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Chicago’s Obama Presidential Center has art at its core

The Obama Presidential Center is set to open on Chicago’s South Side on June 19, 2026. The $850m institution, designed by Tod Williams Billie Tsien Architects, features more than 25 site-specific contemporary art commissions integrated into its architecture and 19.3-acre campus. Ahead of the opening, the museum has partnered with Expo Chicago to preview these works, which include monumental contributions from artists such as Julie Mehretu, Mark Bradford, and Nick Cave.

jordan wolfson little rooms basel fondation beyeler review 1234745590

Jordan Wolfson's new virtual reality artwork "Little Room" at the Fondation Beyeler in Basel, Switzerland, immerses participants in a multi-stage experience that begins with a full-body scan and proceeds to a VR encounter designed to be "morally and emotionally challenging." The piece combines elements from Wolfson's earlier puppet-based works with his notorious VR piece "Real Violence" (2017), which sparked controversy at the Whitney Biennial for depicting a brutal beating. Participants are paired, scanned, and guided through the experience by assistants, with early reactions suggesting the work provokes strong emotional responses.

As Cuban crisis deepens, diaspora artists have a message of compassion

Artists Antonia Wright and Ruben Millares are showcasing a salvaged, bullet-ridden Cuban migrant vessel at Miami’s Piero Atchugarry Gallery. The exhibition, titled 'Exile', serves as a visceral focal point for the escalating humanitarian crisis in Cuba, where citizens face systemic collapse, starvation, and political imprisonment. Through the concept of 'embodiment' rather than mere empathy, the artists confront the harrowing 93-mile journey across the Straits of Florida undertaken by those desperate to escape the island's dictatorship.

A renewed focus on rigour and connection at Expo Chicago

The 2026 edition of Expo Chicago marks a strategic shift under the leadership of new director Kate Sierzputowski, featuring a leaner roster of 130 galleries at Navy Pier. The fair has introduced a more spacious layout and a new curatorial role, filled by Essence Harden, to deepen institutional ties and scholarly rigor. Notable participants include local mainstays like Monique Meloche Gallery and Gray, alongside international exhibitors from South Korea, South Africa, and Nigeria, as well as high-profile New York newcomers like Karma.

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Artist Chase Hall discusses his new solo exhibition “Momma’s Baby, Daddy’s Maybe” at Galerie Eva Presenhuber in Vienna, which takes its title from a phrase his father told him in childhood. The show explores themes of race, mixed-race identity, fatherhood, and family dynamics, using coffee as a signature medium—Hall layers espresso on raw cotton canvas to create symbolic and formal depth. The exhibition follows his rise from photojournalism to a buzzy painting career, with works acquired by major institutions and auction records at Christie’s.

The 9 Exhibitions to See in April 2026

ArtReview's editors have selected nine notable exhibitions opening globally in April 2026, highlighting shows that explore materiality, memory, and political history. Featured exhibitions include "Several Eternities in a Day: Form in the Age of Living Materials" at the Hammer Museum in Los Angeles, showcasing artists using organic materials rooted in Brown and Indigenous thinking; a major Veronica Ryan retrospective at London's Whitechapel Gallery; and a historical exhibition in Prague revisiting Jiří Kolář's contested participation in the 1969 São Paulo Bienal under Brazil's military dictatorship.

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Expo Chicago has announced the list of over 130 exhibitors for its 2026 edition, taking place April 9–12 at Navy Pier. The fair has been reduced by nearly 25 percent compared to 2025, with a smaller floor plan designed to foster deeper engagement. New features include a partnership with the Obama Presidential Center, whose museum director Louise Bernard will curate two sections, and the rebranding of the Exposure section as Focus, curated by Katie A. Pfohl. The Profile section will be curated by Essence Harden, and a continued partnership with the Galleries Association of Korea will bring 12 Korean galleries.

‘I was super horny when I made my early work’: Loie Hollowell’s abstract paintings of breasts and vaginas

Loie Hollowell discusses her latest painting series 'Overview Effect,' currently on view at Pace Gallery in London. The series features large-scale canvases with twin concave and convex sculpted circles, inspired by the out-of-body experience she had during the home birth of her daughter. The works continue her abstract exploration of pregnancy, birth, and the female body, following earlier series like 'Split Orb' and 'Dilation Stage' that responded to the difficult birth of her son. Hollowell cites influences including Georgia O'Keeffe, Louise Bourgeois, and Luchita Hurtado, as well as Instagram home-birth photographs and the Ina May Gaskin childbirth book.

art pulled from print tishan hsu artist emergence

Tishan Hsu, a 74-year-old artist based in Brooklyn, is the subject of a feature article discussing his 40-year career exploring the boundary between the virtual and the physical. His current exhibition, "Emergence," at Lisson Gallery in New York (through Jan. 24), presents new biomorphic UV prints with silicone appendages that evoke fingers penetrating a computer screen. Hsu's interest in this territory began in the mid-1980s while working as a word processor on Wall Street, and his practice has consistently sought to give form to the paradox between bodily presence and virtual distance.

