Jonathas de Andrade - En galerie

Jonathas de Andrade's solo exhibition, titled "Ivresse d’une vie de bain de mer," is on view at Galleria Continua in Paris. The show brings together recent and never-before-seen works inspired by Brazilian Neo-Concretism and geometric abstraction. Andrade transforms vernacular forms into chromatic compositions, drawing from a project initiated after a 2025 commission from the Victoria and Albert Museum. The works engage with the materials and practices of maritime communities in northeastern Brazil, particularly canoeiros and jangadeiros (fishermen and raft sailors). The exhibition includes the film "Jangadeiros e Canoeiros" (2025), along with silkscreens, recycled sails, and paintings on wood, blending photography, abstraction, and readymade elements.

New Exhibition Explores Immersive Art Created by Women Artists in the 1960s and 1970s

Leeum Museum of Art in Seoul has opened "Inside Other Spaces: Environments by Women Artists 1956–1976," an exhibition that reconstructs immersive environments created by women artists from Europe, Asia, and the Americas. Originally organized with Munich’s Haus der Kunst, the Seoul presentation expands the project with additional works by Korean and Asian artists, including Jung Kangja’s "Muche-Jeon (Incorporeal Exhibition)." The show features reconstructed works by pioneers such as Lygia Clark, Marta Minujín, Nanda Vigo, and Tsuruko Yamazaki, whose 1956 piece "Red" is the earliest environment included. Visitors are invited to physically enter installations made of mirrors, translucent materials, sound, and light, experiencing art that dissolves boundaries between artwork, architecture, and viewer participation.

Tracing the Body Through Dust and Memory

South African artist Igshaan Adams presents 'Unsettling Dust: The Body’s Archive' at the Guggenheim Bilbao, an immersive exhibition that merges weaving, choreography, sculpture, and social history. The show features monumental woven tapestries derived from collaborative dance performances between South African and Greek dancers in Athens, transforming the gallery into a living archive of movement and memory. On view from 5 May to 1 November 2026, it is part of the museum's in situ series.

The Invincible Spirit of Edmonia Lewis

The Peabody Essex Museum in Salem, Massachusetts, has opened "Edmonia Lewis: Said in Stone," the first major retrospective of the 19th-century sculptor Edmonia Lewis, who was of Black and Indigenous (Mississauga-Tuscarora) descent. The exhibition displays 30 of her Neoclassical white marble sculptures alongside archival materials and works by other artists, organized into four thematic rooms that explore antislavery, Indigenous artistic worlds, her studios in Rome, and religion and mythology. Co-organized with the Georgia Museum of Art, the show emphasizes Lewis's dual heritage without conflating the two identities, featuring extensive text and quotes from the artist herself.

Art for hot days: Top 10 exhibitions to see this summer in Chicago

This article presents a curated list of ten must-see art exhibitions in Chicago for summer 2025, highlighting a diverse range of artists and venues. Featured shows include a rare solo exhibition of miniature figurines by 85-year-old Argentinian artist Liliana Porter at Secrist|Beach, a group show inspired by cosmology at the Renaissance Society, and a posthumous survey of Martin Wong's brick-focused paintings at Wrightwood 659. Other notable exhibitions include sculptural works by Oren Pinhassi and Leticia Pardo at the Arts Club of Chicago, Nathaniel Mary Quinn's emotionally charged portraits at the National Public Housing Museum, and Jeremiah Hulsebos-Spofford's monumental sculptures at the Elmhurst Art Museum.

Liza Lou | FAQ

Liza Lou's latest body of work, presented in the exhibition "FAQ," combines glass beads and oil paint on canvas to create abstract paintings that interrogate mid-century abstraction and the heroics of the painted gesture. Lou translates fluid pigment into cell-like particles of color, juxtaposing spontaneity with painstaking precision, and explores fundamental questions about painting, such as when a painting is not a painting and what constitutes a paint body. The exhibition includes works like "Stanza" (2025) and "Alliteration" (2025), and features a video directed by Mick Haggerty.

Theodoros Papagiannis: Reusing Materials For Art’s Slow Arrow, As An Antidote To Barbarism

Theodoros Papagiannis, a Greek sculptor and professor, is the subject of a tribute exhibition titled "In Praise of Sculpture" at the Sianti Gallery in Athens. The show features works by eighteen artists, all graduates of the 1st Sculpture Workshop of the Athens School of Fine Arts, honoring Papagiannis as their teacher. In an interview, Papagiannis discusses his philosophy of reusing materials, the importance of memory in art, and his belief that art must remain rooted in tradition while engaging with the present. He also reflects on Greece's sculptural heritage, the influence of ancient works like the Elgin Marbles, and his ongoing project of drawing from Greece's archaeological museums.

