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larry gagosian jasper johns interview

Larry Gagosian has opened a major exhibition of Jasper Johns's crosshatch paintings from 1973 to 1983 at his Upper East Side gallery in New York. In a forthcoming Gagosian Quarterly interview, Gagosian explains his motivation simply: he wanted to look at the works. The show features key pieces including all six versions of "Between the Clock and the Bed" (1981), borrowed from top-tier collectors and museums such as the Museum of Modern Art, the Virginia Museum of Fine Arts, and the National Gallery of Art. Gagosian recounts first encountering the crosshatch paintings in 1976 at Leo Castelli's gallery, before he had met Johns, through his connections with Merce Cunningham and John Cage.

jasper johns crosshatch gagosian

Gagosian will host a survey of Jasper Johns's "Crosshatch" paintings at its Madison Avenue gallery in New York from January 22 to March 14, 2026. Titled "Between The Clock and The Bed," the exhibition is organized in partnership with Castelli Gallery and marks the 50th anniversary of the series, focusing on works from 1973 to 1983. It includes loans from major museums such as the Museum of Modern Art, the Broad, and the National Gallery of Art, as well as works from Johns's own collection. Highlights include pieces from his "Corpse and Mirror" series, "Weeping Women," and all six "Between the Clock and the Bed" paintings.

gagosian jasper johns crosshatch survey 2026

Gagosian Gallery, in collaboration with Castelli Gallery, will present a landmark survey of Jasper Johns's crosshatched paintings at its 980 Madison Avenue flagship from January 22 to March 14, 2026. The exhibition marks the 50th anniversary of the series' debut in 1976 and includes rarely seen works from 1973 to 1983, lent by major museums such as the Art Institute of Chicago, the National Gallery of Art, the Museum of Modern Art, the Philadelphia Museum of Art, the Broad, and the Virginia Museum of Fine Arts, as well as from Johns's personal collection. Key works include pieces from the "Corpse and Mirror" series, "Weeping Women" (1975), "Dancers on a Plane" (1980–81), and all six "Between the Clock and the Bed" paintings (1981–83).

Inez & Vinoodh Handpick 6 Defining Works From Their New Retrospective

The Dutch photography duo Inez & Vinoodh have launched a major retrospective titled "Can Love Be a Photograph" at the Kunstmuseum Den Haag. Spanning their career since 1986, the exhibition features 150 works that blur the lines between fashion photography, celebrity portraiture, and fine art. To mark the opening, the artists highlighted six defining works—including the digitally manipulated "Thank You Thighmaster" series—that prioritize conceptual depth and psychological mutation over the glossy celebrity culture they are often associated with.

The Best Booths at Art Basel Hong Kong, From AI Magical Girls to Asia’s Unsung Masters

Art Basel Hong Kong 2026 showcased a vibrant array of talent, with standout presentations across its curated sectors like Discoveries and Insights. Highlights included Vin Gallery's ceramic skeleton shadow puppets by Ako Goto, Lucie Chang Fine Arts' case for the late painter Zhu Xinjian, and gdm's pairing of Kongkee's lightbox sculptures with abstract works by Thai modernist Tang Chang. The fair also featured a monumental, self-sabotaged neon sign by Kongkee reading "Price / Value."

Estonia exports a modernist, Glasgow gets poetic and Leonora Carrington goes wild – the week in art

The article is a weekly roundup of art events and news highlights. It spotlights several upcoming exhibitions, including a showcase of Estonian modernist Konrad Mägi in London, a poetic conceptual art show by Fiona Banner in Glasgow, lyrical paintings by Turner Prize-shortlisted Hurvin Anderson at Tate Britain, and a surrealist exhibition of Leonora Carrington's work at London's Freud Museum. It also mentions films by Rehana Zaman and features an image story about a unique, family-run trompe l'oeil painting school in Brussels.

katharina grosse messeplatz art basel interview

German artist Katharina Grosse, known for her immersive spray-painted installations, will create a monumental painting titled "CHOIR" across the entire Messeplatz in Basel during Art Basel. The project, curated by Natalia Graboska, involves spray-painting the 53,800-square-foot pedestrian precinct in shades of magenta, marking the first time a painter has been commissioned to take over the entire square. In an interview with ARTnews, Grosse discusses her evolution from early experiments with spray guns in Marseille to key works like "Untitled" (1998) at Kunsthalle Bern and "The Bedroom" (2004), and her upcoming 2026 show at the Munch Museum in Oslo.