Expo Chicago lines up 130 galleries for ‘a more focused’ fair

Expo Chicago, acquired by Frieze in 2023, will return to Navy Pier’s Festival Hall this April with around 130 galleries, a 23% reduction from the 170 exhibitors in recent editions. The fair frames this as a more focused, intentionally scaled format designed to deepen engagement, and it will be the first edition under new director Kate Sierzputowski, who succeeded longtime leader Tony Karman. The fair features a strong contingent of local Chicago dealers, international galleries from South Korea, Lagos, Milan, Dublin, and elsewhere, and partnerships with the Obama Presidential Center and the Galleries Association of Korea.

Amanda Heng Walks the Walk

Singaporean artist Amanda Heng, now 74, is representing Singapore at this year's Venice Biennale with her exhibition titled *A Pause*, featuring a site-specific installation and durational performance. Known for her decades-long performance *Let's Chat* (1996–), in which she cleans mung bean sprouts with participants to foster casual conversation, Heng transforms everyday domestic gestures into feminist acts. Her work reclaims the body, labor, and relationships as sites of personal autonomy. She was part of the pioneering, male-dominated generation of Singaporean contemporary artists in The Artists Village, but left due to its hierarchical structure to pursue collaborations with women artists and further studies.

When Fashion Meets the Body, Can a Whole Museum Come Alive?

The Metropolitan Museum of Art's Costume Institute will open its latest fashion exhibition, "Costume Art," in a new gallery space adjacent to the Great Hall, formerly the museum's gift shop. Curated by Andrew Bolton, the show features 400 objects from the permanent collection, organized thematically around the dressed body—exploring the naked, classical, anatomical, and mortal body—rather than chronologically. The exhibition aims to connect artistic representations of the body with fashion as an embodied art form.

A vocabulary of touch: exhibition of sculpture by blind and partially blind artists opens in Leeds

The Henry Moore Institute in Leeds has opened "Beyond the Visual," the first major UK exhibition of sculpture centered on blind and partially blind artists and curators. Co-curated by Ken Wilder, Aaron McPeake, and Clare O'Dowd, the show features works by 16 international artists including Henry Moore, Barry Flanagan, Lenka Clayton, Emilie Louise Gossiaux, David Johnson, and others. The exhibition prioritizes touch, sound, and sensory engagement, with all objects available to handle, textured flooring mats, high-contrast signage, and audio descriptions. It includes new commissions such as David Johnson's "Nuggets of Embodiment" (2024-25), made of 10,000 stone-plaster Digestive biscuits with Braille text.

BMCC’s Shirley Fiterman Art Center Fall Exhibition to Feature Artists Courtney McClellan and Victoria Dugger

Borough of Manhattan Community College's Shirley Fiterman Art Center will present two concurrent exhibitions from September 10 to December 20, 2025: Courtney McClellan: Simulations and Victoria Dugger: Late Bloomer. McClellan's installation features photographs of mock courtrooms at law schools across the American South, exploring performance and the law through what she calls 'applied fiction.' Dugger's mixed-media works, including painting and sculpture, use playful yet grotesque imagery to interrogate growth, identity, and embodiment as a Black, disabled woman. Both artists, who live and work in Georgia, will participate in an opening discussion and reception on September 10.

Chiharu Shiota’s ‘Two Home Countries’ at the Asian Art Museum marks her first solo exhibition in the Bay Area

The Asian Art Museum in San Francisco has opened 'Chiharu Shiota: Two Home Countries,' the first solo exhibition in the Bay Area for the Japanese-born, Berlin-based artist. The show features her signature immersive installations of red thread, weaving together personal objects and exploring themes of memory, displacement, and identity.

M.F. Husain in Qatar: bridging Asia and the Arab world

The article examines the life and legacy of Indian modernist painter M.F. Husain, focusing on his final years as a citizen of Qatar. It details his rise as a leading figure of the Progressive Artists' Group, his embodiment of a secular, post-independence Indian identity through his art, and the controversy that forced him into exile after 1996 due to accusations of blasphemy for depicting Hindu deities. He ultimately accepted Qatari citizenship in 2010 and died in London in 2011.

