Your Summer Guide: 20 Art World Highlights Not to Miss

ARTnews has published a summer guide highlighting 20 art world events and exhibitions not to miss in the coming months. Featured highlights include the opera 'El Último Sueño de Frida y Diego' at the Metropolitan Opera, the 'Costume Art' exhibition at the Metropolitan Museum of Art, a Björk show titled 'echolalia' at the National Gallery of Iceland, a book on the Venice Biennale by Massimiliano Gioni, Raven Halfmoon's 'Flags of Our Mothers' at Ballroom Marfa, a Pierre Huyghe exhibition at Fondation Beyeler Basel, a James McNeill Whistler retrospective at Tate Britain, and the inaugural Medina Triennial in New York.

46 Museum Shows and Biennials to See This Summer

ARTnews has published a guide to 46 museum shows and biennials to see this summer, highlighting major exhibitions across the globe. Featured artists include Laure Prouvost at Paris's Grand Palais with a quantum physics-themed show, Carsten Höller at Beijing's UCCA Center for Contemporary Art, Tomás Saraceno at Munich's Haus der Kunst, and a retrospective of Ana Mendieta at Tate Modern. The article also covers biennials such as the Venice Biennale and Manifesta in Germany's Ruhr region, as well as new biennial-style launches in the Northeastern US. Specific exhibitions detailed include Akinsanya Kambon's survey at SculptureCenter and CARA in New York, Cao Fei's European survey at Kunstmuseum Basel, and the group show "Youth Palace" at Rockbund Art Museum in Shanghai.

From The Mandalorian and Grogu to Dear England: your complete entertainment guide to the week ahead

This article is a weekly entertainment guide from The Guardian, covering cinema, gigs, art, stage, streaming, games, albums, and brain food. In the art section, it highlights three upcoming exhibitions: Hulda Guzmán's first major European show at Turner Contemporary in Margate (23 May to 13 September), featuring her lush, mystical tropical paintings exploring Caribbean identity; Lewis Hammond's exhibition of dark, old master-inspired portraiture at The Hepworth in Wakefield (23 May to 1 November); and Joanna Piotrowska's show at The Common Guild in Glasgow (23 May to 18 July).

Beijing Oomph 2026

Beijing Oomph 2026 is a curated guide to the best contemporary art exhibitions across galleries and institutions in Beijing, timed to coincide with the Beijing Dangdai art fair and Gallery Weekend at the end of May. The article highlights Zhi Wei's exhibition "Folly" at Beijing Commune as a key show, reflecting the city's vibrant art scene during this concentrated period of gallery openings and events.

Near death experiences, ‘crip memes’ and the tyranny of the DWP: the new exhibition powered by illness and disability

Flare Up, a group exhibition co-curated by Mariana Lemos and Natasha Hoare at CCA Goldsmiths in London, showcases art centered on illness, chronic conditions, disability, neurodivergence, and deafness. The show features works by artists including Benoît Piéron, Avril Corroon, Derek Jarman, Christine Sun Kim, Jesse Darling, and the collective Freestylers, exploring themes such as near-death experiences, crip memes, government bureaucracy, and the fluctuating nature of symptoms. Highlights include Piéron's bunting made from hospital sheets, Corroon's installation on poverty and health, and Jarman's 1992 painting Act Up.

The New Costume Institute Show Gets Under the Skin

The Costume Institute at the Metropolitan Museum of Art has opened its 2026 spring exhibition, “Costume Art,” which explores the relationship between clothing and the human body through pairings of couture with artworks spanning 5,000 years. Curated by Andrew Bolton, the show is divided into thematic chapters such as “Nude Body,” “Disabled Body,” “Aging Body,” and “Anatomical Body,” featuring pieces from designers like Dior, John Galliano for Maison Margiela, and Renata Buzzo alongside historical artifacts and contemporary art.

