ArtReview's editors have curated a list of 11 must-see exhibitions worldwide for May 2026, excluding Venice. Highlights include Audie Murray's solo show at april april in Pittsburgh, featuring works made with her own hair and breast milk; Delcy Morelos's monumental earthwork 'origo' at the Barbican Sculpture Court in London; and Bold Tendencies' 20th anniversary season in Peckham, titled 'Euphoria', with new commissions across multiple disciplines.
Gallery Weekend Berlin (GWB) expands from 50 to 57 participating galleries in 2025, introducing a new section called Perspectives that features smaller, younger galleries previously excluded from the event. The 20-year-old event, which began with 21 dealers aiming to attract international collectors to Berlin, has grown into a major sales week for galleries. Perspectives includes galleries like Anton Janizewski and Persons Projects, with a reduced participation fee of €4,500 (half the usual €9,000), subsidized by the Berlin Senate. The selection committee invites galleries rather than accepting applications, a process that has faced accusations of elitism.
Sue Webster's solo exhibition 'Birth of an Icon' at Firstsite in Colchester traces her lifelong obsession with pop culture, from teenage fandom of Siouxsie Sioux to her evolution as an artist. The show features a sprawling installation 'The Crime Scene' (2017–) that maps her personal history through albums, newspaper clippings, and objects, alongside painted jackets and self-portraits. It marks a departure from her earlier work as half of the duo Tim Noble and Sue Webster, embracing a more personal, amateurish style that reflects her journey through adolescence, marriage dissolution, and motherhood.
The Aspen AIR Festival returns for its second edition from July 27-31 in Aspen, Colorado, featuring performances, exhibitions, and talks under the theme “Figures in a Landscape.” Returning artists include Matthew Barney, who will present sculptures related to his TACTICAL parallax performance, and Lucy Raven, who will show her film Murderers Bar with a new score by Deantoni Parks. New commissions include Camille Henrot’s operatic work Commedia dell’arte, a performance by Los Thuthanaka blending Andean sounds with electronics, and a piece by Kali Malone and Stephen O’Malley originally created for the Holy See Pavilion at the Venice Biennale. The festival also includes talks by Adrián Villar Rojas, Lyle Ashton Harris, Ivan Cheng, Morgan Bassichis, and a keynote by filmmaker Julie Dash.
The Guardian has announced the finalists for the 2026 Archibald Prize, Australia's premier portraiture award, featuring 30 works including Loribelle Spirovski's 'Fingerpainting of Daniel Johns', Vincent Namatjira's self-portrait 'The Dust Bowl', and portraits of notable sitters such as Virginia Trioli, Jan Fran, Ahmed al-Ahmed, Layne Beachley, and Governor-General Sam Mostyn. The list also includes the Packing Room Prize winner, Sean Layh's 'The tragicall historie of Hamlet, Prince of Denmarke', and works by artists like Mitch Cairns, Marikit Santiago, and Michael Zavros, with all finalist images published in a photo gallery.
Hauser & Wirth is hosting a launch event during the opening weekend of Firelei Báez's solo exhibition 'Feet squelching on wet grass, nourished by uncertainty' at its 22nd Street gallery in Chelsea, celebrating the release of Ursula issue No. 16. The issue features a portfolio by Báez titled 'The Earth That Remains,' a cover story on collector Eileen Harris Norton, and contributions on Elsa Schiaparelli, Christopher Harris, Alice B. Toklas, and LACMA director Michael Govan. The free event includes Casa Dragones tequila and access to Báez's exhibition alongside 'Carol Rama. I See You You See Me.'
The Baltimore Museum of Art (BMA) is presenting three simultaneous exhibitions focused on Henri Matisse, drawing from its world-leading collection of the artist's works. The shows include "Fratino and Matisse: To See This Light Again," pairing Matisse with contemporary artist Louis Fratino; "Matisse and Martinique: Portraits and Poetry," exploring a little-known book illustration series inspired by the artist's 1930 visit to Martinique; and "Matisse in Vence: The Stations of the Cross," featuring 85 rarely or never-before-seen works on paper from Matisse's only architectural project—a chapel in Vence, France. The exhibitions run through 2026, with the Vence show curated by scholar Yve-Alain Bois.
