Dear Mary, For Chicago, Sincerely Nathaniel Mary Quinn

The National Public Housing Museum in Chicago opened its doors on April 4, 2025, becoming the only museum in the United States dedicated to the histories of public housing and its residents. Located on the site of the historic Jane Addams Homes, the museum was remodeled by architect Peter Landon and features permanent installations, artist residencies, and temporary exhibitions. Current initiatives include Open Mike Eagle's residency as 'Artist as Instigator,' building on his album 'Brick Body Kids Still Daydream' (2017) about life in Robert Taylor Homes, and the art-glass frieze 'Resilient Hues' by Amanda Williams and Olalekan Jeyifous. The museum is led by executive director Lisa Yun Lee and has earned third place on USA Today's list of 'Best New Museums.'

This week's openings in Parisian galleries

Les vernissages cette semaine dans les galeries parisiennes

This week's openings in Parisian galleries feature a wide range of exhibitions across the Marais, Saint-Germain-des-Prés, and other districts. Highlights include Galerie Alain Margaron's group show "Du modèle à l'autoportrait" exploring the body in works by André Derain, Jean Hélion, Fred Deux, and Zoran Mušič; Kim Myoung Nam's first solo show at Galerie UNIVER / Colette Colla, presenting perforated paper pieces; and Galerie Wagner's collective exhibition dedicated to Latin American artists Milton Becerra, Olga Luna, and Claudia Lavegas. Other notable shows include Louis Pion's ink-on-envelope series at Galerie Incognito Artclub, Léonore Chastagner's raw ceramics at Galerie Anne-Sarah Bénichou, and solo presentations by Quentin Gouevic and Jérôme Zonder at Galerie Nathalie Obadia.

Bruno Birmanis and Mareunrol’s on Representing Latvia at the 61st Venice Biennale

Bruno Birmanis and the artist duo Mareunrol’s (Mārite Mastiņa-Pēterkopa and Rolands Pēterkops) will represent Latvia at the 61st Venice Biennale in 2026, with their pavilion located in the Arsenale. Their project draws on memories of Latvia in the 1990s, particularly the avant-garde fashion event The Untamed Fashion Assembly (UFA), conceived by Birmanis, which took place two months after Latvia regained independence from the Soviet Union. The installation is not a nostalgic archive but a space of dialogue and reflection, using the visual codes of a fashion show backstage to explore themes of memory, freedom, and utopian intentions.

Gordon Cheung: Many Worlds, One Mind

CLOSE Gallery in Somerset presents 'Many Worlds, One Mind', a major survey exhibition of contemporary multi-media artist Gordon Cheung, running from 6 June to 15 August 2026. The show brings together 28 works across sculpture, painting, print and etching, including pieces from Cheung's 'New Order' series, which uses algorithms to reorder pixels from Dutch Golden Age still lifes, and 'Passages of Time', a sculpture incorporating Financial Times stock listings. Cheung's work examines global capitalism, cultural memory, and the intersection of classical art history with digital technology.

Jill Bedgood: Vestiges of Existence

Andrew Durham Gallery in Houston announces "Vestiges of Existence," a solo exhibition of multi-media works by artist Jill Bedgood, running from June 6 to August 1, 2026. The show explores how physical remnants—such as worn jewelry, handwritten letters, and natural anomalies—carry memory and document human presence, functioning as contemporary memento mori. An opening reception on June 6 and an artist talk on July 11 accompany the exhibition.

Palette of flowers: Nada Al Barazi hosts ‘Gardens’ solo exhibition at Intent Gallery

Internationally acclaimed artist Nada Al Barazi presented her solo exhibition 'Gardens' at Intent Gallery in Dubai from May 9 to 13. The show featured a contemplative body of work exploring nature as an emotional and introspective experience, with layered textures, expressive color, and organic forms that invite viewers to reflect on memory, transformation, and renewal. Al Barazi, a holder of the UAE Golden Visa from Dubai Culture & Arts Authority, is recognized for her contributions to contemporary art in the Emirates and globally.

Romanesco in a Max Mara Coat

Romanesco im Max-Mara-Mantel

Evelyn Taocheng Wang's first institutional solo exhibition in Italy, "Sweet Landscape," opens at the Museion in Bolzano. The Chinese-born, Rotterdam-based artist presents silk paintings, pastel canvases, and painted garments that probe the region's complex history beneath its idyllic Alpine scenery. Works such as "Frog Princess Checks Her Smartphone in front of Window of August Macke’s Hat Shop" (2026) and "Ancient Roman bust for Sale" (2026) blend local food motifs, cultural translation, and hybrid identity, questioning who gets to write history and how landscapes are perceived through secondhand experiences.

