How Latin American Artists Have Harnessed the Allure of Alchemy

A new exhibition titled “Constellations and Drifts: Art from Latin America in the FEMSA Collection” has opened at the Museum of Contemporary Art, Monterrey (Museo de Arte Contemporáneo de Monterrey) in Mexico, running through August 9, 2026. The show features 170 works by 115 Latin American artists from the FEMSA Collection, one of the most prestigious corporate collections of Latin American art, and is organized around five curatorial themes or “constellations,” including a section centered on alchemy. Highlights include works by Diego Rivera, José Clemente Orozco, Francis Alÿs, and a new commission by Argentine artist Ad Minoliti, alongside Surrealist pieces by Remedios Varo, Leonor Fini, Leonora Carrington, and Kati Horna.

Five Whirlwind Days in Venice, at (and Beyond) the Biennale

The article recounts a whirlwind three-day visit to the 61st Venice Biennale, focusing on the main exhibition at the Giardini della Biennale curated by the late Koyo Kouoh, titled "In Minor Keys." The author highlights textile works by artists such as Thania Petersen, Billie Zangewa, and Annalee Davis, as well as Beverly Buchanan's "Spirit Jars" and Maria Magdalena Campos-Pons's portrait of Kouoh and Toni Morrison. The trip also includes visits to collateral events, a performance at Jordan Roth's palazzo, and a side trip to Gabriele D'Annunzio's estate on Lake Garda.

designboom's ultimate guide to the venice art biennale 2026

Designboom has published a comprehensive guide to the 2026 Venice Art Biennale, featuring a curated list of must-see exhibitions, installations, and events across the city. Highlights include Miet Warlop's "IT NEVER SSST," Michael Armitage's "The Promise of Change" at Palazzo Grassi, and DRIFT's "Shy Society" at Palazzo Strozzi, alongside works by Lotus L. Kang, Lida Abdul, and Kan Yasuda. The guide also points to collateral shows in Pietrasanta and Berlin, offering visitors a broad itinerary beyond the main Biennale venues.

In Vancouver, artists imagine life after climate change

The Vancouver Art Gallery (VAG) has opened 'Future Geographies: Art in the Century of Climate Change,' an exhibition curated by Eva Respini that brings together artists from British Columbia, Canada, and beyond to imagine futures shaped by the climate crisis. The show features dozens of works created within the last 25 years, including large sculptures from repurposed waste like Liz Larner's 'Meerschaum Drift' and Brian Jungen's whale skeleton 'Cetology' made from plastic patio chairs, as well as John Akomfrah's three-channel film 'Vertigo Sea.' The exhibition runs at the VAG until January 10 before traveling to the Art Gallery of Ontario in March.

Parrish Art Museum Summer 2026 Guide

The Parrish Art Museum in Water Mill, New York, has announced its Summer 2026 guide, detailing a robust schedule of exhibitions and public programs running through August. Highlights include "Regeneration: Long Island’s History of Ecological Art and Care" featuring 11 intergenerational artists, a solo presentation of Sanford Biggers titled "Drift," and exhibitions of works by Ellsworth Kelly and Will Ryman. The museum also offers a wide range of events such as docent-led tours, art workshops for children, therapeutic programs for Alzheimer's patients and cancer survivors, and member mornings.

The Parrish Art Museum Presents ‘Sanford Biggers: Drift,’ The Artist’s First Major East End Solo Show

The Parrish Art Museum in Water Mill, New York, will present 'Sanford Biggers: Drift,' the artist's first major solo exhibition on the East End of Long Island, opening in summer 2026. The show features new works, site-responsive installations, and signature sculptures and textiles, including the monumental cloud installation 'Unsui (Cloud Forest)' (2025). The exhibition is part of the museum's 'PARRISH USA250: Life, Liberty, and the Pursuit of Happiness' series, which marks America's semi-quincentennial by exploring the ideals of the Declaration of Independence through the lens of Long Island's artistic heritage.

“Drifting Until Caught” at Brooklyn Navy Yard: Three Artists and the Objectivity of Method

Three artists—Veronika Georgieva, Stephen j Shanabrook, and Shura Skaya—have transformed an industrial venue at the Brooklyn Navy Yard into a pop-up exhibition titled “Drifting Until Caught.” The show, accessible only by appointment, features works that range from pressed plastic sculptures and chocolate casts to wax crayon drawings and acrylic paintings, all exploring the boundary between figuration and abstraction. Each artist employs mechanical or chance-based methods, such as Shanabrook’s hydraulic press or Georgieva’s video projections, to create images that embrace distortion and materiality.