Dentro uno storico palazzo del centro di Roma ora si visita una nuova galleria d’arte. Gratis

A new free-admission art gallery, the Galleria Verticale, has opened inside Palazzo Marignoli, a historic 19th-century building in central Rome owned by the Allianz Group. The gallery presents a vertical exhibition route from top to bottom, showcasing part of Allianz Italia's corporate art collection, which spans the 19th and 20th centuries. Curated by Claudia Crosera and Aulo Guagnini, the temporary display (open until May 5, 2027) features works by artists such as Francesco Hayez, Alfredo Tomiz, Umberto Veruda, and Arturo Rietti, alongside restoration history and archival materials related to the insurance companies that merged into Allianz. The building also houses a flagship Apple store designed with Norman Foster's involvement and a panoramic restaurant, Quid.

The great Portuguese artist who reconstructs a Via Crucis for his exhibition in Venice

Il grande artista portoghese che per la sua mostra a Venezia ricostruisce una Via Crucis

Portuguese artist Pedro Cabrita Reis presents "XIV Steps" at the Magazzino del Sale 3 – Accademia di Belle Arti di Venezia during the 61st Venice Biennale. The exhibition features a new cycle of fourteen diptychs inspired by the structure of the Via Crucis (Stations of the Cross), arranged in a linear, processional path that emphasizes rhythm, distance, and repetition. Developed with Luca Berta and Michael Short, the works blend painting, materiality, and spatial construction, using dense layers of violet, dark red, black, and orange punctuated by large black diagonals that evoke architectural elements and tension.

Monopol verlost 5 × 2 Tickets für "Tirailleurs"-Ausstellung im HKW

Monopol magazine is giving away 5 × 2 tickets for the exhibition "Tirailleurs" at the Haus der Kulturen der Welt (HKW) in Berlin. The show, which runs under the full title "Tirailleurs: Von Kanonenfutter zu Avantgarde – Die vergessenen Soldat*innen, die Europa befreit haben," highlights the largely forgotten history of African soldiers (tirailleurs) who fought for France in both World Wars, many forcibly recruited and deployed on the front lines. Featuring over 30 international artists with new commissions, the exhibition includes installations, films, photographs, and archival materials addressing colonial violence, memory politics, and the enduring impact of imperial power structures. Artists such as Dior Thiam, Daniel Lind-Ramos, Nadia Kaabi-Linke, and Mario Pfeifer contribute works that recover names, reframe historical images, and connect past colonial dynamics to present-day conflicts like the war in Ukraine.

Art Farm Iowa Presents “The Upcycled Garden”

Art Farm Iowa presents "The Upcycled Garden," an exhibition by artist Daniel “Attaboy” Seifert, opening May 29th with a reception from 5-8 p.m. The show transforms discarded materials into sculptures, assemblages, and mixed-media installations exploring sustainability and joyful reinvention. A Paper Plate Succulent Workshop will be held on May 30th, led by Attaboy, using recycled materials. The exhibition runs through August 1st before traveling to the Hunter Museum of American Art in Chattanooga, Tennessee.

RAFAEL TAMAYO: “TODO EL SECTOR DE LOS MUSEOS EN COLOMBIA DEBE REPENSARSE”

Rafael Tamayo Franco, director of the Museo de Arte Moderno de Medellín (MAMM), argues in an interview that the entire museum sector in Colombia must rethink itself. He discusses the opportunities and risks of museums engaging with social crises, emphasizing the need for museums to be critical spaces that complexify and confront tensions through art, while avoiding both sanitized debate and the violation of visitors. Tamayo also highlights structural challenges facing Latin American museums, including budget constraints and bureaucratic hurdles, but praises the region's professionals for their resourcefulness and resilience.

Waddesdon’s Art in Nature returns with a new 70-metre land artwork by James Brunt and Jon Foreman

Waddesdon Manor in the UK has launched the 2026 edition of its Art in Nature program, featuring a monumental 70-meter mandala created by land artists James Brunt and Jon Foreman of Sculpt the World. The collaborative work, made with support from Mark Ford and Eric Ford, draws inspiration from the manor's architecture and surrounding landscape, using natural materials like leaves, stones, and branches. The program runs until May 31 and includes workshops, talks, and participatory making sessions with artists such as Rebecca and Mark Ford of Two Circles Design, Tim Pugh, Ana Castilho, Richard Shilling, Julia Brooklyn, and disability activist Sam Cleasby.

Thurso art exhibition will showcase ‘creativity, intellect and determination’ of Barrogill Keith

An exhibition titled 'The Life and Art of David Barrogill Keith' will open on June 6, 2026, at the North Coast Visitor Centre in Thurso, Scotland. The show celebrates the work of local artist David Barrogill Keith (1891-1979), who trained as a lawyer before studying painting in Paris and Edinburgh, served in World War I, and later became a solicitor and sheriff-substitute while maintaining a prolific painting career. Curated by High Life Highland’s archive service at Nucleus in collaboration with collector Robert Maitland, the exhibition features original artworks, archival materials, and personal items from Keith’s family archives.

Coalescence featuring Resident Artist Emily Lamb

Baltimore Clayworks presents "Coalescence," a solo exhibition featuring resident artist Emily Lamb. The show combines ceramics and glass into mixed-media sculptures that explore the human body and emotional states, with expressive figurative narratives emerging from the interplay of glass translucency and refined clay modeling. The exhibition runs daily through May 22, 2021, with free admission.