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Quando la mitica Peggy Guggenheim era una gallerista a Londra. Mostra da non perdere a Venezia

The article details the early career of Peggy Guggenheim before she established her famous Venetian museum, focusing on her London gallery Guggenheim Jeune (1938–1939). It describes how the gallery mounted pioneering exhibitions of avant-garde art, including the first UK solo show of Wassily Kandinsky, a group exhibition of contemporary sculpture featuring Jean Arp and Henry Moore, and shows of artists like Marie Vassilief and Gisèle Freund. The Peggy Guggenheim Collection in Venice now presents a retrospective of this formative period, titled "Peggy Guggenheim a Londra. Nascita di una collezionista."

Christie's and the Arts Council Collection to present Close Encounters celebrating 80 years of the Arts Council Collection - Christie's

Christie's London will host 'Close Encounters: Figuration, Painting and Landscape in the Arts Council Collection' from 3 to 23 June 2026, in partnership with the Arts Council Collection to mark its 80th anniversary. The exhibition brings together historical works by artists such as David Hockney, Sonia Boyce, Peter Doig, Lynette Yiadom-Boakye, Michael Armitage, and Claudette Johnson alongside new acquisitions by Christina Kimeze and Vanessa Raw, exploring themes of gender, sexuality, landscape, and Black British women's representation.

‘Entertainment is often violence shrouded in a fun disguise’: Marianna Simnett on being tickled for hours and having Botox injected into her throat

Marianna Simnett, a Croatian British multi-disciplinary artist, discusses her new exhibition 'Circus' at the Secession in Vienna, which features a light, sound, and sculpture installation in a pitch-black basement. The show includes works like 'Catherine Wheel' (2026), a blue spinning reflective skirt accompanied by the sound of the artist being tickled for four hours, and 'Fountain' (2026), a neon of a woman urinating referencing Balkan folklore. Simnett explores themes of violence, desire, pain, and power, often using her own body as a site of transformation, as in her earlier work 'The Needle and the Larynx' (2016) where she had Botox injected into her throat.

Besser Museum hosts Dr. Kelly Bushey for final Gallery Talk in Divine Comedy Series

Dr. Kelly Bushey will deliver the final Gallery Talk titled “The Agnostic and The Atheist” at the Besser Museum for Northeast Michigan on May 28, as part of a four-part lecture series accompanying the museum's exhibition *Divine Comedy Reenvisioned*. The talk explores Salvador Dalí's transition from surrealism to neo-classicism, influenced by his encounter with Sigmund Freud and his renewed spiritual perspective, offering insight into his illustrations of Dante Alighieri's *Divine Comedy*. The exhibition remains on view through July 18.