The Portland Art Museum is launching a program to bring on a team of Native American co-curators to revitalize its Native American art collection, led by curator Kathleen Ash-Milby. The museum has partnered with multi-disciplinary artist and scholar Phil Cash Cash, a member of the Nez Perce and Cayuse tribes, who will contribute Indigenous perspectives to the collection's evolution. Cash Cash, who holds a PhD in Anthropology and Linguistics and co-founded the Crow's Shadow Institute of the Arts, gave a talk to the museum's Native American Art Council in early 2026, marking a new collaborative phase.
A new exhibition titled 'Making Her Mark' opens at Penlee House in Penzance, Cornwall, featuring works by prominent British female artists such as Tracey Emin, Barbara Hepworth, Laura Knight, Elizabeth Forbes, and Gillian Ayres. The show is a collaboration between Penlee House, Worcester City Art Gallery and Museum, and Kirkcaldy Galleries in Fife, Scotland, with each contributing more than 20 works. It is the first exhibition launched under Art Fund's £5 million 'Going Places' programme, which unites 20 museums across the UK over five years to share and celebrate their collections.
The Fondation Beyeler in Riehen, Switzerland, invited visitors to enter the museum for free if they came wearing swimwear, as part of a "Bathing Day" promotion. The event was inspired by Paul Cézanne, whose famous paintings of bathers are the subject of a current exhibition at the museum. The museum reported strong attendance and stated that the unusual setting brings art and visitors closer together, changing perception and reducing distance.
Morven Museum & Garden in Princeton, New Jersey, is presenting "Five Independent Souls: The Signers from New Jersey," an exhibition opening May 3, 2026, through January 17, 2027. The show examines the lives of five lesser-known signers of the Declaration of Independence—Abraham Clark, John Hart, Francis Hopkinson, Richard Stockton, and John Witherspoon—through over 100 historic artifacts including manuscripts, paintings, furniture, and personal objects. It confronts the paradox that these men fought for liberty while enslaving people, and also addresses the impact of American independence on New Jersey's indigenous population. Highlights include the painting "Congress Voting Independence" (1796-1817), the first known American depiction of the vote for Independence.
Art Fund has launched a UK-wide touring programme called Going Places, backed by £5.36 million from the National Lottery Heritage Fund and the Julia Rausing Trust. The first exhibition, *Making Her Mark: A Celebration of Women in Art*, opened at Penlee House Gallery & Museum in Penzance, featuring over 60 works from three museum collections alongside community responses. It will travel to Worcester City Art Gallery & Museum and Kirkcaldy Gallery through 2027. The programme plans 12 major touring shows over five years, with six already scheduled, including exhibitions on green spaces, journeys, radical living, art and nature, and community making.
The Thomas Cole National Historic Site in Catskill, New York, has opened a new exhibition titled “Thomas Cole: An American Visionary,” which marks the debut of the Richard Sharp Gallery in the historic 1815 Main House. The exhibition features 16 original paintings by Thomas Cole, along with drawings, sketches, and studio objects that trace the artist’s development and influence. It explores Cole’s evolution into an internationally recognized artist, his connection to the Catskill Mountains and Hudson Valley, and his role in shaping a visual identity for the young United States, while also highlighting his mentorship of Frederic Church. The gallery was funded and inspired by collector Richard “Rick” Sharp, who donated the centerpiece work “Diagram of Contrasts” to the site’s permanent collection.
The Banco de la República has opened a new exhibition at the Museo de Arte Miguel Urrutia (MAMU) in Bogotá titled "Francis Alÿs, juegxs de niñxs 1999–2025." Featuring 27 video works from the Belgian-born, Mexico-based artist's long-running series documenting children's games worldwide, the show opened on April 23 at El Parqueadero and the second floor of MAMU. Curated by Cuauhtémoc Medina and Virginia Roy, the exhibition includes footage from Afghanistan, India, Mexico, the Democratic Republic of the Congo, and Colombia, where a new work filmed in the Amazon with the Arara community is featured.
The article surveys 11 art exhibitions opening across the Hudson Valley in May 2026, highlighting a regional preoccupation with structure, materiality, and resistance to singular narratives. Featured shows include "Surface, Structure, String" at Hudson Hall, a textile survey curated by Richard Saja with artists like Portia Munson and Laleh Khoramian; "Jose Picayo: 35 Years in Photographs" at Robin Rice Gallery; "The Linda McCartney Retrospective: From the Light" at the Fenimore Art Museum; "Carol Seitz: Growth in Difficult Places" at Convey/er/or; and "Stephen Olivier: Hazmat" at ASK in Kingston, among others.