HKMoA Showcases Local Artists at Venice Biennale with 'Fermata: Hong Kong in Venice' Exhibition

The Hong Kong Museum of Art (HKMoA) has organized 'Fermata: Hong Kong in Venice' as a Collateral Event of the 61st Venice Biennale, running from May 9 to November 22. The exhibition features artworks by Hong Kong artists Kingsley Ng and Angel Hui, curated under the musical symbol 'Fermata' in dialogue with the Biennale's theme 'In Minor Keys'. This marks the first time HKMoA has curated Hong Kong's exhibition at the Venice Biennale, with support from the Hong Kong Arts Development Council (HKADC) and the Hong Kong Special Administrative Region Government.

Creative Currents: East End Art Exhibits

The article surveys the 2026 summer art season in the Hamptons, highlighting new outdoor sculptures at LongHouse Reserve—including Renée Cox's 'Soul Culture Statue,' Sean Scully's '48,' and William Kentridge's 'Tap'—and a slate of solo exhibitions at venues such as Guild Hall, the Parrish Art Museum, the Arts Center at Duck Creek, and the Peter Marino Art Foundation. Featured artists include Arcmanoro Niles (whose show 'Forgotten Words I Never Got to Say' marks a decade since his Guild Hall residency), Sanford Biggers (presenting 'Drift' at the Parrish), Claire Watson, Brent Richardson, Robert Nava, Betty Parsons, Carla Accardi, and Y.Z. Kami. The Church in Sag Harbor will open 'This Land: Considering the American Landscape,' borrowing works from the Parrish and Dan Flavin's collection.

Kumu to unveil Kristi Kongi's largest solo exhibition 'Chromatic Drift'

Estonian painter Kristi Kongi's largest solo exhibition, 'Chromatic Drift,' will open at the Kumu Art Museum on May 22. The exhibition fills the museum's great hall, courtyard, and windows with new works featuring earthy tones like purple, brown, and burgundy, described by curator Ann Mirjam Vaikla as reflecting the aesthetics of the Anthropocene. The show is accompanied by a book with essays by Sara Garzón, Sirje Helme, and Vaikla, and includes works created during Kongi's residency at Cerámica Suro in Guadalajara, Mexico.

Multidisciplinary Exhibition Opens at The Parrish

A multidisciplinary solo exhibition titled "Sanford Biggers: Drift" has opened at the Parrish Art Museum in Watermill. The exhibition was organized by Chief Curator Corinne Erni and Curator Scout Hutchinson, and was marked by a public conversation between artist Sanford Biggers and Erni. The discussion focused on Biggers' use of textiles, symbolism, and layered cultural references.

Bright future for the next generation of artistic talent

Hong Kong Secretary for Culture, Sports and Tourism Rosanna Law Shuk-pui visited Venice to support the Hong Kong Collateral Event at the 61st Venice Biennale, themed “Fermata: Hong Kong in Venice.” The exhibition features artists Kingsley Ng and Angel Hui, with five installations exploring poetic rhythms in everyday life, curated by the Hong Kong Museum of Art (HKMoA). Law also viewed American artist Nick Cave’s sculpture *Amalga (Plot)* and announced the Venice Biennale Internship Programme 2026, which will send six arts-background interns to Venice for a six-week residency.

‘Drift’ Invites Reverie at the Parrish

Sanford Biggers's first major solo exhibition on the East End, "Drift," opens at the Parrish Art Museum on Sunday and runs through September 13. The show features new works and site-responsive installations, including the monumental "Unsui (Cloud Forest)" (2025), a series of illuminated cloud sculptures suspended from the museum's arched ceiling. Co-curated by Corinne Erni and Scout Hutchinson, the exhibition spans Biggers's multidisciplinary practice—painting, sculpture, video, performance, and textile works—drawing on influences from Buddhism to graffiti culture and Gee's Bend quilts. Highlights include examples from his "Codex" series, made from repurposed antique quilts with spray-painted cloud forms, and a new sand installation inspired by prayer rugs and Japanese Buddhist mandalas.

Hiroshi Sugimoto's first Southeast Asian show opens at SAM on May 29

Hiroshi Sugimoto's first major Southeast Asian exhibition, "Hiroshi Sugimoto: Form Is Emptiness," opens at the Singapore Art Museum (SAM) on May 29, 2026, running through October 4, 2026. The show spans five decades and features 63 works from 11 series across photography, sculpture, installation, and architecture, plus 14 fossils from the artist's personal collection. Sugimoto designed the exhibition as a mandala, with a circular layout that encourages visitors to drift through interconnected sections reflecting the Buddhist Five Elements.