James McNeill Whistler was more than just a combative ‘coxcomb’

Carol Jacobi, curator of a new exhibition at Tate Britain in London, aims to reframe the legacy of James McNeill Whistler (1834-1903), an artist often reduced in public memory to his 1877 libel lawsuit against critic John Ruskin. The show, the UK's first full Whistler survey since 1994, highlights his prolific output, evolving style, and belief that art should seek "a more fundamental beauty" beyond mere impression. It brings together many of his celebrated nocturnes and, for the first time, his sketchbooks, though the infamous Nocturne in Black and Gold: The Falling Rocket (1875) could not be loaned.

Farah Al Qasimi: Psychic Repair

Emirati photographer and musician Farah Al Qasimi presents her solo exhibition "Psychic Repair" at the SCAD Museum of Art in Savannah, Georgia, running from January to June 7, 2026. Curated by SCAD Museum Associate Curator Brittany Richmond, the show explores self-presentation and consumerism through staged domestic interiors, vinyl works, framed photographs, and music videos. Key pieces include "Beauty Salon" (2024), "Aquarium" (2024), "Clothing Store" (2023), and "Painting and Astroturf" (2023), which appropriate signifiers of the attention economy. The exhibition is strategically positioned to respond to Savannah's history as a port city built on trade in cotton, indigo, rice, and enslaved people, with the museum itself occupying a former railway depot made of Savannah Gray brick produced by enslaved laborers.

Brook Hsu ”The Barcelona Pavilion (including work by Georg Kolbe)” at Kraupa-Tuskany Zeidler, Berlin

Brook Hsu's exhibition "The Barcelona Pavilion (including work by Georg Kolbe)" at Kraupa-Tuskany Zeidler in Berlin presents a series of works that interweave references to architecture, film, literature, and animal carcasses. The show's title alludes to Mies van der Rohe's iconic Barcelona Pavilion and the sculptor Georg Kolbe, whose work was originally installed there, while the list of pieces—ranging from paintings like "Daybreak:Orange Tree" to works dedicated to figures such as Anne Wiazemsky and Pasolini—creates a dense, associative network of cultural and personal memory.

Bharti Kher Commissioned by Powerhouse Parramatta for Major Public Artwork

British Indian artist Bharti Kher has been commissioned by Powerhouse Parramatta to create a large-scale public artwork for the museum, which is set to open later this year in Parramatta, Western Sydney. Titled *Tree of Life*, the seven-meter-tall bronze sculpture features four stacked heads and incorporates clay fragments from figurines found in Indian secondhand markets, drawing on themes of ancestral memory, interconnectedness, and community.

From Two Tons of Celadon, Jean Shin Sculpts a Metaphor for the Korean Diaspora

Artist Jean Shin has created "Celadon Landscape," a monumental installation at the Green-House at Green-Wood in New York, using nearly two tons of discarded celadon porcelain fragments donated by studios in Icheon, South Korea. The work features two large bulbous vessels covered in broken shards of cups, saucers, and pots, appearing to emerge from the earth as if unearthed in an archaeological dig. The installation is on view through January 17.

New Exhibition Explores Albuquerque’s “Big I” as a Crossroads of Culture, Memory, and Movement

A new group exhibition titled 'At the East of My Past and the West of My Future' opens at the South Broadway Cultural Center Gallery in Albuquerque, running from May 28 to July 17. Curated by multidisciplinary artist Watermelon7, the show features 14 artists who reinterpret the city's iconic Big I interchange as a symbol of movement, identity, and transformation. Inspired by Jack Kerouac's 'On the Road' and Route 66, the works explore personal and collective journeys through paintings, mixed-media pieces, and installations.

The Kurators’ Art Dubai 2026 Highlights: Breaking Open the Art Fair Model

The 20th anniversary edition of Art Dubai 2026, held at Madinat Jumeirah, signaled a shift from a traditional art fair model toward an expanded cultural platform integrating exhibitions, institutional presentations, gallery booths, and public programming. Key highlights include the Dubai Collection's 'Made Forward' exhibition, which drew from over 20 private collections across the UAE to present works from West Asia, North Africa, and South Asia, and gallery presentations such as Adrian Pepe and Omar Al Gurg's sculptural systems using Awassi sheep wool at SOLO Bucharest, Lana Khayat's textile-based abstraction at Hafez Gallery, and Alisa Bagdonaite's digital art showcase at Dom Art Projects featuring artists Sofya Skidan, Michiko Tsuda, and Kirill Makarov.

