Brandywine Conservancy and Museum picks architects for $100m expansion project

The Brandywine Conservancy & Museum of Art in Chadds Ford, Pennsylvania, has selected Kengo Kuma & Associates, along with landscape architects Field Operations and Schwartz Silver Architects, to lead a $100 million expansion project. The plan includes a new 40,000-square-foot museum building, renovation of the existing 19th-century grist mill museum, and a ten-mile loop of walking trails connecting the two buildings to the historic studios of artists N.C. Wyeth and Andrew Wyeth. Construction is expected to begin in spring 2025, with completion in autumn 2029. Nearly half the funding has been raised, including contributions from the Wyeth Foundation for American Art and Wyeth family members.

Raque Ford ”The only one willing to to the hard part” at Fridericianum, Kassel

The article reviews Raque Ford's exhibition "The only one willing to do the hard part" at Fridericianum in Kassel. Ford, born in 1986 in Columbia, Maryland, and based in New York, presents works that blend artistically formed shapes with bold color contrasts and slogan-like text. Using plastic and industrial materials, she creates an aesthetic that oscillates between abstraction and simple visual codes, with layered compositions that challenge conventional boundaries.

Lost bunny paintings by JFK's photographer found in ABQ storage

A trove of paintings by Eddie Johnson, an obscure artist who photographed President John F. Kennedy in 1962 as assistant to Elaine de Kooning, has been discovered in a storage unit in Albuquerque, New Mexico. The archive, saved from disposal by the artist's estate, includes a major series of bunny-themed works created between 1972 and 1995, all based on a worn plush toy. Artist Matthan Cowart organized the exhibition "Hares on the Mountain" at his gallery Desert Mystery Center, pairing Johnson's bunny paintings with works by 11 living artists including David Altmejd and Ed Haddaway.

Member Previews: Willem de Kooning Drawing (Thurs)

The Art Institute of Chicago is offering members exclusive preview access to "Willem de Kooning Drawing" from June 11–13, 2025, before it opens to the public. This is the first exhibition to comprehensively examine de Kooning's drawing practice, featuring works from across his career—from his earliest drawings to late calligraphic paintings—and marks the museum's first solo presentation of the artist since 1969.

I'm a punk artist, I don't give a damn

"Ich bin Punk-Künstlerin, ich geb einen Scheiß drauf"

During the opening week of the Venice Biennale, the Russian activist and Pussy Riot member Nadya Tolokonnikova staged a protest against the Russian pavilion, wearing pink balaclavas and chanting slogans like "Blood is Russia's Art." Meanwhile, Florentina Holzinger's Austrian pavilion, subtitled "I Live in Your Piss," drew massive crowds with its scatological installations and extreme performances, causing wait times of up to two and a half hours. German media critics have widely covered the Biennale's heightened political tone, with debates over boycotts of Russia and Israel, and the tension between art and activism.

Plains Art Museum marks Smithsonian relationship with new Indigenous exhibit

The Plains Art Museum in Fargo, North Dakota, has been awarded a Smithsonian Affiliation, becoming the only institution in the state with such a designation. The partnership grants the museum access to Smithsonian programs, including artwork loans, touring exhibitions, educational resources, and professional development. The first public display of this collaboration is the new exhibit "Know Your Treaty: Wiwahokichiyapi," which opened in late April. The touring Smithsonian show, developed by the National Museum of the American Indian, examines the history of treaties between Indigenous nations and the U.S. government through photographs and text, while the museum has supplemented it with works by Indigenous artists from its permanent collection and loans.

Brandywine Conservancy & Museum of Art announces $100m expansion

The Brandywine Conservancy & Museum of Art in Pennsylvania has announced a $100 million expansion project to transform its 15-acre campus. The plan includes a new 40,000-square-foot museum building designed by Kengo Kuma & Associates—the firm's first museum in the U.S.—along with renovations to the original mid-19th century grist mill building, and the creation of a 325-acre publicly accessible preserve and garden with 10 miles of trails. Construction is set to begin in spring 2027, with completion expected in autumn 2029.

In his Naples exhibition Shepard Fairey wants to restore political power to images

Nella sua mostra a Napoli Shepard Fairey vuole restituire alle immagini potere politico

Shepard Fairey's major exhibition "OBEY: Power to the Peaceful" has opened at Gallerie d'Italia in Naples, Italy. The show transforms the museum spaces into a landscape of symbols, slogans, monumental faces, and fierce geometries that draw from 20th-century revolutionary aesthetics but speak directly to contemporary issues of permanent war, image saturation, and the fragility of critical thought. Fairey also created a large mural titled "Third Eye Open Peace" in the Ponticelli neighborhood, extending his artistic statement into the urban fabric.

Exhibition | Travis MacDonald, 'Had a Farm' at Contemporary Fine Arts | CFA, Berlin, Germany

Contemporary Fine Arts in Berlin is presenting 'Had a Farm', a solo exhibition by New Zealand-born artist Travis MacDonald, opening during Gallery Weekend Berlin 2026. The show features new paintings that explore countercultural aesthetics through long-haired, androgynous figures set in a rural-subcultural landscape, drawing on photographic archives of 1970s experimental communes and referencing Pier Paolo Pasolini's essay on hair as a political sign.

Al Padiglione Emirati della Biennale di Venezia l’ascolto passa dall’architettura

At the Venice Biennale, the UAE Pavilion at the Arsenale presents 'Washwasha,' a project curated by Bana Kattan that focuses on sound as an invisible infrastructure crossing cultures, memories, and identities. Featuring artists Tala Safié, Farah Al Qasimi, and Ala Younis, the pavilion eschews visual shock and political slogans for an immersive, auditory experience that prioritizes listening, proximity, and disorientation. Architect Koray Duman, who designed the space, explains in an interview that the pavilion is a deliberate counter to the contemporary culture of hyperstimulation and monetized attention, using architecture not as a container but as a system that organizes perception and emotional tension.