Art & the Book* and Spineless Wonders: The Power of Print Unbound**

Two concurrent exhibitions in central London this summer—'Art & the Book' at the Warburg Institute and 'Spineless Wonders: The Power of Print Unbound' at Senate House Library—celebrate the contemporary and historical impact of print and small-press publishing. The shows feature a spectrum of materials from socialist pamphlets and activist flyers to artists' books and ephemera, drawn from special collections to highlight the deep history of paper and print as a medium for autonomous production. The Warburg exhibition, curated by Matthew Harle with guest curators Arnaud Desjardin and Hlib Velyhorskyi, centers on artists' books and includes residencies, talks, and an art bookfair, all open to the public.

Design Museum Stages First-Ever Retrospective For Streetwear Pioneer Nigo

London's Design Museum is opening "NIGO: From Japan with Love," the first UK retrospective dedicated to Japanese designer Nigo, founder of streetwear brand A Bathing Ape (BAPE) and current artistic director of Kenzo. The exhibition, featuring over 700 objects including rare archival garments, a recreation of Nigo's teenage bedroom, and ceramics inside a life-size glass tea house, traces his career from 1980s Tokyo street culture to global fashion influence.

The Photography Show fair in New York sets new attendance record

The Photography Show, presented by the Association of International Photography Art Dealers (AIPAD), returned to New York’s Park Avenue Armory for its second consecutive year from 23-27 April, featuring 64 exhibitors. The fair set a new attendance record with nearly 15,000 visitors, driven by strong foot traffic and a buzz around the iconic venue. Executive director Lydia Melamed Johnson noted the optimism surrounding the fair, which also highlighted Indigenous women photographers such as Jessica Eaton, Cara Romero, and Shelley Niro.

Withdrawing from Intense Labor: 'Quiet Quitting' Discussed in a Milan Exhibition

Sottrarsi al lavoro troppo intenso. Si parla di ‘quite quitting’ in una mostra a Milano

Artist Niccolò de Napoli explores the phenomenon of "quiet quitting" in his solo exhibition, "I’m here, but not entirely yours," hosted at Studio Lombard DCA in Milan. The exhibition, produced by PROGETTO LUDOVICO, utilizes the unconventional setting of a strategic consultancy firm to showcase works that critique modern labor expectations. Key pieces include a blue neon sign mimicking corporate aesthetics, a sound installation referencing the 1983 film "Vieni avanti cretino," and monochromatic cases made of switchable glass that obscures itself as viewers approach, symbolizing the withdrawal of the self from the workplace.