Still in 'war mode': Tehran Museum of Contemporary Art reopens with exhibitions about conflict

The Tehran Museum of Contemporary Art (TMoCA) has reopened with a weekly rotating post-ceasefire program called 'Art and War,' following weeks of bombardment that forced its closure and prompted emergency efforts to protect its collection. The program began with works by American Pop artists James Rosenquist, Roy Lichtenstein, and Robert Indiana, and this week features three works from Pablo Picasso's Weeping Woman series, focusing on Spain. Museum director Reza Dabirinezhad described the challenges of safeguarding the collection during US-Israeli strikes, including removing 80% of the oil from Noriyuki Haraguchi's installation 'Matter and Mind' (1977) to prevent fire risk, and protecting outdoor sculptures by Henry Moore, René Magritte, and Max Bill.

Independent Art Fair Trades Downtown for the World

The Independent Art Fair has moved to Pier 36 on the Lower East Side waterfront for its 17th edition, running through May 17. The fair features 76 booths with a more spacious, warehouse-like layout, and a noticeably older, glossier crowd compared to previous years. Exhibitors include Los Angeles-based ATLA and Diane Rosenstein galleries, as well as international participants like Bogotá's SGR Gallery, showcasing solo presentations by artists such as Yoshikazu Tanaka, Kuniko Kinoto, and Johan Samboní. The fair has also announced partnerships with Sotheby's for its 20th-century edition and with the nonprofit Henry Street Settlement, signaling a tension between upscale ambitions and local community ties.

Hayward Gallery announces major Nan Goldin exhibition.

The Hayward Gallery in London has announced a major solo exhibition of American artist and activist Nan Goldin, titled "You Never Did Anything Wrong." Running from 24 November 2026 to 7 March 2027, the show will mark Goldin's first institutional exhibition in the UK since 2002, featuring her intimate photographs and slideshows that document personal relationships, addiction, and queer communities over five decades. The exhibition rounds off the Southbank Centre's 75th anniversary year and includes works such as "Flowers with cup and Gaja" (2024) and "Diana in the bath" (2024).

The Langmatt Museum in Baden Reopens Its Doors

Le Musée Langmatt de Baden rouvre ses portes

The Langmatt Museum in Baden, Switzerland, has reopened after a two-year, €21 million renovation of its Art Nouveau villa, which required urgent structural intervention. The project was co-financed by the city of Baden and the canton of Aargau, with the city contributing CHF 10 million. To secure the museum's endowment fund, the Langmatt Foundation controversially sold three Paul Cézanne masterpieces at Christie's New York in November 2023 for a total of CHF 40.32 million, sparking ethical debate in museum circles. The renovation covered all 75 rooms, including new fire protection, an elevator, accessibility upgrades, a glass pavilion, and restoration of the historic park, while preserving the villa's character.

The art of chaos

The 61st Venice International Art Biennale has opened in Venice, running until November, amid unprecedented turmoil. The main exhibition, "In Minor Keys," was curated by Koyo Kouoh, who died of cancer shortly after presenting her vision featuring 111 artists including Carsten Höller, Alvaro Barrington, and Laurie Anderson. Her death has eliminated the Lifetime Achievement Award this year. Additionally, the Biennale faces a funding crisis as the EU threatens to withdraw its €2 million subsidy over Russia's participation with 38 artists following the invasion of Ukraine. Iran, Nigeria, and Israel are absent from their pavilions, while the US Pavilion, now organized by the American Arts Conservancy under inexperienced leadership, features self-taught artist Alma Allen.

Arghavan Khosravi Breaks Through Gendered Restrictions in Her Architectural Portraits

Arghavan Khosravi's solo exhibition "What Remains" opens today at Uffner & Liu in New York, presenting a new body of sculptural paintings that fuse Persian architecture with Christian altarpieces. The works explore women's fight for equality under censorship and religious dogma in Iran, featuring figures restricted by domestic objects, hinged shutters, and suspended cords, with fragments of limbs or faces visible. Key pieces include "Suspended" (2026), "Bearing" (2026), and "The Whisper" (2026), running through July 2.

