The article reviews the exhibition "MONUMENTS" held at both MOCA (Museum of Contemporary Art, Los Angeles) and The Brick, as covered by Contemporary Art Review LA. The review, written by Qingyuan Deng, appears in Issue 43 (February 2026) of the publication, which also features other reviews, interviews, and essays on topics ranging from olfactory art to tarot and video art.
Paris-based artist Iván Argote launches a new mobile sculpture titled DIGNIDAD in Chicago on June 12, installed on a flatbed truck that will travel through the city. The project, organized by the Floating Museum as part of its Floating Monuments series, begins in Humboldt Park—a neighborhood central to Chicago's Puerto Rican community—and will also visit Pilsen, Little Village, and potentially other cities like Dallas and Minneapolis. Argote, known for his giant pigeon sculpture Dinosaur on the High Line, worked with curator Carla Acevedo-Yates and local communities to create a work that responds to current political tensions around immigration and dignity.
Beverly Buchanan's outdoor sculptures, such as 'Marsh Ruins' (1981) and 'Unity Stones' (1983), are quietly eroding in landscapes across Georgia, Florida, and North Carolina. These anti-monuments, made from tabby concrete and stone, blend into their surroundings while subtly referencing the region's layered histories, including Indigenous shell middens, plantation ruins, and the 1803 slave revolt on St. Simons Island. Buchanan, who died in 2015, is now receiving renewed attention: her work will be featured at the Venice Biennale this spring, and a touring retrospective is currently at Frac Lorraine in Metz, following a posthumous show at the Brooklyn Museum in 2016–17.
British artist Sarah Lucas has unveiled a new public sculpture titled "VENUS VICTORIA" (2026) at the New Museum's entrance plaza on the Bowery in Lower Manhattan. The work, which will remain on view for two years, features a monumental nude female figure with flailing arms and large pink breasts perched atop a dusty washing machine, wearing bright yellow high heels. Lucas adapted the figure from her ongoing "Bunnies" series (1997–present), which uses knotted pantyhose and found objects. The sculpture was unveiled on May 12, 2026, inaugurating a decade-long series of public commissions by women artists at the museum.
Greater Philadelphia is launching a year-long Semiquincentennial celebration in 2026, featuring a series of major exhibitions across the region. Highlights include "A Nation of Artists" at the Philadelphia Museum of Art and the Pennsylvania Academy of the Fine Arts, the "What Now" festival by ArtPhilly, and "Bells Across PA," a statewide display of painted Liberty Bell replicas. Other notable shows include the Museum of the American Revolution's "The Declaration's Journey," The Franklin Institute's immersive theme park exhibit, The Academy of Natural Sciences' Indigenous re-examination of its Lewis and Clark collection, and the Independence Seaport Museum's look at early American commerce. The Clay Studio presents "Radical Americana" across 20 sites, the National Liberty Museum opens three exhibitions on the First Amendment, and a new show at the Philadelphia Museum of Art explores monuments, curated by Paul Farber.
The exhibition "Monuments," co-organized by The Brick and the Museum of Contemporary Art, Los Angeles (MOCA), features ten former Confederate monuments removed from public spaces across the American South. Highlights include Kara Walker's reconfigured "Unmanned Drone" (formerly Charlottesville's Stonewall Jackson monument), Richmond's toppled Jefferson Davis statue, and a graffitied Matthew Fontaine Maury statue. Co-curator Hamza Walker explains the show began after the 2015 Charleston church shooting and gained urgency following George Floyd's murder in 2020, involving complex negotiations with city governments and stewards to secure the politically charged pieces.
A roundup of new art and cultural exhibitions opening in Paris and the Île-de-France region in May 2026 is announced. Highlights include the annual Rambolitrain toy train fair at Rambolitrain museum on May 1, free evening hours at the Bourse de Commerce on May 2, free entry to castles and museums in Yvelines and Seine-et-Marne on May 3, the Tour Auto classic car display under the Grand Palais glass roof on May 3-4, the Circle of Parisian Artists' 24th annual exhibition at Parc Floral from May 4-31, a new garden art exhibition "Jardin des Lumières" at the Grand Trianon in Versailles from May 5 to September 27, and a major Hilma af Klint exhibition at the Grand Palais.