Chernobyl 40 years on, Paula Rego at Munch in Oslo, Gluck’s flower painting—podcast

This episode of The Art Newspaper's podcast 'The Week in Art' covers three distinct exhibitions. Host Ben Luke discusses the 40th anniversary of the Chernobyl nuclear disaster with organizer Olha Kovalevska, whose exhibition at Nikolaikirche in Potsdam runs until 27 April. He also explores a new show at Munch in Oslo, 'Paula Rego: Dance Among Thorns', with curator Kari J. Brandtzæg, focusing on Rego's engagement with Edvard Munch. Finally, the episode features 'Convolvulus' (1940) by Gluck as the Work of the Week, part of the group exhibition 'Handpicked: Painting Flowers from 1900 to Today' at Kettle's Yard in Cambridge, discussed with co-curator Naomi Polonsky.

matthew wong paintings venice biennale show

A rare exhibition of works by the late artist Matthew Wong, including never-before-exhibited pieces, will open in Venice during the 2026 Biennale. Titled “Matthew Wong: Interiors,” the show is curated by John Cheim and organized by the artist’s foundation, run by his mother Monita Wong. The 35-work exhibition focuses on interior spaces, both physical and psychological, and highlights Wong’s vibrant color palette and expressive brushwork, which he developed before his death by suicide at age 35 in 2019.

8 Must-See Solo Gallery Shows in March

This month’s gallery circuit features a series of high-profile solo exhibitions across the United States, headlined by a museum-quality survey of Jasper Johns at Gagosian. The selection highlights diverse artistic approaches, from Johns’s seminal 1970s crosshatch paintings to Yuko Mohri’s kinetic installations at Tanya Bonakdar and Gabriel de la Mora’s material-focused conceptual works at Perrotin. Other notable shows include Christina Quarles’s new paintings at Hauser & Wirth, which explore themes of loss and resilience.

art what to see in new york galleries right now

This week's Critic's Table column highlights three New York gallery and museum shows. Painter Sam McKinniss praises Helene Schjerfbeck's first major U.S. institutional survey, "Seeing Silence: The Paintings of Helene Schjerfbeck," at the Metropolitan Museum of Art, calling the Finnish modernist more fascinating than Edvard Munch. Critic Johanna Fateman argues that Joan Semmel's career-spanning exhibition "In the Flesh" at the Jewish Museum proves her recent icon status is well-deserved and long overdue. Artist Ajay Kurian reviews Marguerite Humeau's mythic ecosystems at White Cube.

art what to see in nyc galleries right now 2

This week's What's On column highlights must-see gallery shows in New York City, including Simone Fattal's bronze and ceramic works at Greene Naftali and kaufmann repetto, Sol Lewitt's early works at Paula Cooper, Charles Atlas's portraits at Luhring Augustine, John Akomfrah's eight-channel installation at Lisson, and Brenda Goodman's new exhibition at Sikkema Malloy Jenkins. On the Upper East Side, the Metropolitan Museum of Art presents Helene Schjerfbeck's self-portraits in "Seeing Silence," the Jewish Museum features Joan Semmel's radical nudes, and White Cube hosts Marguerite Humeau's cave-inspired show "scintille."

At MAXXI L'Aquila, exhibition dedicated to Ai Weiwei recounts catastrophes and memory

From April 29 to September 6, 2026, MAXXI L'Aquila presents "AI WEIWEI: Aftershock," an exhibition curated by Tim Marlow featuring approximately seventy works by Chinese artist, architect, and activist Ai Weiwei. The show spans his entire career, focusing on themes of earthquakes, wars, political repression, and memory. The centerpiece is the installation "Straight" (2009–2012), made from 150 tons of steel rods recovered from schools that collapsed in the 2008 Sichuan earthquake, displayed across three rooms. The exhibition is held at Palazzo Ardinghelli, a Baroque building that houses MAXXI L'Aquila and was itself restored after the 2009 L'Aquila earthquake, creating a dialogue between the works and the building's history of recovery.

Exhibition | Tristan Unrau, 'Hopes and Fears' at David Kordansky Gallery, Los Angeles, United States

David Kordansky Gallery in Los Angeles presents 'Hopes and Fears,' a solo exhibition of new paintings by Tristan Unrau from March 19 to April 25, 2026. This is the artist's first show with the gallery and his most ambitious presentation to date, occupying three spaces at the venue.

Georg Baselitz: A Life in Print

The article reviews "Georg Baselitz: A Life in Print," a comprehensive survey of the German painter's printmaking at Kode in Bergen, Norway, running from October 2025 to February 2026. Featuring 244 prints from 1964 to 2024, the exhibition showcases Baselitz's mastery of traditional techniques like etching, woodcut, and linocut, revisiting motifs from his paintings such as deer, eagles, and distorted figures. The show aims to correct the perceived neglect of prints by museums, as Baselitz himself lamented after his 2021 Centre Pompidou retrospective.

