Exhibition | Yelena Popova, 'Moments of Grace' at Osnova gallery, Valencia, Spain

Yelena Popova's solo exhibition 'Moments of Grace' opens at Osnova gallery's new space in Valencia, Spain, marking a decade of collaboration between the artist and the gallery. The show brings together works from several of Popova's major series, including 'Painting Installations' (2012-2017), 'Evaporating Paintings', 'Post-Petrochemical Paintings', and three jacquard-woven tapestries, tracing her practice over the past fifteen years. Popova approaches each project as part of an interconnected body of work, comparing her logic to garden cultivation—a layered, cyclical process. Her cross-disciplinary research focuses on the material conditions of painting, exploring temporal transformations like evaporation, oxidation, and decay, as well as the dynamics between image, surface, and space.

Saudis Renege on Met Opera Financial Aid, Berlin’s Culture Senator Resigns, and More: Morning Links for April 24, 2026

The Metropolitan Opera has announced that Saudi Arabia reneged on a noncommittal memorandum of understanding that would have provided up to $200 million over eight years to the cash-strapped New York institution. Met general manager Peter Gelb said the Saudis blamed the war in Iran and the blocked Strait of Hormuz, but funding had already failed to materialize before the conflict, prompting preemptive layoffs in January. Separately, Berlin culture senator Sarah Wedl-Wilson resigned after a state audit found she illegally authorized €2.6 million for 13 projects meant to combat antisemitism, violating budget regulations. Other news includes President Trump's plan to renovate the Lincoln Memorial reflecting pool, Ontario increasing support for the Art Gallery of Ontario and Royal Ontario Museum, Rome's new photography museum, and the appointment of Thiago de Paula Souza as curator of the eighth Athens Biennale.

Urban Reflections, Daniel Melim on the City as Studio, Archive and Collective Space

Brazilian artist Daniel Melim discusses his exhibition "Urban Reflections" at São Bernardo do Campo in an interview with Brendon Bell-Roberts. Melim, who emerged from the graffiti and stencil cultures of ABC Paulista, describes how the city functions as an active collaborator in his practice, transforming the gallery into an expanded studio where boundaries between street, studio, and institution dissolve. The exhibition juxtaposes pivotal and previously unseen works, tracing his artistic evolution and layered urban memory.

This art exhibition in Delhi evokes nostalgia around the houses we once lived in

An exhibition titled 'Houses I Almost Lived In' is currently on view at Latitude 28 gallery in Delhi's Defence Colony, running until May 25. The show brings together works by five artists—Shalina Vichitra, Pooja Iranna, Raj Jariwala, Samit Das, and Mahen Perera—who explore how architecture, memory, and belonging intertwine. Through layered cartographies, cement grids, stitched forms, and material fragments, the artists evoke nostalgia for the houses and spaces we once inhabited, examining how physical structures persist in personal and collective memory long after they vanish.

First Comprehensive Museum Retrospective For Detroit Artist And ‘Bead Man’ Olayami Dabls

The Museum of Contemporary Art Detroit (MOCAD) will present "Olayami Dabls: Detroit Cosmologies," the first comprehensive museum retrospective for Detroit artist Olayami Dabls, running from April 25 to July 12, 2026. Dabls, who began his career as a curator at the Afro-American Museum in Detroit (now the Charles H. Wright Museum of African American History), traces his artistic journey to a transformative moment in the 1970s when he opened a box of African masks that his colleagues feared to handle. This experience led him to investigate how Hollywood and popular culture had demonized African material culture, associating it with horror movies and voodoo, and inspired decades of work as an artist, storyteller, cultural historian, and civic champion.

