Venice Biennale: A Silent US Pavilion

Biennale de Venise : un Pavillon US silencieux

The US Pavilion at the 2026 Venice Biennale, featuring artist Alma Allen, opened to sparse crowds despite a 10% overall attendance increase at the Biennale. The pavilion was embroiled in controversy before opening: Allen was selected by the American Arts Conservancy (AAC), a private entity created in 2025 at the initiative of Donald Trump after the dissolution of the federal committee that previously oversaw the pavilion. AAC head Jenni Parido, a former pet food executive, chose the self-taught, little-known artist who had never had a solo museum exhibition. Major funders the Ford and Mellon Foundations withdrew, forcing the AAC to launch a public donation appeal. The exhibition features 25 abstract bronze, stone, and burl-wood sculptures that the artist describes as biomorphic landscapes, but critics find them pleasant yet silent, lacking the promised political or visceral resonance.

In Milan there is an exhibition where color fascinates because it is mystical and changeable

A Milano c’è una mostra dove il colore affascina perché è mistico e mutevole

The article reports on Jason Martin's second solo exhibition at Christian Stein gallery in Milan, titled "Vertex," curated by Sergio Risaliti. Eight new large-scale works fill the Palazzo Cicogna space, showcasing Martin's signature thick oil paint surfaces that shift in color and texture, evoking the changing appearance of a wheat field. The exhibition runs until May 23, 2025.

Amy Sherald: American Sublime Art Exhibition at The High Museum

The High Museum in Atlanta is presenting 'Amy Sherald: American Sublime', an exhibition dedicated to the celebrated American portrait painter. The show features Sherald's distinctive figurative works, known for their muted gray skin tones and vibrant backgrounds, which have gained widespread acclaim since her official portrait of Michelle Obama.