11 Must-See Museum Shows This Fall

Maxwell Rabb's article for Google News highlights 11 must-see museum exhibitions opening worldwide in fall 2025. Among the featured shows are Ayoung Kim's "Delivery Dancer" video trilogy at MoMA PS1 in New York, the largest UK survey of Kerry James Marshall's work titled "The Histories" at the Royal Academy of Arts in London, and "Strange Realities: The Symbolist Imagination" at the Art Institute of Chicago, which explores the Symbolist movement across Europe. The article also mentions other major retrospectives and thematic exhibitions spanning Symbolism to Nigerian modernism.

Edvard Munch Paintings for a Chocolate Factory Go on View in Norway

The Munch Museum in Oslo will open an exhibition titled “Edvard Munch and the Chocolate Factory” in May, featuring a series of large-scale paintings by Edvard Munch created in 1923 for the canteen of the Freia chocolate factory. Known as the Freia Frieze, these works depict summer life in a Norwegian coastal town and have never before been shown to the public outside the factory. The exhibition runs from May 21 to November 10 and includes related sketches from the museum’s collection.

Edvard Munch’s Paintings for a Chocolate Factory Get a Rare Museum Outing

A series of 12 monumental paintings by Edvard Munch, created for the workers' canteen of the Freia chocolate factory in Oslo, have been temporarily removed from their original location for the first time. The works, known as the Freia Frieze, are now on display at the nearby Munch Museum in an exhibition titled "Edvard Munch and the Chocolate Factory," which also includes preparatory sketches and examines the artist's output in the 1920s.

museum exhibitions shows europe 2026

Artnet News has published a preview of major European museum exhibitions opening in early 2026. Highlights include a monographic show on Paul Cézanne at Fondation Beyeler (January 25–May 25), featuring 80 works from his late career; “Yellow. Beyond Van Gogh’s Favourite Colour” at the Van Gogh Museum, Amsterdam (February 13–May 17), exploring the color yellow across art, fashion, and literature; a solo exhibition by conceptual artist Danh Vo at the Stedelijk Museum (February 14–August 2); and “The First Homosexuals” at Kunstmuseum Basel (March 7–August 2), examining the intersection of emerging homosexual identity and the arts in the late 19th century.

symbolism art institute chicag van gogh munch redon

The Art Institute of Chicago has opened an exhibition titled 'Strange Realities: The Symbolist Imagination,' drawn entirely from its own collection. The show features works by Vincent van Gogh, Edvard Munch, Odilon Redon, and lesser-known artists like Gustaf Fjaestad, aiming to present Symbolism through its visual output rather than its often vague literary manifestos. The exhibition sidesteps strict definitions of the movement, instead offering a broad range of works from the late 1880s to early 1900s that evoke mystery, doubt, and inner realities.

lawrence abu hamdan munch museum exhibition golan heights

Lawrence Abu Hamdan's exhibition "Zifzafa" has opened at the Munch Museum in Oslo, featuring a politically charged exploration of sound as both a celebration of life and a tool of displacement. The show centers on a forensic audio investigation into the impact of 31 wind turbines planned for the Israeli-occupied Syrian Golan Heights, or Jawlan. Key works include the video projection *Wind Ensemble* (2024) featuring saxophonist Amr Mdah, CGI animations *Tilting at windmills i, ii & iii* (2024), and the 45-minute film *Zifzafa: Livestream Audio Essay* (2025), which uses a video game walkthrough format to simulate the sonic pollution that will affect local homes—some as close as 115 feet from the turbines. The game incorporates field recordings by local composer Busher Kanj Abu Saleh and turbine noise from Germany, highlighting the sounds of daily life and resistance.

berruguete restoration altarpiece

The Museum of Fine Arts in Bilbao has completed a restoration of Pedro Berruguete's *The Annunciation* (1485–1490), a painting that once formed part of an altarpiece likely for a church in Palencia, Spain. The work, on a five-year loan from the Arburu collection, had suffered from cracks, dirt, and oxidized varnish over centuries. Two specialists—Elisa Mora Sánchez for the paint layer and Mayte Camino Martín for the gilding—cleaned, repaired, and re-gilded the panel, revealing Berruguete's blend of Italian Renaissance, Flemish, and Castilian Gothic influences.

ai weiwei rebel retrospective seattle

The Seattle Art Museum has opened “Ai, Rebel: The Art and Activism of Ai Weiwei,” the largest U.S. retrospective ever for the Chinese dissident artist. The exhibition features iconic works such as the neon sign *FUCK* (2020), the sculpture *Middle Finger* (2000), and the photographic series “Study of Perspective” (1995–2011), alongside pieces that remix art history—from Duchamp-inspired readymades to Lego versions of Old Masters. Curated by Ping Foong, the show spans Ai’s career, including his politically charged responses to the Sichuan earthquake and his infamous 1995 performance *Dropping a Han Dynasty Urn*.

