Carlos Garaicoa, alongside site-specific interventions and group shows.
Warren Feeney's article highlights 10 exhibitions opening in May 2026, primarily in Christchurch, New Zealand. Featured shows include Stone Maka's 'MONO' at Jonathan Smart Gallery, exploring Tongan tapa cloth traditions; Jess Nicholson's 'Ka maumahara te uku (the clay remembers)' at CoCA Toi Moroki, focusing on Ngāi Tahu culture and land connections; and a group exhibition 'Indigo' at Art on the Quay, featuring seven Central Otago artists. Other notable shows include Jane Barry, Sandra Hussey, and Laurie Roodt's 'Three Exhibitions' at Chambers Art Gallery, and Stephanie Postles' 'What These Walls Remember' at City Art Depot's new Up Stairs space.
The Venice Biennale has released the artist list for its 61st edition, titled "In Minor Keys," featuring 111 participants. This edition is historically unique as its curator, Koyo Kouoh, passed away in May 2025 during the exhibition's development, leaving a team of advisors including Gabe Beckhurst Feijoo, Marie Helene Pereira, and Rasha Salti to realize her vision. The exhibition focuses on understated, poetic sensibilities and living artists, a departure from the larger, historically-focused surveys of recent years.
Prince Albert II and Princess Caroline of Hanover opened the 8th edition of Monaco Art Week on Monday evening at the New National Museum of Monaco. The event, running until May 1, transforms the Principality into an open-air art trail with fourteen participating venues, including Artcurial, Sotheby's, Almine Rech Gallery, and the Hôtel des Ventes de Monte-Carlo, spread across La Condamine, Monte-Carlo, and Larvotto. The royal siblings toured the current exhibition "The Feeling of Nature," which explores works from Nicolas Poussin to contemporary art, featuring painting, sculpture, jewellery, and design. The week will culminate with the opening of the Art Monte-Carlo fair at the Grimaldi Forum, marking its 10th edition under the artistic direction of Stefano Rabolli Pansera.
Indigenous Canadian painter Kent Monkman, a member of the Fisher River Cree Nation, presents his exhibition "Kent Monkman: History is Painted by the Victors" at the Akron Art Museum, on view through August 16. The show features over 30 large-scale paintings that mimic 19th-century landscape works by settler artists like Albert Bierstadt and Frederic Edwin Church, but inserts Indigenous figures who were historically romanticized, stereotyped, or omitted. Monkman uses his two-spirit alter ego Miss Chief Eagle Testickle to challenge colonial narratives and reverse the artistic gaze. The exhibition was organized by the Denver Art Museum and the Montreal Museum of Fine Arts, with co-curators John Lukavic and Léuli Eshrāghi.
The New Bedford Art Museum has unveiled its 2026 exhibition schedule, featuring a diverse range of programming that spans from historical masterpieces to contemporary social issues. The season began with "The Homecoming," a rare display of works by Mary Cassatt and Käthe Kollwitz from private SouthCoast collections, and will continue with a major survey of contemporary Mexican art titled "Resistance." Other highlights include an exploration of ecological anxieties in "Vanishing Ecologies" and a partnership with the American Visionary Art Museum to showcase self-taught artists.
The Hood Museum of Art in Hanover, New Hampshire, has mounted a dozen exhibitions drawn entirely from its own collection to mark the 250th anniversary of American independence. Curators began planning in 2022, opting for a series of smaller, collaborative shows rather than a single large exhibition. Highlights include "Always Already: Abstraction in the United States," featuring works by Frank Stella and Nampeyo; "American Pop," with Ed Ruscha's "Standard Station, Amarillo, Texas" and Jaune Quick-to-See Smith's "The Rancher"; and "Art Histories/Art Futures," which pairs May Stevens' "Big Daddy Paper Doll" with Michael Naranjo's "He's my brother." The exhibitions reflect the museum's ongoing effort to include art and artists historically left out of the art-historical canon.