Artist Lauren Halsey has unveiled a new installation titled 'Sister Dreamer' Park in South Central Los Angeles. The work features stone monuments that elevate familiar faces from the neighborhood, celebrating local heroes and community members. The installation is part of Halsey's ongoing practice of centering Black and brown communities in her art, using architecture and sculpture to create spaces of empowerment and memory.
The Musée d'Orsay in Paris has opened a permanent gallery dedicated to artworks believed to have been looted by the Nazis from Jewish owners during World War II, but whose rightful owners have not been identified. The exhibition, titled "Who owns these works?", features a rotating selection of 225 such pieces held by the museum, with twelve paintings and one sculpture currently on display. Works by Renoir, Degas, Rodin, and Alfred Stevens are included, alongside provenance research detailing their murky histories—such as a Degas ballroom scene acquired by a Jewish collector later murdered at Auschwitz.
The World Boxing Council (WBC) presented two commemorative championship belts at the Philadelphia Museum of Art in connection with the exhibition "Rising Up: Rocky and the Making of Monuments," which marks the 50th anniversary of the film "Rocky." On April 23, 2026, Rasheen Farlow of the WBC gave a belt to the family of Joe Frazier, accepted by his daughter Jacquelyn Frazier-Lyde. The following evening, a second belt was presented to the exhibition itself, accepted by guest curator Paul Farber. The belts honor boxing figures Joe Frazier, Muhammad Ali, and Jose Sulaiman, and one also features the film character Rocky.
The New Museum has unveiled a major public sculpture by Sarah Lucas titled "VENUS VICTORIA," installed on its new outdoor plaza as part of the OMA-designed expansion on the Bowery. The large-scale work, which opened on May 12, 2026, and will remain on view for two years, inaugurates a long-term commission series dedicated to public sculpture by women artists. Lucas was selected by an all-artist jury including Teresita Fernández, Joan Jonas, Julie Mehretu, Cindy Sherman, and Kiki Smith, and is the first of five artists to be commissioned over the next decade. The sculpture extends Lucas's Bunny series, placing a reclining figure atop a giant washing machine to subvert traditional monumental statues.
The Cleveland Museum of Art (CMA) has opened a free companion exhibition titled "France in the Time of Manet and Morisot," running through August 23 in the Mark Schwartz and Bettina Katz Photography Galleries. The show features 50 photographs from the museum's holdings of mid-1800s France, including works by Charles Marville and Édouard Baldus, who were commissioned by Emperor Napoleon III and the Louvre to document historic monuments and new architectural projects. Curated by Barbara Tannenbaum, CMA chair of prints, drawings, and photographs, the exhibition complements the museum's ticketed show "Manet & Morisot," which explores the artistic exchange between Édouard Manet and Berthe Morisot. Highlights include André-Adolphe-Eugène Disdéri's 1861 portrait "Monsieur Merlen," which is noted as an early precursor to the selfie, and a photograph of the Arc de Triomphe under construction.
The Cleveland Museum of Art (CMA) has opened a new photography exhibition, "France in the Time of Manet and Morisot," running through August 23 in the Mark Schwartz and Bettina Katz Photography Galleries. The free show features 50 photographs from CMA's holdings of mid-1800s France, complementing the museum's ticketed Impressionist display "Manet & Morisot." Curator Barbara Tannenbaum selected works by photographers such as Charles Marville, Édouard Baldus, and André-Adolphe-Eugène Disdéri, including Disdéri's 1861 portrait "Monsieur Merlen," which is noted as an early precursor to the modern selfie. The photographs document historic monuments, new architecture, and figures like Sarah Bernhardt, offering a visual context for the era of painters Édouard Manet and Berthe Morisot.
The remains of Charlottesville's melted Confederate statue of General Robert E. Lee are now on display at the Museum of Contemporary Art (MOCA) in Los Angeles as part of the 'Monuments' exhibition. The statue, originally standing in Market Street Park, was acquired by the Jefferson School African American Heritage Center (JSAAHC) in 2021, melted down at a secret location, and shipped to Los Angeles. The exhibition, presented in partnership with The Brick, also features artist Kara Walker's reconstruction of the Thomas Jackson statue. The bronze ingots and slag from the melting process are displayed alongside other works that reimagine Confederate monuments.
