With New Tribeca Outpost, Gratin Gallery Doubles Down on Young Artists

Gratin Gallery, founded by Talal Abillama, is opening a new outpost in Tribeca at 15 White Street, leased for ten years. The space will debut on May 15 with “Blinds and Shutters,” the first U.S. solo exhibition of Spanish sculptor Mónica Mays. The gallery, which started on Avenue B in 2022 and later moved to Grand Street, is expanding despite a challenging art market. Abillama cites the need to be closer to collectors who avoid the 15-minute walk from Tribeca to Chinatown. The new location sits near Luhring Augustine and Ortuzar Projects, and will officially open in November after renovations.

Sad Cowboy

What Pipeline gallery presents "Sad Cowboy," a group show organized for Miguel Bendaña at The Falstaff Project in El Paso, running from May 28 to July 4, 2026. The exhibition features three Detroit artists—Israel Aten, Cay Bahnmiller, and Dylan Spaysky—whose works explore American mythology, masculinity, and identity through collage, drawing, and sculpture. The title references a collage by Bahnmiller incorporating Amiri Baraka's poem "Sad Cowboy," critiquing the lone cowboy myth. Aten's colossal figures blend medieval iconography with video games, Bahnmiller's text-based works deconstruct language, and Spaysky's carbon paper drawings capture disposable media moments.

The Louvre changes: the project chosen to steer the museum into its new Renaissance

Il Louvre cambia: scelto il progetto che traghetterà il museo nel suo nuovo Rinascimento

The Louvre has announced the winners of its "Nouvelle Renaissance" competition, selecting a team led by STUDIOS Architecture Paris, with Selldorf Architects for museography and BASE Landscape Architecture for landscaping. The jury, chaired by Marc Guillaume and composed of 21 experts, chose this proposal from five finalists for its respectful and contemporary approach, which elegantly connects the city, the palace, and the museum while improving visitor flow and security. The project addresses urgent needs including new underground entrances, a dedicated space for Leonardo da Vinci's Mona Lisa, enhanced circulation, and green spaces, following a period of difficulty for the museum including a high-profile theft in October.

Le Louvre choisit son entrée côté colonnade

Le Louvre has selected a joint proposal by Studios Architecture Paris and Selldorf Architects for its new entrance via the Perrault colonnade, part of the 'Louvre Nouvelle Renaissance' plan. The project, announced by Emmanuel Macron on January 28, 2025, aims to create a new eastern access to relieve overcrowding at the Pyramid, with two underground entrances, vegetated moats, new services, and a dedicated space for the Mona Lisa. The selection was announced by Culture Minister Catherine Pégard on May 18, despite controversies over funding, heritage constraints, a theft in the Galerie d'Apollon on October 19, 2025, and the departure of museum president Laurence des Cars.

‘Street Nihonga: The Art of Jimmy Tsutomu Mirikitani’

The Spencer Museum of Art has opened 'Street Nihonga: The Art of Jimmy Tsutomu Mirikitani,' a major spring exhibition featuring 170 works by the Japanese American artist, many never before displayed. The show traces Mirikitani's extraordinary life from his birth in Sacramento in 1920, his childhood in Hiroshima, formal training in traditional Nihonga under masters Kawai Gyokudō and Kimura Buzan, to his forced incarceration at Tule Lake during World War II after refusing to sign a loyalty oath. After years of statelessness and homelessness in New York City, Mirikitani developed a deeply personal, politically charged mixed-media practice that blended Japanese techniques with American street art.

In the heart of Trastevere, an exhibition by an artist paying homage to an ancient Roman goddess

Nel cuore di Trastevere la mostra di un artista che omaggia un’antica dea romana

Diego Gualandris presents 'Floralia,' a solo exhibition at ADA gallery in Rome's Trastevere district, running until May 24, 2026. The show blends painting and music to create a modern homage to Flora, the ancient Roman goddess of spring and fertility. Gualandris displays a series of medium- and small-scale canvases from 2026 alongside a 1970s gramophone playing two original tracks—'The world in a flowerbed' improvised by the artist on piano with saxophonist Francesca Pegurri, his mother. The exhibition also references Hermann Nitsch through works like 'Prinzendorf,' and features playful, erotic botanical compositions that invite viewers to lie down and experience the space through sound and imagery.