Picture gallery in transformation: recent gifts

MASP — Museu de Arte de São Paulo Assis Chateaubriand will present the exhibition "Picture gallery in transformation: recent gifts" starting May 15, as part of its Latin American histories series. The show features two sets of silkscreen prints recently added to the museum’s collection: 51 prints (2002–2007) by the Argentine collective Taller Popular de Serigrafía, which combined art and activism during the 2001 economic crisis, and the series "Ink and blood: 1968–2009" by Mexican artist Abraham Cruzvillegas, comprising 41 facsimiles of protest ephemera from Latin American social movements. The exhibition is curated by MASP artistic director Adriano Pedrosa, curator Regina Teixeira de Barros, and curatorial assistant Matheus de Andrade.

Venice Biennale 2026 Collateral Events Six Of The Best – Nico Kos Earle

The 61st Venice Biennale is described as the most contested and chaotic in recent history, marked by the absence of a curator following the death of Koyo Kouoh and overshadowed by global conflicts that made presentations in national pavilions fraught with difficulty. Amid this turmoil, standout collateral events include Michael Armitage's exhibition 'The Promise of Change' at Palazzo Grassi, curated by Jean-Marie Gallais and Hans-Ulrich Obrist, which uses softly painted scenes to address sociopolitical tensions and post-colonial identity. Another highlight is The Holy See Pavilion, curated by Hans Ulrich Obrist and Ben Vickers, featuring a sonic prayer by Soundwalk Collective with contributions from contemporary composers including Patti Smith.

A Collection Built Through Exchange. “Gifts of Friendship” at the Muzeum Sztuki in Łódź.

The Muzeum Sztuki in Łódź is opening an exhibition titled "Gifts of Friendship" on 15 May, featuring nearly 150 works donated to the museum between 2024 and 2026 by some 80 artists from dozens of countries. The exhibition, curated by Barbara Piwowarska, traces the museum's origins to the 1920s when avant-garde artists like Władysław Strzemiński and Katarzyna Kobro built the International Collection of Modern Art through artist-to-artist gifts, bypassing market logic. The current show responds to the institution's recent crisis by turning again to the artistic community for support, resulting in a wave of donations that reaffirm the museum's founding ethos.

In Venice, the Passion of Life and the Ghost of Art

The 2026 Venice Biennale, the world’s oldest art exhibition, has opened with a theme centered on vitality and the celebration of life. The edition is described as both a passionate embrace of energy and a reminder of art’s lingering ghosts, offering a mixed but compelling experience for visitors.

Between heroes, anti-heroes and pure humanity: an exhibition in Rome becomes a metaphor for the current crisis

Tra eroi, antieroi e pura umanità una mostra a Roma diventa metafora della crisi attuale

The Museo di Roma Palazzo Braschi in Rome is hosting "It's Happening Again," a solo exhibition by artist Adrian Tranquilli, curated by Studio Stefania Miscetti and running until May 24. The show presents new works including the monumental sculpture "Endsong" (2025), a black monolith inspired by Kubrick's "2001: A Space Odyssey" covered in hundreds of Joker faces, and a large pop-up book titled "My Little White Book" (2026). Tranquilli's pieces, often built from playing cards, explore themes of power, fragility, and the instability of cultural symbols.

How Do You Curate an Exhibition on Genocide? Faisal Saleh and the Palestinian Question That Crosses the Venice Biennale

“Come si cura una mostra sul genocidio?”: Faisal Saleh e la domanda palestinese che attraversa la Biennale di Venezia

At the 2026 Venice Biennale, a collateral exhibition titled “Gaza – No Words – See the Exhibit” presents 100 embroidered works using the traditional Palestinian technique of Tatreez. Curated by artist Faisal Saleh, founder of the Palestine Museum US, the show transforms embroidery from decoration into political testimony, reconstructing scenes from Gaza over the past two and a half years: shrouded bodies, killed children, mothers bidding farewell, bombed hospitals. The exhibition is housed at Palazzo Mora and has been called by many visitors “the real Palestinian Pavilion” of the Biennale, though it is not an official national pavilion.