Paul Farber, founder of Monument Lab, discusses his new exhibition "Rising Up: Rocky and the Making of Monuments" at the Philadelphia Museum of Art. The show moves the iconic Rocky statue inside the museum and examines how a fictional boxer's statue became Philadelphia's most famous work of art, exploring broader questions about collective memory and public commemoration. Farber also reflects on the dismantling of the Frank Rizzo statue and how unintentional monuments like the Berlin Wall shape cultural discourse.
The Philadelphia Museum of Art has opened a new exhibition titled “Rising Up: Rocky & the Making of Monuments” to mark the 50th anniversary of the original Rocky film (1976) and the 250th anniversary of the United States. The show examines the Rocky statue as a monument tied to the museum and Philadelphia, featuring works by artists such as Keith Haring, Rashid Johnson, Delilah Montoya, Tavares Strachan, Hank Willis Thomas, Kara Walker, Andy Warhol, and Carrie Mae Weems. It also highlights Philadelphia's boxing history, including Joe Frazier and the Blue Horizon venue.
The Philadelphia Museum of Art is opening a new exhibition titled "Rising Up: Rocky and the Making of Monuments," which explores the cultural and artistic significance of the Rocky Balboa statue that sits at the museum's steps. Guest curator Paul Farber organized the show, which spans over 2,000 years of boxing imagery and includes works by Keith Haring, Jean-Michel Basquiat, and Andy Warhol. The exhibition marks a shift in the museum's long-standing ambivalent relationship with the statue, which was originally placed on the steps during filming of the "Rocky" movies and later relocated before returning in 2006. After the exhibition closes in August, the statue will be permanently installed at the top of the museum's steps for the first time.
The iconic Rocky Balboa statue, long stationed outside the Philadelphia Museum of Art (PMA), is being moved indoors for a new exhibition titled "Rising Up: Rocky and the Making of Monuments." Opening this weekend, the show examines how the fictional boxer and his statue became a symbol of Philadelphia's identity, tracing over two millennia of artists' engagement with boxing and celebrity. The exhibition includes works by Jean-Michel Basquiat and Andy Warhol alongside the bronze statue, which attracts roughly 4 million visitors annually. After the exhibit ends in August, the city's statue will be permanently relocated to the top of the museum steps, replacing a temporary loan from Sylvester Stallone's private collection. A new statue honoring legendary Philadelphia boxer "Smokin'" Joe Frazier is being built at the statue's original location.
The Philadelphia Museum of Art has opened a new exhibition titled "Rising Up: Rocky and the Making of Monuments," centered on the iconic bronze statue of fictional boxer Rocky Balboa that sits at the bottom of the museum's steps. Guest-curated by Paul Farber, the show explores the statue's transformation from a movie prop into a real-world symbol of perseverance and public devotion, tracing over 2,000 years of boxing imagery through works by artists such as Keith Haring, Jean-Michel Basquiat, and Andy Warhol. The museum, which once fought to have the statue removed, now embraces it as part of Philadelphia's identity.
The Philadelphia Museum of Art is opening a new exhibition titled "Rising Up: Rocky and the Making of Monuments" that brings the iconic bronze statue of fictional boxer Rocky Balboa inside the museum for the first time. Guest curator Paul Farber organized the show, which spans over 2,000 years of boxing imagery and places the statue within art history and Philadelphia's identity. The museum, which had a historically rocky relationship with the statue—initially fighting to have it removed from its steps—has now embraced it, with plans to permanently install the statue at the top of the museum's steps after the exhibition closes in August.
Phyllida Barlow's posthumous exhibition "Disruptor" at Wolterton Hall in Norfolk transforms the 18th-century Palladian mansion with her signature chaotic sculptures made from cheap materials like latex, cardboard, foam, and plywood. Works such as "Untitled: Stacked Chairs" and "Loaf" are installed throughout the stately home, clashing with its opulent interiors and historic treasures. The show, curated by artistic director Simon Oldfield, also includes a concurrent solo exhibition by Daisy Parris titled "Fist Full of Dreams."