Jemima Wyman

Jemima Wyman's retrospective "Deep Surface" surveys three decades of her work exploring DIY aesthetics of concealment, protest iconography, and political solidarity. Born in Sydney and based in Los Angeles since 2004, Wyman is known for collages of masked protesters, activist signage, and street rally residues, as seen in works like *Aggregate Icon (RBW)* (2016) and *Mass Monument (Y & B)* (2018). The exhibition highlights her early inspiration from Fluxus, Minimalism, and Yayoi Kusama, as well as the influence of Brisbane's late-1990s art scenes and postcolonial Indigenous Australian art debates. Wyman, who has Indigenous (Palawa) heritage, uses camouflage and disguise to blur boundaries between visibility and concealment, figure and ground.

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Artist Miriam Simun is currently presenting an exhibition about her Institute for Transhumanist Cephalopod Evolution at the art space Recess in Brooklyn. The centerpiece is a series of workshops titled “How to Become an Octopus (and sometime squid),” where she guides participants through psycho-physical exercises developed with marine biologists, engineers, dancers, and synchronized swimmers. Artnet News co-host Ben Davis attended the workshop and discusses the experience on this week's Art Angle podcast.

Meet The Canadian Artist Behind The Mirrored Mannequins That Transformed The 2026 Met Gala

The Metropolitan Museum of Art's 2026 Costume Institute exhibition, titled "Costume Art," will feature special mannequins with mirrored steel heads created by Toronto-born, Dubai-based artist Samar Hejazi. The mannequins, designed in collaboration with Curator in Charge Andrew Bolton, represent differently sized and abled bodies and replace traditional faces with reflective surfaces to disrupt the conventional presentation of fashion. Hejazi attended the Met Gala wearing a gown by Palestinian designer Zaid Farouki and described the project as a meaningful collaboration aimed at fostering empathy and self-reflection.

The Met's Costume Exhibit Finally Made This Obvious Change To Mannequins And Its Exhibit After Years

The Metropolitan Museum of Art's Costume Institute has made a historic shift toward disability and body inclusivity in its annual exhibition, titled "Costume Art." For the first time, the exhibit includes a section called "The Disabled Body," featuring mannequins modeled on disabled bodies, such as those of activist Aimee Mullins, model Aariana Rose Philip, and accessibility consultant Sinéad Burke. Burke and her team at Tilting the Lens consulted on the exhibit for 18 months, suggesting disabled designers like Sugandha Gupta and Helen Cookman, and donated pieces to the permanent collection. The Met Gala also became accessible for the first time since 1948, with wheelchair user Aariana Rose Philip attending as the first ever.

The Costume Institute Will Debut 25 Mannequins at the 2026 Met Gala in a Move to Embrace Body Positivity

The Costume Institute at The Metropolitan Museum of Art will debut 25 new mannequins for its 2026 Met Gala exhibition, "Costume Art." The mannequins are modeled on a diverse range of real body types, including individuals with disabilities, and are intended to challenge the fashion industry's historical reliance on standardized, thin display figures.

literature kathryn scanlan audrey wollens interview

The article describes a visit to the American Academy of Arts and Letters in New York to see two concurrent exhibitions: Sam Contis's "Phases," featuring black-and-white motion portraits and a three-channel film of teenage girls running a five-kilometer race, and Diane Simpson's "Formal Wear," a sculptural exploration of femininity's exoskeletons using industrial materials. Literary accompaniments were commissioned for both shows—Kathryn Scanlan wrote a story for Contis's exhibition, and critic Audrey Wollen contributed an essay for Simpson's—blending visual art with prose to examine themes of adolescence, identity, and self-construction.

Conceptual art offers glimpse inside architects’ minds

WHAT Museum in Tokyo is hosting a group exhibition titled “Corrugated/Coral — Eight Practices to Project Architecture Afar,” on view until September 13, 2026. The show features installations by eight teams of architects, including Altemy, Office Yuasa, Garage, Group, Domino Architects, Toshiki Hirano, Rui Architects, and Tetsuo Hatakeyama + Taiki Yoshino + Archipelago Architects Studio. One highlighted work is “Darkness, Afterglow,” where visitors follow written instructions to sit in a darkened room and interact with light and a book, offering a conceptual experience of architectural thinking.