North America’s Longest-Running Exhibition of International Art Has Landed at the Carnegie Museum

The 59th Carnegie International, titled "If the word we," has opened at the Carnegie Museum of Art in Pittsburgh, marking North America's longest-running exhibition of international art. Featuring 61 artists and collectives from countries including Brazil, Benin, China, Indonesia, Lebanon, Peru, Taiwan, and South Africa, the exhibition explores the theme of "we" as an evolving proposition. It includes nearly 40 newly commissioned projects—the largest number in the International's history—spanning painting, photography, sculpture, installation, video, and theater. Notable works include Jonathan González's performance "The Strikebreakers" and Georges Adéagbo's installation "Le Socialism Africain," which uses discarded objects to examine Western power and colonial legacies in Africa.

Muscle memory: Natasha Tontey’s wild Venice installation explodes perceptions of Indonesian history

Natasha Tontey's new installation "The Phantom Combatants" at the Ateneo Veneto in Venice reimagines the story of Len Karamoy, a woman who was part of the CIA-funded Permesta resistance movement in North Sulawesi, Indonesia (1957-1961). The 22-minute film, commissioned by the LAS foundation and Amos Rex, features absurdly muscular mutant warriors and draws on Indigenous belief systems, video games, Indonesian soap operas, and B-movie aesthetics to explore themes of autonomy, resistance, and historical perspective.

Natasha Tontey to Unveil Major New Immersive Installation Exploring Indigenous Resistance During Venice Biennale

Artist Natasha Tontey will unveil a major immersive installation titled "The Phantom Combatants and the Metabolism of Disobedient Organs" during the Venice Biennale at the Ateneo Veneto di Scienze, Lettere ed Arti. Jointly commissioned by Berlin’s LAS Art Foundation and Helsinki’s Amos Rex, the work combines video, sound, light, and sculpture to reimagine the story of Len Karamoy, a combatant in the CIA-supported Permesta movement that fought the Indonesian government from 1957 to 1961 in North Sulawesi. Tontey, a Minahasan Indigenous artist, uses LiDAR, quantum ghost imaging, and other technologies to explore Indigenous identity, ecology, and the blurring of history and myth.

‘Like a Malfunctioning Theme Park Ride’: Banality and Body Horror at New York Art Week

New York Art Week featured a range of exhibitions that blended banality with body horror, drawing comparisons to a malfunctioning theme park ride. The article highlights several shows that juxtapose mundane, everyday objects with grotesque, unsettling imagery, creating a disorienting experience for viewers. Artists presented works that explore the fragility and absurdity of the human body, often using visceral materials and jarring installations to provoke discomfort and reflection.

ISA Art Gallery’s Biophilia Exhibition

Deborah Iskander, founder of ISA Art Gallery in Jakarta, launched the gallery's latest exhibition titled 'Biophilia' at its location in Wisma BNI 46. The gallery, established in 2014, has focused on exhibiting women artists and diaspora Indonesian artists since 2021. The exhibition continues this curatorial direction, featuring works that explore the connection between nature and human experience.

ISA Art Gallery and Fitri DK’s ‘Nine Kartinis of Kendeng’

ISA Art Gallery in Jakarta recently held the first exhibition in its 'Biophilia' series, titled 'Exquisite Corpse', which ran from February 14 to April 16. The show features works centered on nature and sustainability, with a standout piece by artist Fitri DK: two batik works titled 'Selamatan Bumi 1 and 2'. These works depict the 'Nine Kartinis of Kendeng', a group of women from Central Java fighting to protect their karst mountains from a cement factory that threatens their clean water supply. The exhibition draws its title from Elza Adamowicz's book on Surrealist collage, emphasizing fragmented, collective creation.

The 10th Max Mara Art Prize for Women

第10回マックスマーラ・アート・プライズ・フォー・ウィメン

The 10th Max Mara Art Prize for Women has been awarded to Indonesian artist Dian Suci, marking the first time the prize has been held in Asia. Suci was selected from five finalists for her project "Crafting Spirit: Cultural Dialogues in Heritage and Practice," which examines the intersection of religious craftsmanship traditions and capitalist systems. The prize is organized in partnership with the Museum MACAN in Jakarta. Suci will undertake a six-month residency in Italy, followed by solo exhibitions in 2027 at both Museum MACAN and Collezione Maramotti in Reggio Emilia.

Clasutta Explores the Dynamics of Love in Solo Exhibition at Whitestone Gallery Singapore

Indonesian artist Clasutta presents a solo exhibition titled "Roommates?" at Whitestone Gallery Singapore, exploring the emotional dynamics of love and relationships through her playful painting style. The exhibition is part of a larger curatorial narrative called "Through Reverie: Love and Memory," which also features a concurrent presentation by Malaysian artist C.K. Koh titled "Folded Glimpses," drawing from his personal photographic archive. Clasutta's works trace the subtle shifts from lighthearted beginnings to spaces shaped by attachment, expectation, and unspoken negotiation, portraying love as fluid and ever-changing.

Printing the Unprinted: The Reversal of World Discovery

The Indonesian Pavilion at the Venice Biennale presents "Printing the Unprinted: The Reversal of World Discovery," a project that reimagines global history by casting an Indonesian kingdom as the explorer who discovers the West. Seven Indonesian artists—Agus Suwage, Syahrizal Pahlevi, Nurdian Ichsan, R.E. Hartanto, Theresia Agustina Sitompul, Mariam Sofrina, and Rusyan Yasin—participated in a two-month residency at the Scuola Internazionale di Grafica in Venice, collaboratively creating works through printmaking and expanded forms. The pavilion includes exhibitions, workshops, and symposiums that challenge dominant narratives and highlight Indonesia's contributions to maritime technology, commerce, arts, and knowledge.

