Exhibition | Megan Jenkinson, 'Secateur / Sequitur' at Two Rooms, Auckland, New Zealand

Artist Megan Jenkinson presents her latest body of work, 'Secateur / Sequitur', at Two Rooms in Auckland. The exhibition features intricate photocollages that blend botanical elements with man-made materials like wire, drawing inspiration from classical philosophy and the Japanese art of ikebana. Jenkinson’s meticulously structured compositions explore the tension between the natural world and human systems of order.

Surrey Art Gallery probes Expo 86’s artistic legacy with In the Shadow of the Pavilions

The Surrey Art Gallery has launched "In the Shadow of the Pavilions," an exhibition exploring the complex artistic legacy of Vancouver’s Expo 86. Curated by Jordan Strom, the show features works and archival materials from over 50 artists, including those officially commissioned for the world’s fair and those who were excluded or responded critically to the event. Highlights include documentation of Michael Snow’s pioneering holography and Bill Reid’s Haida canoe, Loo Taas, alongside works by Stan Douglas and Rodney Graham.

The MEGA Fair-Exhibition Opens in a Former Milanese Factory: Photos and 5 Must-See Booths

In ex fabbrica di Milano ha aperto la mostra-fiera MEGA. Tutte le foto e 5 stand da non mancare

The third edition of MEGA Art Fair has opened in Milan, relocating to SPAZIO PROFUMO, a former perfume factory in the Barona district. Running from April 15 to 25, 2026, the event strategically bridges Milan Art Week and Design Week, featuring over 30 international exhibitors from Europe, Latin America, and Asia. Eschewing traditional booth structures, the fair utilizes a cohesive curatorial layout that integrates industrial archaeology with contemporary practices, including a dedicated video program and a section titled 'City of Glass.'

Agnes Gryczkowska Discusses Curating Marina Abramović’s New Berlin Mega Show

Marina Abramović has opened a major solo exhibition, "Balkan Erotic Epic. The Exhibition," at Berlin's Gropius Bau, marking her first solo show in the city since the 1990s. The expansive presentation features historical and recent works across film, installation, sculpture, and live performance, focusing on themes of ritual, eroticism, death, and the body as a site of political and spiritual intensity. The opening included a live performance by Svetlana Spajić and a video work, Tito’s Funeral (2025).