Martial Raysse, the 89-year-old, reclusive giant of postwar French art, has debuted a new exhibition of recent paintings and sculptures at Galerie Templon in Paris. The show features 30 works, selected from over 50, and marks his first collaboration with the gallery, initiated by a handwritten letter from founder Daniel Templon.
Filmmaker Wes Anderson is recreating Joseph Cornell's New York studio in a window display at Gagosian Gallery's Paris space on Rue de Castiglione, opening next month to coincide with Christmas and Cornell's birthday on December 24. The exhibition will feature around 12 of Cornell's iconic shadow boxes, including "Pharmacy" (1943) and works from his Medici series, alongside hundreds of found objects. Curated by Jasper Sharp, who has worked with Anderson for years, the display is designed as a non-interactive window installation that captures the spirit and atmosphere of Cornell's basement studio in Queens, rather than an exact replica. Anderson and Sharp have spent weeks studying photographs and first-hand accounts, sourcing objects from flea markets and employing Anderson's film crew to replicate Cornell's handwriting and aging techniques.
Wes Anderson and curator Jasper Sharp are recreating Joseph Cornell's legendary studio at Gagosian in Paris next month. The exhibition will reconstruct the secretive basement workshop where Cornell created his iconic shadow-box assemblages, using surviving photographs, objects from the Smithsonian American Art Museum's Joseph Cornell Study Center, and thousands of flea-market finds sourced across Paris and New York. The recreation includes Cornell's work table, unfinished shadow boxes, and even period-accurate details like his cleaning detergent and handwritten labels.
Several New York museums have opened exhibitions marking the 250th anniversary of the United States, which falls on 4 July 2026. The New-York Historical Society presents "Old Masters, New Amsterdam," drawn from the Leiden Collection, focusing on the lives of Dutch colonists. The Hispanic Society Museum & Library offers "Goya and the Age of Revolution," linking the American Revolution to European upheavals and Goya's depictions of war. The Metropolitan Museum of Art has installed "Revolution!" in its American Wing, reexamining the nation's founding through art. A rare copy of the Declaration of Independence handwritten by Thomas Jefferson will also be on view at the New York Public Library.
Andrew Durham Gallery in Houston announces "Vestiges of Existence," a solo exhibition of multi-media works by artist Jill Bedgood, running from June 6 to August 1, 2026. The show explores how physical remnants—such as worn jewelry, handwritten letters, and natural anomalies—carry memory and document human presence, functioning as contemporary memento mori. An opening reception on June 6 and an artist talk on July 11 accompany the exhibition.
Danish artist Kasper Eistrup (b. 1973) presents his first solo exhibition in Germany, titled "Bridges Over Magma," at Galerie Schimming in Hamburg. The show features a new body of work created during a recent artist-in-residence program in Hamburg, where Eistrup drew inspiration from the city's famous bridges and his ongoing exploration of painting and drawing. The compositions blend meticulously rendered figures with architecture, flora, fauna, handwritten text, and abstract textures, exploring themes of human connection and resilience.
Diné (Navajo) artist Eric-Paul Riege has opened a new exhibition, “ojo|-|ólǫ́,” at Brown University’s David Winton Bell Gallery, on view through December 7. The show features large soft sculptures and weavings that engage with Diné mythology, Euro-American trading posts, and the concept of authenticity in Indigenous art. Riege also selected five objects from Brown’s Haffenreffer Museum of Anthropology, including a loom with an unfinished textile, which he recontextualized by separating the loom from the textile and adding handwritten notes. The exhibition is co-curated by Thea Quiray Tagle and Nina Bozicnik, and will travel to the Henry Art Gallery in 2026.
New York artist Rutherford Chang has brought his installation of over 1,000 copies of The Beatles' 'White Album' to FACT in Liverpool, the band's hometown. The piece, which took eight years to assemble, features copies of the album with handwritten notes, drawings, and other traces left by previous owners, and is on view for the first time in the UK. The exhibition, titled 'We Buy White Albums,' also invites the public to sell their copies to the artist.
Japanese artist Chiharu Shiota has debuted her first Bay Area solo exhibition, "Two Home Countries," at the Asian Art Museum in San Francisco. The show features Shiota’s signature immersive installations of red thread, most notably the 88-foot-long work "Diary," which suspends handwritten journal pages from World War II soldiers and postwar civilians within a dense crimson web. The exhibition also includes sculptures, video, and performance-based works that explore themes of memory, displacement, and the psychological state of living between cultures.
CULTURED, Design Within Reach (DWR), and Flos co-hosted a salon-style panel discussion in DWR's Third Avenue showroom in New York, focused on the evolving role of lighting in modern interiors. Panelists included Barber Osgerby design studio co-founder Jay Osgerby, interior designer Clive Lonstein, DWR Senior Director of Merchandising Lizzy Sullivan, and moderator Sarah Harrelson, CULTURED's Editor-in-Chief. The event featured the new Flos Bellhop Lamp Collection and drew designers, collectors, and media figures such as Sarah Solis, Gray Davis, and photographer Frank Frances.
Calligraphy artist Gema Martínez has opened a new solo exhibition titled 'Evocâre' at the tourist information office in Torre del Mar on Spain's Costa del Sol. The exhibition presents a series of works that use distorted, superimposed, and invented calligraphic signs to explore the mechanisms of memory, transforming personal recollections into visual, often illegible, writing.