The Cleveland Museum of Art's spring exhibition examines the artistic relationship between 19th-century French Impressionist painters Édouard Manet and Berthe Morisot, showcasing 36 paintings and seven works on paper. Organized by curator Emily Beeny of the Fine Arts Museums of San Francisco, the show is the first to closely analyze how the two artists influenced each other, correcting the historical record that long positioned Manet as the dominant figure while undervaluing Morisot's contributions. Through side-by-side juxtapositions, the exhibition reveals that Manet may have taken more from Morisot than she from him, highlighting their collaborative and competitive dialogue over 15 years.
The Birmingham Museum of Art (BMA) announced it will unveil a landmark exhibition titled "Roll Call: Two Hundred Years of Black American Art" in September 2026. The show features 99 works drawn entirely from the museum's permanent collection, tracing two centuries of Black artistic production. Organized in four thematic sections—The Ground We Stand On, Ujima: Collective Work and Responsibility, What Freedom Feels Like, and In the Heart of It All—the exhibition highlights the museum's history of collecting Black art, which began in 1971 and now includes over 1,000 works by 250 Black artists. The exhibition coincides with the museum's 75th anniversary and runs from September 26, 2026 to January 17, 2027.
Converge 45, a citywide triennial in Portland, Oregon, has announced the theme and 28 participating artists for its upcoming edition, launching August 27. Curated by New York–based Lumi Tan, the exhibition is titled “Here, To you, Now,” borrowing a phrase from Ursula K. Le Guin’s 1985 novel *Always Coming Home*. More than half of the artists are based in Portland, including Srijon Chowdhury, Aaron Cunningham, and keyon gaskin, while out-of-state participants include Trisha Baga, Rose Salane, and Jacqueline Kiyomi Gork. The triennial will take place across 16 venues, including the Portland Institute of Contemporary Art and Oregon Contemporary.
The National Gallery in London is opening a major survey exhibition of Spanish painter Francisco de Zurbarán (1598-1664), the first on this scale since 1987. The show expands beyond his famous austere saints to include intimate still-lifes, late private devotional works, and large-scale altarpiece reconstructions. Curator Daniel Sobrino Ralston highlights two newly discovered paintings, including *Alcarraza on a Plate*, and a rare reconstruction of the second tier of the Charterhouse of Jerez de la Frontera altarpiece, reuniting works from museums in Grenoble and Poznań.
A new public sculpture by Vietnamese American artist Tuan Andrew Nguyen has been installed on the High Line Plinth at Hudson Yards in Manhattan. Titled "The Light That Shines Through the Universe" (2026), the 27-foot-tall sandstone monument pays homage to the Buddhas of Bamiyan, the 6th-century colossi destroyed by the Taliban in 2001. The work features carved sandstone forms with two monumental steel hands cast from melted-down artillery shells sourced from Afghanistan, making gestures of fearlessness and compassion. It will remain on view through autumn 2027 and is accompanied by monthly lectures and meditation sessions.
The Lucas Museum of Narrative Art in Los Angeles has announced details of its inaugural exhibitions, set to open on September 22, 2026. Founded by filmmaker George Lucas and his wife Mellody Hobson, the museum will feature over 1,200 objects across 30 galleries, tracing the history of visual storytelling from ancient sculptures to Renaissance paintings, photography, comics, and manga. The collection draws from Lucas's personal trove of more than 40,000 works of illustrator art, including pieces by N.C. Wyeth, Norman Rockwell, Frank Frazetta, Beatrix Potter, and Jack Kirby, as well as large-scale murals and photography by artists like Judy Baca and Dorothea Lange. The museum, designed by Ma Yansong of MAD Architects, also includes archives of Lucas's film sets, props, and costumes.
Centenaire d’Elizabeth II : deux statues colossales de la reine seront érigées à Londres, dans St James’s Park
London has unveiled the final design and models for a colossal memorial to Queen Elizabeth II in St James's Park, to be completed by 2028. The centerpiece is a seven-meter bronze statue of the queen at age 28, inspired by a Pietro Annigoni portrait and created by sculptor Martin Jennings. It will be accompanied by a statue of Prince Philip by Jennings and a second, more intimate statue of the queen in old age by Karen Newman. The project marks the centenary of Elizabeth II's birth (1926–2022) and is designed by Foster + Partners. Models are on display at the British Museum until June 21.