Jonathas de Andrade - En galerie

Jonathas de Andrade's solo exhibition, titled "Ivresse d’une vie de bain de mer," is on view at Galleria Continua in Paris. The show brings together recent and never-before-seen works inspired by Brazilian Neo-Concretism and geometric abstraction. Andrade transforms vernacular forms into chromatic compositions, drawing from a project initiated after a 2025 commission from the Victoria and Albert Museum. The works engage with the materials and practices of maritime communities in northeastern Brazil, particularly canoeiros and jangadeiros (fishermen and raft sailors). The exhibition includes the film "Jangadeiros e Canoeiros" (2025), along with silkscreens, recycled sails, and paintings on wood, blending photography, abstraction, and readymade elements.

Five Whirlwind Days in Venice, at (and Beyond) the Biennale

The article recounts a whirlwind three-day visit to the 61st Venice Biennale, focusing on the main exhibition at the Giardini della Biennale curated by the late Koyo Kouoh, titled "In Minor Keys." The author highlights textile works by artists such as Thania Petersen, Billie Zangewa, and Annalee Davis, as well as Beverly Buchanan's "Spirit Jars" and Maria Magdalena Campos-Pons's portrait of Kouoh and Toni Morrison. The trip also includes visits to collateral events, a performance at Jordan Roth's palazzo, and a side trip to Gabriele D'Annunzio's estate on Lake Garda.

Vima 2026: Highlights From Cyprus’ Emerging International Art Fair

The second edition of Vima, Cyprus' emerging international art fair, took place in Limassol from May 15-17, 2026, drawing 5,200 visitors and featuring 26 invited galleries from over 20 countries. Artworks sold ranged from €550 to €90,000, reflecting increased sales from the inaugural 2025 edition. Highlights included a special exhibition curated by Kostas Stasinopoulos titled "The Crashing Waves," performances by Scottish choreographer Magnus Westwell, and notable presentations by galleries such as Cut Art Gallery (Riga) and Eins Gallery (Limassol). The fair also hosted 25 events including talks, live music, and off-site shows across Limassol and Nicosia.

Roni Horn Returns to London with Seizure of Hope at Hauser & Wirth

Roni Horn returns to London for her first solo exhibition in a decade, titled *Seizure of Hope*, at Hauser & Wirth. The show features over 45 works on paper centered on the repeated phrase "I am paralyzed with hope," drawn from a performance by comedian Maria Bamford, alongside a cast-glass sculpture *Untitled ("What happens to the hole when the cheese is gone?")* (2022). The drawings explore language, repetition, and the instability of meaning, with words shifting between clarity and abstraction through wax crayon layering. A limited-edition artist book of the same title will be released by Hauser & Wirth Publishers.

Brand X Editions workshop celebrated at Dallas Museum of Art

The Dallas Museum of Art (DMA) will present "X Marks the Spot: Contemporary Screenprinting at Brand X Editions," an exhibition exploring the expressive possibilities of screenprinting through the work of the legendary New York City-based workshop Brand X Editions. Featuring over 70 works created over four decades, the show highlights collaborations between Brand X's master screenprinters and artists including KAWS, Rashid Johnson, Deborah Kass, Robert Indiana, Glenn Ligon, and Tschabalala Self. The exhibition opens on May 24, 2026, and runs through November 8, 2026, following its debut at the Philadelphia Museum of Art. It includes proofs, video, and interpretive materials to demystify the printmaking process, as well as new works created since the Philadelphia presentation.

UAE art guide: 11 museum and gallery exhibitions to see, from Picasso to the Baghdad Modern Art Group

The article presents a guide to 11 current museum and gallery exhibitions across the UAE, following the conclusion of Art Dubai 2026. Highlights include "Picasso, The Figure" at Louvre Abu Dhabi, which examines Pablo Picasso's reinvention of the human body through works from the Musée National Picasso–Paris; "From the Perspective of Language" at The Third Line, featuring Sara Naim's paintings and video work; and "Move, pause, return" at Gallery Isabelle, marking its 20th anniversary with daily unveilings by artists including Hassan Sharif and Mohammed Kazem. Other notable shows include "Reflections: Modern and Contemporary Art from the Villain Collection" at Bassam Freiha Art Foundation.

