10 Ausstellungen, die Sie zum Gallery Weekend nicht verpassen sollten

The article highlights ten must-see exhibitions during Berlin's Gallery Weekend, curated by the editorial team of Monopol magazine. Featured shows include Jiyoon Chung's installation "Dead End" at Anton Janizewski, which explores perception and anxiety through subtle triggers; Giorgio Griffa's retrospective at Walter Storms Galerie, showcasing his poetic abstract paintings on un-stretched linen; Walid Raad's "Like a Rubber Rung on a Ladder" at Galerie Thomas Schulte, referencing the Lebanese Civil War with a crashed VW Beetle and graffiti; and Thomas Demand's exhibition at Sprüth Magers, where his photographs printed on copper plates reflect on current events like the Gaza war and climate change.

Fondation Beyeler: Freier Eintritt im Bikini

The Fondation Beyeler in Riehen, Switzerland, invited visitors to enter the museum for free if they came wearing swimwear, as part of a "Bathing Day" promotion. The event was inspired by Paul Cézanne, whose famous paintings of bathers are the subject of a current exhibition at the museum. The museum reported strong attendance and stated that the unusual setting brings art and visitors closer together, changing perception and reducing distance.

Where to go in May?

Wohin im Mai?

The article, published by Monopol magazine, previews a selection of art exhibitions and biennials opening in May. Highlights include the 61st Venice Biennale, a solo show by Lina Lapelytė at Hamburger Bahnhof in Berlin (part of the CHANEL COMMISSION series), a group exhibition titled "Lebt und arbeitet in Wien. Contemporary Art from Vienna" at Kunsthalle Wien, and a presentation of Christoph Schlingensief's work "The African Twin Towers" (2005) at MAK Wien. Also featured is Maximiliane Baumgärtner's exhibition at Kunstverein für die Rheinlande und Westfalen in Düsseldorf.

8 Art Films Worth Watching in May

8 Kunstfilme, die sich im Mai lohnen

Monopol magazine presents eight art films worth streaming in May, including a documentary featuring 40,000 slides from critic Jerry Saltz capturing the 1990s New York art scene, Shirin Neshat's film "Women Without Men" about women in 1953 Tehran, Christian Petzold's new film "Miroirs No. 3," and a documentary on the Shroud of Turin. The roundup also includes a politically charged drama directed by Yael Bartana and a Dada-metal film, offering a diverse selection of art-related cinema.

10 exhibitions to look out for in May

Warren Feeney's article highlights 10 exhibitions opening in May 2026, primarily in Christchurch, New Zealand. Featured shows include Stone Maka's 'MONO' at Jonathan Smart Gallery, exploring Tongan tapa cloth traditions; Jess Nicholson's 'Ka maumahara te uku (the clay remembers)' at CoCA Toi Moroki, focusing on Ngāi Tahu culture and land connections; and a group exhibition 'Indigo' at Art on the Quay, featuring seven Central Otago artists. Other notable shows include Jane Barry, Sandra Hussey, and Laurie Roodt's 'Three Exhibitions' at Chambers Art Gallery, and Stephanie Postles' 'What These Walls Remember' at City Art Depot's new Up Stairs space.

Shokkan at the ROM considers the sense of touch in Japanese art

The Royal Ontario Museum (ROM) in Toronto presents "Shokkan," an exhibition curated by Akiko Takesue that explores the Japanese concept of touch in art. Despite the challenge of displaying tactile experiences behind glass, the show succeeds by featuring historic Japanese works—such as kimonos, tea bowls, ukiyo-e prints, and netsuke—alongside contemporary pieces by artists like Issey Miyake, Tabaimo, Makiko Hattori, and Emma Nishimura. Interactive stations allow visitors to handle replicas and less valuable objects, including samurai swords, scrolls, and netsuke, to physically engage with the theme.

Building Worlds

Welten bauen

Lina Lapelytė has transformed the Hamburger Bahnhof in Berlin into a mutable landscape of wooden blocks for her second Chanel Commission. The installation, titled "Welten bauen" (Building Worlds), invites visitors to actively shape the space, incorporating elements of poetry, song, and community. The work draws inspiration from Paul Hindemith's 1930s children's singspiel "Wir bauen eine Stadt," which was banned by the Nazis and led to Hindemith's emigration.

Wer vertritt wen in Venedig?

RISD Museum Puts Spotlight on Diversity

The RISD Museum in Providence is spotlighting diversity through a series of exhibitions and programs in spring 2026. Highlights include the third Black Biennial, titled "Please Catch Me When I Fall," organized by students Karma Johnson, Khalil McKnight, and King Meulens, featuring over 50 works by Black artists from the school and local community. Other exhibitions range from "A Shared Journey: The Barkan Contemporary Ceramic Collection" to "Natchiq | Onkeehq | Isuwiq: Indigenous Artists Honor the Seal" and "The Artistry and Reunion of Two Surimono Albums," alongside ongoing displays like "Shimmering Beauty: Kingfishers in Art and Poetry."

The Biennale in Numbers

Die Biennale in Zahlen

Die diesjährige Kunstbiennale in Venedig präsentiert 111 Künstlerinnen, Künstler und Kollektive in der Hauptausstellung – deutlich weniger als 2024 mit 331 und 2022 mit 213 Teilnehmenden. Die Biennale umfasst 99 nationale Pavillons, darunter sieben Länder, die zum ersten Mal vertreten sind: Guinea, Äquatorialguinea, Nauru, Katar, Sierra Leone und weitere.

A Different Germany

Ein anderes Deutschland

The German Pavilion at the Venice Biennale, historically burdened by its Nazi-era origins, presents a new exhibition titled "Ruin." For the first time, the pavilion explicitly adopts an East German perspective, confronting its fraught past from a fresh angle. The show features massive pillars and a prominent "Germania" inscription above the entrance, directly engaging with the building's controversial history.