The Holy Spirit in a Rapture of Pain

Der Heilige Geist im Schmerzrausch

Florentina Holzinger's "Pfingstspiel" (Pentecost Play) is a multi-hour performance staged across two locations in Austria—the Wiener Eislauf-Verein in Vienna and Schloss Prinzendorf—as a satellite event to her contribution to the Venice Biennale. The work features extreme physical stunts, including a performer rappelling down a hotel facade, a car drifting with Holzinger on its roof, and a crucifixion scene, all drenched in blood, pain, and religious imagery. The performance, presented only once before 700 guests as part of the Wiener Festwochen, is described as a brutal, uncompromising marathon that pushes the boundaries of live art.

Zum Lachen aufgelegt

A brilliant retrospective at the Wiels art center in Brussels examines how Lutz Bacher used bitter humor and readymades to dissect American visual culture, power, and gender roles—all while keeping her own identity hidden. The exhibition highlights Bacher's practice of working under a pseudonym since the 1970s, refusing interviews, and letting her art speak for itself.

At the GAM in Turin, the Fourth Resonance between drawing, paper and twentieth-century collections

From May 21 to November 1, 2026, the GAM—Galleria Civica d’Arte Moderna e Contemporanea in Turin—launches its new exhibition season titled "Fourth Resonance," a program dedicated to the languages of drawing, sign, and stroke. The season includes multiple exhibitions, notably "Un altro Novecento. Works on Paper from the GAM Collections," curated by Fabio Cafagna and Elena Volpato, which brings together over 600 works on paper spanning the 20th century, from Symbolism to the 1990s. Featured artists include Lucio Fontana, Giorgio Morandi, Filippo de Pisis, Max Beckmann, and many others, with monographic rooms and contemporary interventions woven into the museum's collections.