Exhibition | Jens FÄNGE, 'Antechamber' at Perrotin, New York, United States

Perrotin New York presents 'Antechamber,' an exhibition of over twenty new paintings by Swedish artist Jens Fänge. The works feature distorted, labyrinthine interiors populated by people, animals, and mannequins, using layered materials like oil, vinyl, linen, and burlap to create compositions that blur the line between figuration and abstraction. Recurring motifs such as doors, windows, halos, and locusts shift meaning across the show, which draws inspiration from Hans Christian Andersen's fairytales and Nathanael West's surrealist novels.

'Two Voices, One Road' show opens at C-Art Gallery

Springfield artists and married couple Randy Bacon and Heidi Herrman are opening a new collaborative exhibition titled "Two Voices, One Road" at their C-Art Gallery on Historic Commercial Street, running from April 29 to July 4. The show was inspired by a restorative road trip along Route 66 they took in 2021 after Herrman's mother died and as the world emerged from the COVID-19 pandemic. Bacon contributes landscape photographs taken as far back as 1992, while Herrman presents new mixed-media works combining her own photographs with vintage handkerchiefs inherited from her mother, printed on mulberry paper and fused with encaustic materials.

Long Live the King?

Sam Jacob's essay in ArtReview uses the upcoming Baz Luhrmann film 'EPIC: Elvis Presley in Concert' (2026) as a springboard to explore the cultural and technical implications of digital restoration. The film, a spinoff from Luhrmann's 2022 Elvis biopic, draws on 59 hours of previously unseen footage from Elvis Presley's 1970 and 1972 Las Vegas performances, recovered from Warner's Kansas salt-mine archive. Using Peter Jackson's Park Road Post technology—including Machine Assisted Learning (MAL) for demixing audio and video—the damaged, fragmented material has been digitally scanned, reconstructed, and enhanced to 4k resolution with 12-channel sound, presented in IMAX cinemas.

The legendary film "Novecento" by Bertolucci in his Parma becomes a major exhibition

Il mitico film “Novecento” di Bertolucci nella sua Parma diventa una grande mostra

A major exhibition titled "Bernardo Bertolucci. Il Novecento" has opened at the Palazzo del Governatore in Parma, Italy, marking the 50th anniversary of Bertolucci's epic film "Novecento" (1976). The show is structured as a visual experience across 25 rooms and four sections, exploring the film's dialectic between collective history and intimate gaze. It features video, drawings, photographs, production materials, and artworks by artists such as Franco Angeli, Renato Guttuso, Taner Ceylan, and Mario Schifano, all drawn from private collections. The exhibition's first room sets the tone with a video juxtaposing the film's opening credits over Pellizza da Volpedo's painting "Il Quarto Stato" and a close-up of the young Olmo holding a frog, encapsulating the tension between political epic and sensory detail.

Mirror Silk Art Exhibitions

Shaniqwa Jarvis's solo exhibition 'Only Love Can Break Your Heart' opens at Public Gallery in London on 30 April 2026, featuring twelve works across silk, mirrored surfaces, aluminum, and collage. The show includes suspended silk panels in front of mirrors, floral imagery, portraiture, abstract compositions, a moving image work combining archival footage and recorded audio, and a second book titled 'GUTS' published by Super Labo with an introduction by curator Essence Harden.

NEYRA PÉREZ: RETURN TO ROEBIRI

NEYRA PÉREZ: RETORNO A ROEBIRI

Neyra Pérez, an Iskonawa artist, presents her exhibition "El retorno del Roebiri" at the Centro Cultural Ricardo Palma in Lima, Peru, running until May 9, 2026. The show features her distinctive kené designs, which she creates using natural materials like yakuchapana resin and virgin clay on raw canvas, fixed through sunlight and river washing. The works reference Roebiri, a mountain in the Amazonian Sierra del Divisor that was the ancestral territory of the Iskonawa people, from whom they were displaced in the late 1950s by missionaries and the military. Since 2018, Pérez has been part of a cultural revitalization effort led by anthropologist Carolina Rodríguez to recover these traditional designs and practices.