Come, let's play human

Komm, wir spielen Mensch

The Kunsthaus Zürich is presenting a retrospective of Venezuelan-American artist Marisol (1930–2016), whose playful yet formally sophisticated sculptures blend abstraction, figuration, and everyday objects. The exhibition traces her career from early shows at Leo Castelli's gallery through her participation in the 1961 and 1963 Museum of Modern Art group exhibitions, her 1968 'European year' representing Venezuela at the Venice Biennale and featuring on the 4th documenta, to her subsequent decades-long disappearance from the European art scene.

In Basel, a Dive into the Great Bath of Colors of Helen Frankenthaler

À Bâle, plongée dans le grand bain de couleurs d’Helen Frankenthaler

The Kunstmuseum Basel has opened a major retrospective of American painter Helen Frankenthaler (1928–2011), a key figure in Color Field painting who is less known in Europe than her contemporaries Jackson Pollock and Mark Rothko. The exhibition was sparked by a 2024 donation of Frankenthaler's 1963 painting "Riverhead" from the Helen Frankenthaler Foundation, and features around fifty works showcasing her signature soak-stain technique, in which she applied thinned paint to unprimed canvas using sponges, brooms, and scrapers. The show traces her career chronologically, highlighting influences from Old Masters and her physical approach to painting on the floor.

Venice show brings together two leading figures from the Polish avant-garde

A collateral exhibition at the 2024 Venice Biennale, titled "Tadeusz Kantor (1915-1990) Emballage Cricotage and Madame Jarema," brings together two towering figures of the Polish avant-garde: Tadeusz Kantor and Maria Jarema. Organized by the Starak Family Foundation at the Procuratie Vecchie, the show features over 60 works spanning paintings, monotypes, sculptures, theatre props, and costumes, culminating in a room dedicated to Kantor's seminal theatre piece "The Dead Class" (1975). Jarema's work was shown at the 1958 Venice Biennale, and Kantor exhibited in the Polish pavilion in 1960; the exhibition highlights their intertwined, interdisciplinary practice and their foundational role in post-war Polish avant-garde art.

Au Mémorial de Caen, les artistes africains font face à l’histoire de la colonisation

The Mémorial de Caen, a museum dedicated to World War II and the Cold War, has opened a new exhibition titled "(Dé)colonisations: des artistes africains interrogent l'histoire" (Decolonizations: African Artists Question History). Curated by Ayoko Mensah and Jean-Yves Marin, the show features 80 works by contemporary artists of sub-Saharan African origin, including Omar Victor Diop and Roméo Mivekannin. Swiss collector Jean Claude Gandur, who is building a foundation adjacent to the museum, lent 23 works, and his foundation's curator Olivia Fahmy helped organize the exhibition. The show is a prelude to a planned permanent section on colonial history at the memorial.

I'm a Chicana Curator. This Is Why I Removed Cesar Chavez From My Show

Curator Karen Mary Davalos removed a 1969 portrait of Cesar Chavez by George Rodriguez from the exhibition "Chicano Camera Culture: A Photographic History, 1966 to 2026" at the Cheech Marin Center for Chicano Art and Culture in Riverside, California. The decision came after news reports on March 17 revealed that Chavez had assaulted multiple women and girls associated with the United Farm Workers, including allegations of rape against co-founder Dolores Huerta. Davalos, who curated the show, acted swiftly after a call from interim director Valerie Found, removing the photograph to avoid honoring a figure now seen as an abuser.

Rediscovering the Eternal City of the 1500s in the drawings of Maarten van Heemskerck. The exhibition in Rome

Riscoprire la Città Eterna del ‘500 nei disegni di Maarten van Heemskerck. La mostra a Roma

A major exhibition at Palazzo Poli in Rome, hosted by the Istituto Centrale per la Grafica, showcases a selection of drawings by Dutch artist Maarten van Heemskerck (1498–1574) from his so-called 'little sketchbook,' now held at the Kupferstichkabinett in Berlin. The show, titled 'Maarten van Heemskerck e il fascino di Roma' and running until June 7, presents the artist's meticulous studies of Roman antiquities made during his four-year stay in the city from 1532, offering a rare visual record of Renaissance Rome's ancient collections before and after the 1527 Sack of Rome.