Member's Spotlight Exhibition Opening Reception: Simon Robins: Sociable

The Contemporary Dayton is hosting a Member's Spotlight Exhibition titled "Simon Robins: Sociable," running from June 5 to June 27, 2026, with an opening reception on June 5 from 6-8 PM. The exhibition features paintings by Simon Robins that draw from public domain and found photographs sourced from digital archives, which he crops, recolors, and recontextualizes to create works that feel both familiar and elusive. Robins, a collections librarian and faculty member at the University of Dayton, uses his archival expertise to explore themes of social alienation, belonging, and the power dynamics embedded in historical image collections.

Here is what the 2027 Venice Architecture Biennale curated by Chinese architects Lu Wenyu and Wang Shu will be about

Ecco di cosa parlerà la Biennale Architettura di Venezia 2027 dei curatori cinesi Lu Wenyu e Wang Shu

For the first time in the history of the Venice Architecture Biennale, two Chinese architects—Wang Shu (Pritzker Prize 2012) and Lu Wenyu—have been appointed as curators of the 20th International Architecture Exhibition, scheduled from May 8 to November 21, 2027. The duo, who co-founded Amateur Architecture Studio in 1997 and are partners in life and work, previously participated in the Biennale in 2010 under Kazuyo Sejima (receiving a Special Mention for their project "Decay of a Dome") and in 2016 under Alejandro Aravena. Their edition will follow the 2025 edition curated by Carlo Ratti and will be titled "Fare Architettura" (Doing Architecture), focusing on the coexistence of diversity in real reality.

Anna Marzuttini and Giovanni Fredi ”SOUVENIR·SUBVENIRE” at SMDOT/Contemporary Art, Udine

SMDOT/Contemporary Art in Udine, Italy, presents a two-person exhibition titled "SOUVENIR·SUBVENIRE," featuring previously unseen works by Italian artists Anna Marzuttini and Giovanni Fredi. Marzuttini contributes large canvases and wall-hanging ceramic works, while Fredi's pieces are also on view, with both artists' research expressed through different media but converging on a shared conceptual plane.

Ashfika Rahman's art lands in New York Times Critics' Top 6

Bangladeshi visual artist Ashfika Rahman has been recognized by The New York Times as one of the six must-see shows at the Venice Biennale, with her work "Than Para — No Land Without Us" featured in the collateral exhibition "Still Joy — From Ukraine into the World." The installation, presented by the PinchukArtCentre and curated by Björn Geldhof and Oleksandra Pohrebnyak, incorporates thousands of small temple bells gathered from different spiritual traditions and draws on testimonies from Ukraine as well as the struggles of Indigenous communities in Bangladesh's Hill Tracts.

Tweed Gallery's Winter: Art and Transformation

Three exhibitions will open at Tweed Regional Gallery on Friday 29 May as part of the Gallery's 2026 winter program. The program includes the group exhibition 'Indelible: The Poetry of Decay' alongside solo exhibitions by regional artists Antoinette O'Brien and Luke Close (Githabal), spanning ceramics, painting, and multidisciplinary practice. A curator preview talk, live performance, and opening celebrations will accompany the openings.

An exhibition of works by Mykhailo Riasnianskyi, People’s Artist of Ukraine, is currently being held in Mykolaiv

An exhibition of works by Mykhailo Riasnianskyi, People’s Artist of Ukraine, is currently on display at the V. Vereshchahin Art Museum in Mykolaiv, marking the 100th anniversary of his birth. The show features paintings from the museum’s collection and opened with speeches from local officials and artists, including Yevhen Horburov and Dmytro Artym. Riasnianskyi, who died in 2001, was a veteran of World War II, a longtime teacher, and the first artist from the Mykolaiv region to receive the title of People’s Artist of Ukraine.

‘Remembering’ Exhibition Revives Cham Culture Through Art

The 'Remembering' exhibition at Kiripost in Phnom Penh showcases contemporary artworks that revive and celebrate Cham culture, a minority ethnic group in Cambodia. The show features paintings, sculptures, and mixed-media pieces by local artists who draw on Cham traditions, textiles, and historical narratives to preserve and reinterpret their heritage.