Paola Siri Renard presents "Double Star" at nouveaux deuxdeux in Munich, featuring sculptures assembled from fragments of architectural ornaments, equestrian monuments, industrial display systems, and skeletal forms. Her work extracts elements from historical structures—spanning Gothic, Greco-Roman, and Art Nouveau styles—and reconfigures them into unstable, evocative constellations.
The Philadelphia Museum of Art has opened the exhibition “Rising Up: Rocky and the Making of Monuments,” featuring the iconic bronze statue of Rocky Balboa, the fictional boxer portrayed by Sylvester Stallone. The statue, which has long stood on the museum steps, was moved inside for the show, which also includes photographs of the historic Blue Horizon Gym and a tribute to boxer Joe Frazier. The exhibition runs until August, after which the statue will return to its outdoor perch.
The iconic Rocky statue, long situated outside the Philadelphia Museum of Art as a popular tourist attraction, has been moved inside the museum. It now serves as the centerpiece of an exhibition that explores themes of race, activism, and violence.
A satirical workout video titled "20 minute workout" created by the Hawaiʻi-based artist initiative kekahi wahi is featured at the Whitney Biennial in New York. The video shows dancers in spandex stretching in front of the Captain Cook Monument at Kealakekua Bay on Hawaiʻi Island, set to electronic music. The project was part of a larger effort to reimagine public space and challenge commemorative monuments in Hawaiʻi, drawing on the energy of debates over Confederate statues in the continental U.S.
Un artista italiano fa una mostra a Tunisi ispirandosi alle architetture di Le Corbusier
Italian artist Cristian Chironi has opened the seventh chapter of his ongoing project "My house is a Le Corbusier" with an exhibition in Tunis titled "My house is a Le Corbusier (Villa Baizeau)". The project centers on Villa Baizeau, a Le Corbusier-designed house built between 1928 and 1930 for industrialist Lucien Baizeau, which is now inaccessible inside the Tunisian presidential park. Chironi, inspired by a failed attempt by artist Costantino Nivola to bring Le Corbusier's architecture to his hometown Orani, instead travels the world temporarily inhabiting Le Corbusier's buildings. For this iteration, he set up a residency at La Boîte – Centre d'Art & d'Architecture in the Medina of Tunis from January 22 to April 5, 2026, culminating in an exhibition that opened April 3, 2026, using the villa as a lens to read the city rather than a physical space to occupy.
The iconic bronze statue of Rocky Balboa, the fictional boxer portrayed by Sylvester Stallone, is moving inside the Philadelphia Museum of Art for the first time starting Saturday, as part of the museum's new exhibition "Rising Up: Rocky and the Making of Monuments." The exhibition, which marks the 50th anniversary of the original film, features over 150 artworks and ancient artifacts, and explores how monuments are created and reinterpreted by artists and communities. The statue had stood outside the museum for more than 20 years and was originally a prop from the 1982 film "Rocky III."
The Philadelphia Museum of Art has opened a new exhibition centered on the Rocky statue, exploring themes of boxing, celebrity, and the meaning of monuments. The show investigates why millions of visitors from around the world flock to the iconic statue, which sits at the museum's steps, and examines its cultural significance beyond its cinematic origins.
Franco Mazzucchelli's exhibition at Champ Lacombe in Biarritz presents a medley of his public interventions from the 1970s, including inflatable sculptures like "Cono Rosso" (1973/2021), "Bieca Decorazione," and "Catena N.5 anelli." The show documents his practice of placing inflatables in public spaces without viewers knowing they were artworks, capturing reactions of curiosity, rage, and self-expression. The gallery space transforms these once-anti-monumental works into precarious monuments, now controlled within the art world's agenda.
Saudi Arabia's national pavilion at the 61st Venice Biennale features a new installation by Saudi-Palestinian artist Dana Awartani titled "May your tears never dry, you who weep over stones." Curated by Art Jameel's director Antonia Carver and assistant curator Hafsa Alkhudairi, the work comprises over 29,000 handmade clay bricks arranged in intricate mosaics referencing 23 threatened cultural heritage sites across the Arab world, including Syria, Lebanon, and Palestine. The installation, which took more than 30,000 labor hours with 32 artisans, has become a crowd favorite since the biennale opened on May 9.