Loie Hollowell discusses her latest painting series 'Overview Effect,' currently on view at Pace Gallery in London. The series features large-scale canvases with twin concave and convex sculpted circles, inspired by the out-of-body experience she had during the home birth of her daughter. The works continue her abstract exploration of pregnancy, birth, and the female body, following earlier series like 'Split Orb' and 'Dilation Stage' that responded to the difficult birth of her son. Hollowell cites influences including Georgia O'Keeffe, Louise Bourgeois, and Luchita Hurtado, as well as Instagram home-birth photographs and the Ina May Gaskin childbirth book.
The Smithsonian American Art Museum will present "Much Here Is Beautiful: Photography Surveys of the U.S. Bicentennial," a landmark exhibition opening September 18, 2026, that brings together for the first time photography surveys created through a federally funded grant program by the National Endowment for the Arts (NEA) around the 1976 U.S. Bicentennial. Featuring 225 photographs by more than 70 photographers, the show draws on the museum's holdings and collections nationwide, including previously unseen works, and places them in the context of federal survey photography dating back to the 19th century.
The Musée des arts décoratifs et du design (MADD) in Bordeaux has reopened its design-focused wing after three years of renovation, featuring a new entrance pavilion designed by Antoine Dufour Architectes that connects the historic Hôtel de Lalande and the former municipal prison. The overhaul includes a monumental shelving display of eighty vases by designers such as Andrea Branzi and Gaetano Pesce, a new "gallery of know-how" dedicated to rotating thematic presentations (starting with ceramics), a graphic arts cabinet showcasing the Jacques Sargos collection of over 130 drawings, and improved climate control for conservation.
The inaugural Conductor Art Fair debuted at Powerhouse Arts in Brooklyn, running through May 3. Co-curated by fair director Adriana Farietta and PHA president Eric Shiner, the event features 28 gallery exhibitors and 20 special projects, with a focus on representing "the global majority and Indigenous nations." Highlights include an immersive yurt installation by Vuslat and Sana Frini, works by Palestinian artist Khaled Jarrar, Puerto Rican sculptor Margarita Vincenty, Venezuelan artist Esmelyn Miranda, and Bangladeshi artist Bishwajit Goswami. The fair offers affordable booth fees starting at $2,500 for nonprofits and free participation for self-representing artists with a 30% sales donation to PHA.
The 18th edition of the Lyon Biennale, titled "Passer d’un rêve à l’autre" (Moving from One Dream to Another), will run from September 19 to December 13, 2026. Curated by Catherine Nichols, an Australian-born art historian and editor based in Berlin, the biennial will take place across ten venues in Lyon, including the Grandes Locos, macLyon, and for the first time the Musée des Tissus et des Arts décoratifs. More than half of the works will be new productions, and over half of the artists are women, with a substantial focus on Oceanian artists such as Timo Hogan, Jazz Money, and Kaylene Whiskey. The exhibition draws inspiration from Lyon's traboules (hidden passageways) and the writings of artist Robert Filliou, exploring themes of dreams, critical analysis, and a "poetic economy."
The first large-scale exhibition in America dedicated to manga as an art form, 'Art of Manga,' will debut on the East Coast at the Brooklyn Museum on October 3. Featuring over 600 original drawings from legendary creators such as Junji Itō, Eiichiro Oda (One Piece), Hirohiko Araki (JoJo's Bizarre Adventure), Rumiko Takahashi (InuYasha), and Tite Kubo (Bleach), the show traces manga's evolution from foundational artists like Chiba Tetsuya and Akatsuka Fujio to contemporary voices. The exhibition also highlights themes including coming of age, LGBTQ+ rights, and environmentalism, and originally opened at the Fine Arts Museums of San Francisco.
The Los Angeles County Museum of Art (LACMA) opened its new David Geffen Galleries on April 19, featuring a groundbreaking installation organized around four bodies of water—the Pacific, Atlantic, and Indian Oceans, and the Mediterranean Sea—rather than by country of origin or chronological sequence. Designed by architect Peter Zumthor, the 900-foot-long single-level space holds 2,500 to 3,000 objects, with 45 curators collaborating to arrange works from vastly different cultures and centuries together, allowing visitors to meander without prescribed pathways.
The Neue Nationalgalerie in Berlin, in cooperation with the Centre Pompidou in Paris, has opened the first major exhibition of sculptor Constantin Brancusi in Germany in over 50 years. Featuring more than 150 works—including sculptures, photographs, drawings, films, and archival materials—the show presents key pieces such as "The Kiss," "Bird in Space," "Sleeping Muse," and "Endless Column," alongside a partial reconstruction of Brancusi's legendary studio, shown outside Paris for the first time since its bequest to the French state in 1957.