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‘America’s Mona Lisa’: how chance, genius and cheap paint made the masterpiece Whistler’s Mother

James Abbott McNeill Whistler's iconic painting of his mother, Anna, known as 'Whistler’s Mother' or 'Arrangement in Grey and Black No 1', is returning to London for the first time in nearly two generations as part of a Tate Britain exhibition. The article recounts how the portrait was painted in 1871 in Whistler's Chelsea studio during a low point in his career, using cheap paint and a used canvas after a young sitter canceled. The author, who restored the painting for the Musée d'Orsay, details the work's accidental genesis, Whistler's radical minimalist aesthetic, and the initial critical confusion it caused.

A Major Martin Puryear Retrospective Reveals an Artist Who Has Never Stopped Evolving

The Cleveland Museum of Art has opened "Nexus," a major retrospective of Martin Puryear featuring over 50 works, the first comprehensive survey of the artist's career in some time. The exhibition includes rarely displayed early pieces from Puryear's personal collection alongside recent works, organized in consultation with the 84-year-old artist. Highlights include the titular 1979 piece "Nexus" made of Alaskan yellow cedar, and other works like "Night and Day" and "Alien Huddle" that showcase his mastery of wood and cold-molding techniques.

Exhibition | Meg Webster, 'Thicket' at Paula Cooper Gallery, 521 West 21st Street, New York, United States

Meg Webster's exhibition 'Thicket' opens May 9 at Paula Cooper Gallery, 521 West 21st Street, New York, featuring new sculptures and drawings. The centerpiece is a large spiral installation made from plant cuttings, inviting viewers inside for an immersive sensory experience. The show follows Webster's major presentation at Dia Beacon (2024–2026) and her inclusion in 'Minimal' at Bourse de Commerce - Pinault Collection, Paris (2025–2026). Also on view are monochromatic works on paper made by rubbing organic materials onto the surface, and a three-part beeswax relief.

At Birmingham's Ikon Gallery, Angela de la Cruz's audacious, visceral art takes no prisoners

Angela de la Cruz's exhibition "Upright" at Ikon Gallery in Birmingham (until 6 September) marks her first UK institutional show since her 2010 Camden Arts Centre survey, which earned her a Turner Prize nomination. The exhibition features her signature painterly sculptures and sculptural paintings that blur boundaries between mediums, including works like "Still Life with Table" (2000), "Limp" (2000), and "Bloated 111 (Blue)" (2012), which combine Minimalist language with anthropomorphic, emotional qualities. De la Cruz, who has been based in the UK since the late 1980s, continues to create work that channels influences from art history, literature, and personal experience, even after a paralyzing stroke in 2005.

Fancy a One-Kilometer Walk on Water in Shandong?

Japanese architect Junya Ishigami has designed the Zaishui Art Museum in Rizhao, Shandong, China, a striking ivory-white structure built on an artificial lake. The museum features a one-kilometer-long immersive walkway that allows water to flow into the interior, blurring the boundary between architecture and nature. Currently, the museum hosts an exhibition on the history and production of chocolate, blending industrial displays with contemporary art.