Interview with Wallace Chan, the artist who created a bridge between Venice and Shanghai through water

Intervista a Wallace Chan, l’artista che attraverso l’acqua ha creato un ponte tra Venezia e Shanghai

Wallace Chan, the Hong Kong-born artist turning 70, has launched a dual-exhibition project titled "Vessels of Other Worlds" between Venice and Shanghai, curated by James Putnam. In Venice, the show runs concurrently with the Biennale at the Cappella di Santa Maria della Pietà (Vivaldi's church), featuring three titanium sculptures inspired by Catholic holy oils, surrounded by smaller works evoking water droplets. In Shanghai, the same sculptures appear at the Long Museum (West Bund) starting July 18, 2026, on a monumental scale—seven, eight, and ten meters tall—with a kaleidoscopic interior accessible through a door in the central piece. The exhibitions also include sound compositions by Brian Eno and reference Chan's earlier Venice shows (Titans, Totem, Transcendence).

Mario Schifano al Palazzo Esposizioni di Roma. Una grande mostra che ci insegna a guardare

Palazzo Esposizioni in Rome has opened a major exhibition dedicated to Mario Schifano (1934–1998), running alongside a solo show by Marco Tirelli titled "Anni Luce." The exhibition, curated by Daniela Lancioni, explores Schifano's work through the lens of Kazimir Malevich's Suprematism, particularly his 1915 "Black Square." It features Schifano's early monochromes from 1960, his painting "Chiamato K. Malewič" (1965), and a rarely seen pre-1960 phase including landscapes and informal works from 1956–1959, which have often been marginalized in his official catalog.

New Exhibition Explores Immersive Art Created by Women Artists in the 1960s and 1970s

Leeum Museum of Art in Seoul has opened "Inside Other Spaces: Environments by Women Artists 1956–1976," an exhibition that reconstructs immersive environments created by women artists from Europe, Asia, and the Americas. Originally organized with Munich’s Haus der Kunst, the Seoul presentation expands the project with additional works by Korean and Asian artists, including Jung Kangja’s "Muche-Jeon (Incorporeal Exhibition)." The show features reconstructed works by pioneers such as Lygia Clark, Marta Minujín, Nanda Vigo, and Tsuruko Yamazaki, whose 1956 piece "Red" is the earliest environment included. Visitors are invited to physically enter installations made of mirrors, translucent materials, sound, and light, experiencing art that dissolves boundaries between artwork, architecture, and viewer participation.

ICA Watershed reopens for the season with industrial-inspired installations

The Institute of Contemporary Art's Watershed in East Boston has reopened for its 2026 season with the exhibition "Lucy Raven: Rounds," featuring two large-scale installations by New York-based artist Lucy Raven. The show includes "Hardpan," a kinetic light sculpture co-commissioned by the ICA and Barbican Centre, and "Murderers Bar," a 44-minute film documenting the demolition of a concrete dam on the Klamath River in Northern California. Both works explore themes of industrial history, extraction, and environmental transformation, with the Watershed's former factory setting amplifying the industrial resonance.

Lowry Hill Gallery Exhibition: Kirsten Tradowsky, “Annemarie’s Vision”

Lowry Hill Gallery is hosting an exhibition titled “Annemarie’s Vision” featuring the work of artist Kirsten Tradowsky. The show is presented in partnership with Minnesota Women's Press, highlighting Tradowsky's artistic exploration of vision and narrative.

Hong Kong Artists Bring Quiet Reflection to Venice

The 61st Venice Biennale, themed “In Minor Keys” by late curator Koyo Kouoh, emphasizes quiet reflection over spectacle. A collateral exhibition titled “Fermata: Hong Kong in Venice,” curated by the Hong Kong Museum of Art (HKMoA), runs through November 22, 2026, and features two Hong Kong-born artists: Kingsley Ng and Angel Hui. Ng’s installation *Laundry Nocturne* (2026) uses projections and sound to connect the shared laundry-drying traditions of Venice and Hong Kong, while Hui’s *I Would Like to Open a Window for You* (2026) incorporates wrought-iron window frames crafted with local metalsmiths. Both artists explore everyday experiences, memory, and quiet emotions, aligning with the Biennale’s call for a slower, more reflective engagement with art.