Parallax(e): Perspectives on the Canada–US Border

The exhibition "Parallax(e): Perspectives on the Canada–US Border" at The Reach Gallery Museum in Abbotsford, British Columbia, brings together archival materials from the Northwest Boundary Survey (1857–62) with new works by five Indigenous artists. The show features photographs, maps, and watercolors from British and American surveyors alongside commissions by Dr. Shawn Brigman, Dr. Michelle Jack, Deb Silver, Xémóntalot Carrielynn Victor, and Dr. T’uy’t’tanat Cease Wyss, who respond to the legacy of the border's creation through canoe culture, transboundary identity, and place-based knowledge.

Christo and Jeanne-Claude’s Iconic California Installation Returns in a Museum Show

The Museum of Sonoma County is commemorating the 50th anniversary of Christo and Jeanne-Claude's iconic 1976 installation "Running Fence" with an exhibition featuring blueprints, original construction materials, and documentary photographs. The temporary work, which stretched nearly 25 miles across Sonoma and Marin counties in California, required four years of negotiations with ranchers, 18 public hearings, and the first-ever Environmental Impact Report for a public artwork, ultimately costing $2.25 million funded by the artists through preparatory drawing sales.

Water Samples from Around the World Melt into Dima Rebus’ Dreamy Paintings

London-based artist Dima Rebus creates large-scale watercolor paintings using water samples collected from strangers around the world. In her series "Floaters," she freezes the crowdsourced water with pigments, then lets it melt across paper to form abstract color fields, later adding figures and aquatic landscapes. Each sample arrives with a letter, building an archive of rain, rivers, seas, oceans, and glaciers that serve as both material and human message.

Art Basel unveils Basel Exclusive and further program highlights for its flagship show in June

Art Basel has announced new program highlights for its flagship fair in Basel this June, including a new initiative called Basel Exclusive. Developed in dialogue with galleries, Basel Exclusive requires participating exhibitors from the main Galleries sector to reserve at least one major work—or an entire presentation—from all pre-fair previews, online viewing rooms, and pre-sales, unveiling them publicly for the first time during the VIP opening on June 16. The fair also revealed the lineup for Unlimited, its platform for large-scale works, which will feature 59 projects by 66 international galleries, curated for the first time by Ruba Katrib of MoMA PS1. Unlimited Night returns on June 18 with extended hours and special performances.

Turner prize 2026 shortlist points to sculpture as a way of thinking about power, ecology and belief

The Turner Prize 2026 shortlist has been announced, featuring four artists—Simeon Barclay, Marguerite Humeau, Kira Freije, and a fourth unnamed artist—whose practices are rooted in sculpture and installation. The jury, chaired by Alex Farquharson (director of Tate Britain) and including Sarah Allen, Joe Hill, Sook-Kyung Lee, and Alona Pardo, praised the artists for their material intelligence and ability to link sculptural language to systems of power, memory, and belief. Barclay's work combines performance and industrial materials to explore British national identity, Humeau's speculative sculptures investigate non-human intelligence and belief systems, and Freije's hybrid figures examine vulnerability and identity through fabric and metal.

Shigeo Toya, artist who looked to nature with his wood sculptures, 1947–2026

Shigeo Toya, the Japanese artist renowned for his chainsaw-hewn wood sculptures, has died at age 79. Born in 1947 in a small village in Nagano Prefecture, Toya began his signature Woods series in 1984, carving rough textures into tall lumber and arranging the pieces like a forest. His series Twenty Eight Deaths featured stacked wooden blocks with cavities and burn marks. Toya represented Japan at the Venice Biennale in 1988 and later exhibited at the Asia Pacific Triennial (1993) and Gwangju Biennale (2000). A major survey of his work was held at the Nagano Prefectural Art Museum and The Museum of Modern Art, Saitama, in 2022–23.