In Pol Taburet’s New Show, Being Paranoid Is the Point

French artist Pol Taburet has opened a solo exhibition titled *Paranoia as Method* at Villa Medici in Rome, on view through July 15. The show features sculptures, large-format paintings, and charcoal drawings created during his spring residency at the institution, transforming the villa’s gardens, loggias, and salons into tense psychic landscapes. Taburet’s figures drift between human and animal, evoking transformation, mortality, and spiritual tension, drawing on his Caribbean roots, voodoo traditions, contemporary culture, and classical painting.

The Holy Spirit in a Rapture of Pain

Der Heilige Geist im Schmerzrausch

Florentina Holzinger's "Pfingstspiel" (Pentecost Play) is a multi-hour performance staged across two locations in Austria—the Wiener Eislauf-Verein in Vienna and Schloss Prinzendorf—as a satellite event to her contribution to the Venice Biennale. The work features extreme physical stunts, including a performer rappelling down a hotel facade, a car drifting with Holzinger on its roof, and a crucifixion scene, all drenched in blood, pain, and religious imagery. The performance, presented only once before 700 guests as part of the Wiener Festwochen, is described as a brutal, uncompromising marathon that pushes the boundaries of live art.

“In the Presence of Others” at Nørrebro Teater, Copenhagen

Nørrebro Teater in Copenhagen is hosting its first major contemporary art exhibition, "In the Presence of Others," featuring works by Marina Abramović, Laurie Anderson, and Miranda July. The show focuses on the artists' engagement with sound and will be staged throughout the entire theatre building.

A Dutch Art Studio Lights Up Venice’s Grand Canal

Dutch artists Lonneke Gordijn and Ralph Nauta of Studio Drift have installed their kinetic light sculptures along Venice’s Grand Canal, bringing their work outdoors for the first time during the Venice Biennale. The installation transforms the iconic waterway with moving, illuminated forms that interact with the surrounding architecture and water.

Endre Koronczi on Representing Hungary at the 61st Venice Biennale

Endre Koronczi, the artist representing Hungary at the 61st Venice Biennale (2026), discusses his upcoming exhibition in the Giardini pavilion. His project, titled "Pneuma Cosmic," explores the movement of air as both a physical and metaphysical phenomenon, drawing on decades of research into invisible forces like wind and breath. The exhibition also references his long-term experimental zone, Ploubuter Park, inspired by drifting plastic bags. Koronczi notes a strong resonance with the Biennale's curatorial theme, "In Minor Keys" by Koyo Kouoh, describing it as a "cosmic zeitgeist."

The painter who pulls light from the darkness

Toronto-based artist Laura Findlay presents *Night Vision*, a solo exhibition at Glenhyrst Art Gallery in Brantford, Ontario, featuring ethereal oil paintings of nocturnal garden scenes. Using an Old Masters subtractive technique, Findlay applies dark glazes and wipes away pigment to create luminous images of birds, blooms, and bats that appear to emerge from darkness. The show runs through the spring of 2026.

Renowned Victoria artist hosts exhibition with proceeds going to 10 local charities

Renowned Victoria artist and philanthropist Tanya Bub is presenting a new exhibition titled "Wild Art for the Big of Heart" at the Gage Gallery in Victoria’s Bastion Square from May 12th to 31st. The show features dozens of sculptural works made from driftwood, wire, and paper, with prices ranging from $30 to $8,000. Twenty-five percent of all sales will go to the charity of the buyer’s choice, with 10 local charities benefiting, including Broken Promises Rescue, Elder Carl Olsen — Goldstream / SELE₭TEȽ Watershed, CNIB Victoria, Georgia Strait Alliance, Mustard Seed, Rainbow Haven, Soap for Hope, The Thinking Garden, Victoria Therapeutic Riding Association, and Voices in Motion. The exhibition also includes three weeks of talks, performances, and interactive events in partnership with the charities.

Plas Art Show goes back to basics with renewed focus on its sculpture, 3-D work

The Plas Art Show, a Seoul-based art fair specializing in sculpture and three-dimensional works, returns for its 11th edition from June 4 at Coex in Gangnam District. Featuring 102 galleries (91 domestic and 11 from Taiwan, Germany, Japan, and Georgia), the fair presents roughly 750 artists and 3,500 works under the theme “New Chance.” Fair president Shin Jun-won acknowledged criticism that the event had drifted from its sculptural focus and announced stricter curation, including on-site inspections and penalties for galleries that fail to include at least one three-dimensional artist and one stereoscopic work. Standard booth prices range from 5.7 to 6.7 million won, which Shin says attracts Gangnam-area galleries priced out of larger venues.