Detroit’s MOCAD Reopens with a New Vision and a New Kind of Leadership

The Museum of Contemporary Art Detroit (MOCAD) has reopened after an eight-month renovation, marking its 20th anniversary with a new vision centered on artists and community. Co-directors Jova Lynne and Marie Madison-Patton have titled this new chapter "A Practice of Multiplicity," emphasizing the wholeness of artists' lives beyond their work. The renovation includes infrastructural upgrades like an HVAC system, a new Learning Studio, a transformed café for programming, and a facade that opens to the street. Two inaugural surveys highlight Detroit artists Olayami Dabls and Carole Harris, whose practices explore the city's history, culture, and social transformation.

Interview with Ramuntcho Matta: Brion Gysin: The Last Museum Musée d’Art Moderne de Paris

The article is an interview with Ramuntcho Matta about the exhibition "Brion Gysin: The Last Museum" at the Musée d’Art Moderne de Paris. It explores the life and work of Brion Gysin, a multifaceted artist associated with Surrealism, the Beat Generation, and the invention of the Dreamachine. The exhibition traces Gysin's career through his calligraphy, painting, and multimedia works, including collaborations with William S. Burroughs and Ian Sommerville. A complementary show, "Underwood 2246449-5 (Les diables de Brion)," organized by Matta at New Galerie, features Burroughs's typewriter and related instruments.

A Napoli torna il Gallery Weekend tra Chiaia e centro storico: tante mostre e una nuova associazione di galleristi

The third edition of the Napoli Gallery Weekend is scheduled for May 22–24, 2026, spanning the Chiaia district and the historic center of Naples. This year’s key development is the formation of an association of organizing galleries—Acappella, Alfonso Artiaco, Andrea Ingenito Contemporary Art, Galleria Fonti, Gallerie Riunite, Galleria Tiziana Di Caro, Studio Trisorio, and Umberto Di Marino—aiming to coordinate openings, exhibitions, and special visits while strengthening the city’s contemporary art scene. Highlights include shows by Valentina Artone, Adam Pendleton and Antoni Tàpies, David Bowes, Edoardo Aruta, Martin Kippenberger at Galerie Gisela Capitain’s Naples space, Salvatore Emblema and Luisa Lambri, and a geopolitical group exhibition titled "Global Folklore."

Wiscasset Bay Gallery exhibition will take viewers on grand tour

Wiscasset Bay Gallery in Maine is presenting "The Grand Tour in Thirty Days," an exhibition running from May 23 through June 24 that showcases the evolution of painting from realism to impressionism to modernism. The show features works by European and American artists depicting popular and remote locales across Europe during the 19th and early 20th centuries, including pieces by Jean de Botton, Luigi Moretti, Robert Weir Allan, Polly Parker Nordell, and Mary Cassatt.

Roberto Lugo brings monumental tribute to Puerto Rican culture to Manhattan park

Roberto Lugo has unveiled a monumental 20ft-tall urn titled *Capicú de Cariño (I Heard It Both Ways)* (2026) in Manhattan’s Madison Square Park, as part of his exhibition *Alfarero del Barrio (Village Potter)* commissioned by the Madison Square Park Conservancy. The urn features portraits of prominent Puerto Rican figures including Bad Bunny, Sonia Sotomayor, Lin-Manuel Miranda, Roberto Clemente, and the artist’s own parents, Gilberto and Maribel Lugo. The installation also includes a 15ft-tall orange fire hydrant sculpture, *Para Los Días Caliente (This Is For The Hot Ones)* (2026), and several planters and domino tables, all designed to invite public interaction and community engagement.

Three Dinosaur Fossils Are Up for Grabs at This New York Art Gallery

Amanita, a New York art gallery, is presenting three Maiasaura dinosaur fossils alongside a John Chamberlain sculpture in an exhibition titled "Land Before Time: Three Dinosaurs and a Gondola" at its Bowery location through August 9. The fossils, sourced from Tucson-based Granada Gallery, include an 85 percent complete adolescent, a 68 percent complete adult, and a 62 percent complete juvenile—marking the first time a full Maiasaura growth cycle has been displayed. The Chamberlain piece, "Gondola Marianne Moore" (1982), was procured with help from Hauser and Wirth. Only the fossils are for sale, with prices undisclosed.