‘Studio Iron’ to Launch at Saatchi Yates, Blurring the Boundaries Between Art and Design

Saatchi Yates is partnering with creative director and makeup artist Isamaya Ffrench to launch Studio Iron, a new design gallery whose inaugural exhibition opens April 30 and runs through June 7, 2026. The show presents a dense, post-industrial landscape dominated by steel and iron, featuring works by artists including Jannis Kounellis, Paul McCarthy, Jordan Wolfson, Anne Imhof, Marina Abramovic, Nico Vascellari, and others. Furniture, sculpture, installation, and painting collide in a space that resists categorization, hovering between function and non-function, utility and image.

Berlin Modern Museum Construction Delayed Until 2030

Museumsbau Berlin Modern verzögert sich bis 2030

The completion of Berlin Modern, a major new museum in Berlin, has been delayed again until 2030 due to moisture damage and microbial infestation found in parts of the raw structure. The Stiftung Preußischer Kulturbesitz (SPK) announced an estimated eight-month postponement, though no construction stop was required. The museum, designed by Herzog & de Meuron, is being built near Potsdamer Platz to expand the Neue Nationalgalerie's exhibition space. Costs have risen from an initial €200 million to a projected €507 million.

Gunjan Tyagi Selected for Women’s History Month Exhibition in NYC

Gunjan Tyagi, a multidisciplinary visual artist based in Schenectady, New York, has been selected to exhibit at Pen + Brush, one of New York's oldest nonprofit galleries, during Women's History Month. Tyagi's work spans painting, sculpture, site-specific installation, nature art, video, photography, and mixed media, often incorporating unconventional materials like cow dung and found objects to explore identity, cultural exchange, and humanity's relationship with nature. She also serves as organizer of the India chapter of the Global Nomadic Art Project and as a jury member at the Biennale of Seychelles.

Exhibition | Betye Saar, 'Let's Get It On: The Wearable Art of Betye Saar' at Roberts Projects, Los Angeles, United States

Roberts Projects in Los Angeles will present "Let's Get It On: The Wearable Art of Betye Saar" from May 30 to August 22, 2026, showcasing over 150 objects from the artist's career, including costume designs, garments, jewelry, drawings, and archival materials. The exhibition highlights the influence of Saar's early work in costume and jewelry design (1960s–70s) on her later assemblage and installation practice, leading up to her 100th birthday in July 2026.

According to the Turner Prize, one of the year’s best British artists is… French

The 2026 Turner Prize shortlist has been announced, featuring four nominees including French-born artist Marguerite Humeau, who is considered the front-runner despite the award's requirement of honoring a "British artist." Humeau, known for her futuristic biomorphic sculptures made from unusual materials like wasp venom and seaweed, lives in London but was born and raised in the Loire Valley. Other nominees include London-born Kira Freije, Simeon Barclay for his spoken-word performance "The Ruin," and Tanoa Sasraku, whose ICA show is described as "dreary" by the critic. The winner will be announced at Middlesbrough Institute of Modern Art in December.

Exhibition | EILEEN AGAR, 'Leaves of the World' at Andrew Kreps Gallery, 22 Cortlandt Alley, New York, United States

Andrew Kreps Gallery in New York is presenting 'Leaves of the World,' an exhibition of works by Eileen Agar (1899–1991) spanning seven decades of her career, from 1927 to 1980. The show highlights Agar's enduring engagement with collage and her unique blend of surrealism, cubism, and abstraction, featuring pieces such as 'Leaves of the World' (c. 1940) and 'Personnage' (1949). A parallel exhibition of Agar's work will open at Alison Jacques in London this June.

‘We’re attached to this land like a tree is rooted in soil’: unexpectedly timely exhibition speaks up for the people of south Lebanon

An exhibition titled 'Forget Me Not: South Lebanon in Memory and Motion' was held at London's Palestine House earlier this month. It featured archival news footage from 2000, photographs, audiovisual materials, and children's drawings to document the history, culture, and resilience of southern Lebanon, a region experiencing renewed conflict.