MINISO Gallery Launches in Shanghai

MINISO, the global lifestyle retailer, has launched its first-ever MINISO Gallery at Shanghai’s Bund City Hall Plaza, a historic landmark. The gallery opens with a solo exhibition titled *Life from the Corner of My Room* featuring RYOL, a contemporary Indonesian artist who is MINISO’s first global exclusive artist. The exhibition runs from 17 May to 31 August and includes recent paintings, sculptures, and installations that trace RYOL’s artistic evolution from intimate, room-based works to explorations of childhood innocence and real-world experience.

Weekend for the arts: 'Untitled' exhibition, 'Lessons Of Silence' theatre

The article covers three events in Kuala Lumpur as part of the KL Festival and Borneo Native Festival 2026. The 'Untitled' group exhibition at GMBB creative mall features 127 artists and 329 works without labels or artist names, inviting viewers to write personal reflections. Proceeds from admission and 'gift letters' go directly to participating artists, offsetting typical financial burdens for emerging creators. The theatre piece 'Lessons Of Silence' by Indonesian artist Agnes Christina is a wordless performance exploring race, class, and parent-child dynamics during a turbulent period in Indonesian history. Additionally, the Borneo Native Festival 2026 at Central Market showcases Sabah and Sarawak's arts and culture, with a highlight being Pangrok Sulap, a woodcut collective from Ranau, presenting prints, books, and socially engaged art.

Agitate, Educate, Organize. A Conversation with the Indonesian Collective That Is in Venice with Two Projects

Agitare, educare, organizzare. Una conversazione con il collettivo indonesiano che è a Venezia con due progetti

Sale Docks, an activist art space born from a 2007 occupation in Venice, has invited the Indonesian collective Taring Padi to collaborate on two projects. The first is the exhibition "Taring Padi: People's Liberation," which reactivates banners as tools for propaganda, mobilization, and resistance. The second is a public intervention in Venice, where the collective and local community will repaint the walls of the historic social center Laboratorio Occupato Morion. The article includes an interview with Taring Padi, which was founded in 1998 in Yogyakarta by students and activists, and discusses their use of wayang shadow-puppet imagery and collaborative processes to agitate, educate, and organize communities.

MINISO Launches World’s First MINISO Gallery in Shanghai with Exhibition by Indonesian Artist RYOL

MINISO has opened the world's first MINISO Gallery in Shanghai, featuring an exhibition by Indonesian artist RYOL. The gallery marks the lifestyle brand's expansion into the art space, blending retail with curated visual art experiences.

Fractured Horizons Returns to NYCxDesign 2026 with Imaging After Images, Marking Its Second International Spotlight at the Festival

Fractured Horizons: Imaging After Images, the second edition of VSDesign's international exhibition series, returned to the NYCxDesign Festival in 2026, running for a week in New York. Organized by VSDesign in partnership with RAC Studio and Asia Design Week, the exhibition featured 60 works by artists and designers from across Asia and North America, spanning architecture, urbanism, product design, visual communication, and interactive media. The show explored how images no longer simply depict space but actively produce, operate, and regulate it, treating the image as a spatial mechanism rather than a neutral surface.

Art: UOB Painting of the Year set to elevate artistic excellence in its 45th edition with a festival and more

The UOB Painting of the Year competition, now in its 45th edition, is expanding beyond its traditional awards format to launch its first-ever arts festival in Singapore. Running from late August to early September, the festival will feature exhibitions, workshops, and artist talks, showcasing semi-finalists from the Emerging Artist category alongside veteran winners. The competition, established in 1982, has grown into one of Southeast Asia's most recognized art awards, with editions in Singapore, Indonesia, Malaysia, Thailand, and Vietnam, and has launched over 1,000 artists' careers. This year also introduces stricter criteria for the Established Artist category, requiring a stronger professional track record.

Natasha Tontey: ‘Dystopia Is Already Here’

Indonesian artist Natasha Tontey is the subject of an interview discussing her film series *Macho Mystic Meltdown*, which debuted at the Venice Biennale. The series includes chapters *Oikoumenē* (2025), *Monster, She Wrote* (2026), and *The Phantom Combatants* (2026), exploring Minahasan cosmology, the Permesta rebellion, and the mythologized figure of female combatant Len Karamoy. Tontey uses speculative fabulation, collage, and unstable bodily forms to challenge patriarchal norms and official histories.

MAM Collection 022: Timoteus Anggawan Kusno

MAMコレクション022：ティモテウス・アンガワン・クスノ @ 森美術館

森美術館（Mori Art Museum）は、2026年4月29日から9月23日まで、インドネシア出身の現代アーティスト、ティモテウス・アンガワン・クスノ（Timoteus Anggawan Kusno）の個展「MAMコレクション022：ティモテウス・アンガワン・クスノ」を開催する。本展は同館のコレクションシリーズ第22弾で、シニア・キュレーターの德山拓一が企画。クスノの作品《ノスタルジーの解体》（2024年）や《時の空白》（2024年）などが展示され、記憶や時間、歴史の断片をテーマにしたインスタレーションが紹介される。

Vietnamese, Indonesian artists explore memory, identity in Ho Chi Minh City exhibition

The 'Memory, Nature, Identity' contemporary art exhibition opened at Lotus Van Art & Community Hub in Ho Chi Minh City, Vietnam, running through June 5, 2026. It features works by more than 11 artists, including Vietnamese painters and Indonesian artists working across visual and experimental forms, with pieces ranging from lacquer paintings and egg tempera works to multimedia experiments and watercolors of heritage architecture. The exhibition includes artist talks, workshops, guided tours, and public exchange sessions.