Tracey Emin’s Retrospective Bears Witness to an Era

Tracey Emin's major retrospective, 'Tracey Emin / Edvard Munch: The Loneliness of the Soul,' has opened at the Royal Academy of Arts in London. The exhibition pairs Emin's deeply personal works, including her iconic 'My Bed,' with paintings by Norwegian expressionist Edvard Munch, exploring shared themes of love, loss, and existential anguish.

independent 20th century names 31 exhibitors for 2025 edition in september

Independent 20th Century, the art fair focused on 20th-century works, has announced the 30 exhibitors for its fourth edition, running September 4–7 at Casa Cipriani in New York's Battery Maritime Building. The fair emphasizes single-artist presentations, spotlighting underknown figures such as Raymond Jonson, Gertrude Greene, Elda Cerrato, and Bruce Richards, alongside established names like Picasso, Munch, and Judy Pfaff. Notable collaborations include Nahmad Contemporary and Skarstedt Gallery on Georges Rouault, and presentations of self-taught artists like the Florida Highwaymen and Balraj Khanna.

Tracey Emin: ‘I’ve done more in my last five years than in the whole rest of my life’

Tracey Emin is the subject of a major retrospective at Tate Modern titled 'A Second Life,' which spans her career from her first solo show in 1993 to recent works. The exhibition is structured thematically around pivotal life events and includes a documentary addressing her 2020 bladder cancer diagnosis and subsequent surgery.

Van Gogh and café culture: 'The absinthes and brandies would follow each other in quick succession'

An exhibition titled 'Café Society: Art and Sociability in Belle Epoque Paris' is opening, featuring over 50 paintings that explore the role of cafés in late 19th-century Parisian social and artistic life. The show will travel from the Ordrupgaard museum in Copenhagen to two venues in the United States: the Dixon Gallery and Gardens in Memphis and the Joslyn Art Museum in Omaha.

Visual Arts Review: Great Gallery Shows for Free in NYC – Picasso and Kentridge

Two free art exhibitions in New York City offer deep dives into the work of Pablo Picasso and William Kentridge. At Gagosian Gallery on Madison Avenue, "Picasso: Tête-à-tête" presents a selection of works spanning the artist's career, organized with his daughter Paloma Picasso, including never-before-seen pieces from her collection. The show highlights Picasso's stylistic diversity, his relationships with women like Marie-Thérèse Walter and Olga Khokhlova, and his playful resistance to being pinned down to a single style.

One Fine Show: “Paula Rego, Dance Among Thorns” at MUNCH in Oslo

MUNCH in Oslo presents "Paula Rego: Dance Among Thorns," the first comprehensive museum survey of the Portuguese-British artist in the Nordic region and her largest since the 2021 Tate Britain retrospective. The exhibition brings together over 140 works spanning seven decades, from early abstract political collages to the grotesque papier-mâché tableaux of her final years. A central section traces previously undocumented links between Rego and Edvard Munch, including the discovery of a never-before-exhibited work by Rego's son, Nick Willing. Highlights include Rego's monumental "Oratorio" (2008-09) and "The Dance" (1988), which curator Kari J. Brandtzæg connects to Munch's "Dance of Life" (1898-1899).

Exhibition | Paula Rego, 'Drawing from Life' at Galerie Lelong, 38 Avenue Matignon, Paris, France

Galerie Lelong in Paris is presenting 'Paula Rego, Drawing from Life,' an exhibition focused on the artist's intense three-year period from 2005 to 2007, during which she devoted herself almost exclusively to drawing and lithography in her London studio. The show features works inspired by literary sources such as 'Jane Eyre,' 'Peter Pan,' and the sixteenth-century tale 'The King of Pigs,' as well as her connection with playwright Martin McDonagh. Key pieces include 'Shakespeare’s Room,' 'Scarecrow,' and 'Turtle Hands.' The exhibition is made possible with the support of Nick Willing, the artist’s son, and Cristea Roberts Gallery in London.