The Rose Art Museum at Brandeis University will present "Fred Wilson: Reflections," a major survey of the artist's work from 2003 to the present, on view from August 20, 2025, through January 4, 2026. Curated by Dr. Gannit Ankori, the exhibition spans three sections, including Wilson's glassworks inspired by the 2003 Venice Biennale, his black-and-white Flag paintings, and the debut of a new immersive installation, "Black Now!," which features over 2,500 found objects collected since 2005 that explore themes of race, identity, and material culture.
A new exhibition at Macquarie University Art Gallery reveals unseen works by Eric Smith (1919-2017), a celebrated Australian artist who won three Archibald Prizes and six Blake Prizes before unexpectedly vanishing from public life. Despite his early fame—including a role in launching Australian abstract expressionism with the group show Direction 1—Smith's career stalled after the death of his gallerist Rudy Komon in 1982, leaving him without a connection to the art world. He continued painting prolifically for four more decades, working daily in his studio, but destroyed more than half his output and had no major gallery shows after 1989.
Kent Monkman's exhibition "History is Painted by the Victors" is on view at the Denver Art Museum (DAM) through August 17, before traveling to the Montreal Museum of Fine Arts on September 27. The show centers on Miss Chief Eagle Testickle, a fictional narrator who appears throughout Monkman's work to disrupt false narratives about Indigenous history and colonization. The article excerpts a catalog essay explaining how Monkman created Miss Chief as a campy, humorous, and empowering figure who infuses Indigenous perspectives into art history, often inserting her into iconic artworks to subvert colonial tropes.
The first UK presentation of Nancy Holt's work, titled "MoonSunStarEarthSkyWater," opens at the Goodwood Art Foundation in Sussex from 2 May to 1 November 2026. The exhibition includes both a gallery-based show and works in the landscape, featuring key pieces such as the monumental site-responsive installation "Ventilation System" (1985-92) and the earthwork "Hydra's Head" (1974). The show aims to highlight Holt's exploration of perception, language, and light, and includes works from her diverse practice spanning concrete poetry, film, photography, and public sculpture.
The Fall River Museum of Contemporary Art (FR MoCA) has launched "Citadel," a group exhibition featuring nine international artists including Lydia Ourahmane and Kambel Smith. Curated by Cory John Scozzari, the show utilizes diverse media—from sculpture and video to performance—to explore themes of urban movement, geopolitical complexity, and the mechanisms of surveillance and control. The exhibition is set to run through July 19, 2026, with an opening reception and curator-led walkthroughs scheduled for April.
The Yellowstone Art Museum in Billings, Montana, has launched two new ceramic-focused exhibitions: "Folktales and Fanfare" and "Embedded in the Overlap." A central highlight of the new programming is the work of Ukrainian ceramicist Janina Myronova, whose exhibition features whimsical stoneware figures and drawings that explore themes of home, hope, and human connection. Myronova’s work, including her 2023 piece "Two Heads Are Better Than One," blends traditional ceramic techniques with dreamlike narratives.
Kathryn Williams, a Liverpool-born singer-songwriter and visual artist based in Newcastle, opens her first solo North East exhibition, "Striking Image," at The Biscuit Factory in Ouseburn on May 8. The show features tiny, expressive portraits painted on matchboxes, reimagining historical miniatures on humble household objects. Williams, who has released 17 albums, written a novel, and hosted a podcast, approaches this exhibition as another strand of her lifelong creative practice, emphasizing freedom and process over product.
Korean-American artist Misoo Bang’s solo exhibition “전미개오 轉迷開悟: Buddhist Teaching of Being Freed of Anguish and Reaching Nirvana” opens at the Alliance for the Visual Arts (AVA) Gallery in Lebanon on August 22. The show features works from her “Giantess” series, which depicts survivors of sexual violence, her “Giant Asian Girls” series, which challenges stereotypes of Asian-American women, and her “Lotus Flowers” series, which uses the traditional Buddhist painting technique Taenghwa to portray Buddhas and female Bodhisattvas. Bang, a Vermont-based lecturer at the University of Vermont, was named one of the 10 emerging artists of New England by Art New England in 2019 and a Vermont artist to watch by the Vermont Arts Council in 2020.
Cayman Art Week returns for its fifth edition from 20-25 May 2025, featuring over 40 events including pop-up exhibitions, studio visits, and extended gallery hours across all three Cayman Islands. New additions this year include the CAW Little Cayman Bike Around and CAW East curated bus tours. The National Gallery is hosting three distinct exhibitions: 'TimeBack' with archival photographs, 'Evolutions: Continuity & Change in Caymanian Art', and 'From the Mind's Eye' exploring dreams and the subconscious. The event was founded in 2021 to stimulate the commercial art market and support artists post-COVID-19.
Miami International Airport has opened a new art exhibition titled "Curious Geometries" at the Gate D31 Gallery, featuring large-scale quilted artworks by local textile artist Regina Durante Jestrow. The exhibition, on view until March 9, 2026, showcases sewn compositions and free-form art quilts made from repurposed fabrics sourced from various Miami locations, including the airport itself. Jestrow employs improvisational dyeing and piecing techniques inspired by Gee's Bend quilters, Anni Albers, Rosie Lee Tompkins, and Gego, blending organic geometry with tropical color palettes to explore the relationship between craft and fine art.
An exhibition titled 'Widdershins 3' at Green Hill Arts on Dartmoor showcases fantasy art inspired by Devon folklore, featuring works by renowned artists Brian Froud, Wendy Froud, and Alan Lee, who have contributed to projects like 'Lord of the Rings', 'Labyrinth', and 'The Dark Crystal'. The show includes 19 artists and has drawn visitors from Europe, America, and Australia, with free admission to ensure broad accessibility.
Latika Sridhar, a Needham native and former design engineer, is preparing for her first solo art exhibition titled "Strange Mirror," opening May 9 at Established Gallery in Brooklyn. The show features work she has created over the past two years since leaving her engineering career to focus on painting, following a fine arts summer intensive at the Pratt Institute. Her art explores themes of internal complexity, human emotion, and her own mental health journey, with the exhibition running for a month.
The 2026 Members’ Invitational Exhibition organized by South Coast Artists Inc. is now on view at Gallery X in New Bedford, Massachusetts, through May 16. The show features 112 works by 61 artists selected from nearly 200 active members, spanning media such as photography, fiber, encaustic, porcelain, cyanotype, pastel, acrylic, oil, watercolor, mixed media, printmaking, digital art on metal, and found-object assemblages. Awards were presented at the opening reception on April 25, with first place going to Dot Bergen, second to Serena Parente Charlebois, and third to Robert Abele; juror’s choice awards were given to Diana Azevedo-Carns, Lindsey Epstein, and Heather Stivison, selected by independent juror Catherine Carter.
Emma Lamb, a South Devon-based 3D mixed-media artist, has opened a new exhibition titled *Long Live the Wilderness Yet* at Lukesland Gardens near Ivybridge. The show features two of her major series, *Reviving Mires* and *Fragmented Forest*, both inspired by Dartmoor’s fragile ecosystems. Lamb uses handmade paper, natural fibers, pigments, and experimental techniques such as inks made from air pollution to create works that explore peatlands and temperate rainforests. The exhibition runs until early June, and Lamb will also host a workshop in June teaching participants to create collages using natural materials.
An exhibition titled "Turn the Page" has opened in the Updike Room at the Providence Public Library, featuring works by artists who transform books into art. Curated by Brown University lecturer Andre Bassuet, the show includes pieces like Iris Wright's wearable "Book Body No. 7: Palimpsest," which addresses censorship and queer erasure, and Michael Ezzell's ongoing "The Junior Classic" series, which repurposes deaccessioned library book pages. The exhibition runs through January 31.
A tribute exhibition titled "Jennifer Johnson: Atmosphere, Colour and Light" will be held at The Loft Studio, Salcombe Art Club, from May 24 to June 7, 2025, celebrating the life and work of Devon-based artist Jennifer Johnson, who died last year after a long battle with cancer. The exhibition, organized by her son Christopher Derrick, will showcase her extensive body of work—including watercolours, oils, drawings, collages, and digital art—and will raise funds for St. Luke’s Hospice, which cared for her in her final days.