Five Whirlwind Days in Venice, at (and Beyond) the Biennale

The article recounts a whirlwind three-day visit to the 61st Venice Biennale, focusing on the main exhibition at the Giardini della Biennale curated by the late Koyo Kouoh, titled "In Minor Keys." The author highlights textile works by artists such as Thania Petersen, Billie Zangewa, and Annalee Davis, as well as Beverly Buchanan's "Spirit Jars" and Maria Magdalena Campos-Pons's portrait of Kouoh and Toni Morrison. The trip also includes visits to collateral events, a performance at Jordan Roth's palazzo, and a side trip to Gabriele D'Annunzio's estate on Lake Garda.

Brand X Editions workshop celebrated at Dallas Museum of Art

The Dallas Museum of Art (DMA) will present "X Marks the Spot: Contemporary Screenprinting at Brand X Editions," an exhibition exploring the expressive possibilities of screenprinting through the work of the legendary New York City-based workshop Brand X Editions. Featuring over 70 works created over four decades, the show highlights collaborations between Brand X's master screenprinters and artists including KAWS, Rashid Johnson, Deborah Kass, Robert Indiana, Glenn Ligon, and Tschabalala Self. The exhibition opens on May 24, 2026, and runs through November 8, 2026, following its debut at the Philadelphia Museum of Art. It includes proofs, video, and interpretive materials to demystify the printmaking process, as well as new works created since the Philadelphia presentation.

Ukrainian art resists war

An exhibition titled "Still Joy" opened in Venice during the preview days of the Biennale, organized by the Pinchuk Art Center in Kiev, showcasing Ukrainian art that responds to the ongoing war with Russia. The show features works by artists including Kateryna Aliinyk, Piotr Armianovski, Roman Khimei and Yarema Malashchuk, Zhanna Kadyrova, Alevtina Kakhidze, and Nikita Kadan, addressing themes of resilience, memory, and resistance. The Ukrainian Pavilion at the Biennale also centers on the conflict, with Kadyrova's work referencing the Budapest Memorandum. Many of these artists have chosen to remain in Ukraine despite the dangers, keeping the cultural scene alive.

The Holy Spirit in a Rapture of Pain

Der Heilige Geist im Schmerzrausch

Florentina Holzinger's "Pfingstspiel" (Pentecost Play) is a multi-hour performance staged across two locations in Austria—the Wiener Eislauf-Verein in Vienna and Schloss Prinzendorf—as a satellite event to her contribution to the Venice Biennale. The work features extreme physical stunts, including a performer rappelling down a hotel facade, a car drifting with Holzinger on its roof, and a crucifixion scene, all drenched in blood, pain, and religious imagery. The performance, presented only once before 700 guests as part of the Wiener Festwochen, is described as a brutal, uncompromising marathon that pushes the boundaries of live art.

Au CAPC de Bordeaux, Trevor Yeung recueille nos vœux les plus intimes et relit la mythologie chinoise

Hong Kong artist Trevor Yeung has transformed the 1,000-square-meter nave of the CAPC in Bordeaux into an immersive installation titled "Jardin des neuf soleils" (Garden of Nine Suns). Visitors climb a monumental rainbow-colored scaffolding structure to the ceiling, tying colored ribbons as wishes, accompanied by a symphony of bells. The exhibition also features green light inspired by an Insectron device found in the museum's storage, and nine "Chaotic Sun" light sculptures that reinterpret a little-known Chinese myth about ten suns crossing the sky.

New Orleans artist Andrew Lamar Hopkins channels folk art legend Clementine Hunter in new exhibit

The article profiles New Orleans artist Andrew Lamar Hopkins and his new exhibition "Her Way, His Way" at the Orleans Gallery on Julia Street. The show pairs Hopkins' contemporary folk-inspired works with paintings by the late, legendary Louisiana folk artist Clementine Hunter, who died in 1988. Hopkins, now 48, draws directly from Hunter's subjects—such as wildflower bouquets and pecan harvesting scenes—creating a dialogue between two artists who never met. The piece also traces Hopkins' career trajectory from a self-taught history nerd in Mobile, Alabama, to a rising star with works displayed in Venice during the Venice Biennale.

Clasutta Explores the Dynamics of Love in Solo Exhibition at Whitestone Gallery Singapore

Indonesian artist Clasutta presents a solo exhibition titled "Roommates?" at Whitestone Gallery Singapore, exploring the emotional dynamics of love and relationships through her playful painting style. The exhibition is part of a larger curatorial narrative called "Through Reverie: Love and Memory," which also features a concurrent presentation by Malaysian artist C.K. Koh titled "Folded Glimpses," drawing from his personal photographic archive. Clasutta's works trace the subtle shifts from lighthearted beginnings to spaces shaped by attachment, expectation, and unspoken negotiation, portraying love as fluid and ever-changing.

Explore the poetry of body and gesture through this evocative solo exhibition in Kolkata

Architect and Interiors India has published an article promoting a solo exhibition in Kolkata that explores the poetry of body and gesture. The exhibition features works that focus on the expressive potential of the human form and movement, presented as a visual meditation on physicality and emotion.

Bouchra Khalili “Circles and Storytellers” at Mosaic Rooms, London

Mosaic Rooms in London has reopened with "Circles and Storytellers," the first public UK solo exhibition by French-Moroccan multidisciplinary artist and educator Bouchra Khalili. The show features interconnected works including *The Circle Project* (2023), a mixed media installation that explores themes of civic imagination and alternative forms of community and belonging.

Fourth-floor exhibits at Yale Art Gallery are separate and independent but line up beautifully

The Yale Art Gallery's fourth floor is hosting five concurrent exhibitions running through June, including solo shows by John Coplans, August Sander, Jes Fan, and Hans Hofmann, alongside a group exhibition of American Impressionism featuring artists like Mary Cassatt, John Singer Sargent, and Childe Hassam. The displays range from Coplans' intimate black-and-white self-portraits to Sander's sprawling photographic catalog of 20th-century German society, and from Fan's modern sculptures to Hofmann's bold abstract paintings.

Arkansas Museum of Fine Arts in Little Rock opens annual youth exhibition

The Arkansas Museum of Fine Arts in Little Rock opened its 65th annual Young Arkansas Artists exhibition on Saturday, showcasing over 50 student artworks selected by a panel of museum and art professionals. The exhibition, on view through July 26 at the Robyn and John Horn Gallery, features four works per grade from kindergarten through 12th grade, using media ranging from charcoal and watercolor to linoleum print and glazed ceramics. Awards included $25 gift certificates to BLICK Art Materials for each featured student, a $200 award for submitting educators, and special recognitions such as the Mid-Southern Watercolorists' Suzann Waggoner Memorial Award and the AMFA Docents' Recognition Award. Best in Class winners, like kindergartner Levi Splawn and fifth grader Blair Allen, received free summer camp sessions at the museum.

From Paris To Gyeongseong’ Illuminating The Flow Of Modern Art​

The article 'From Paris To Gyeongseong’ Illuminating The Flow Of Modern Art' explores the historical and cultural exchange of modern art between Paris and Gyeongseong (the former name of Seoul during the Japanese colonial period). It traces how Western modernist movements, particularly from Paris, influenced Korean artists in the early 20th century, highlighting the cross-cultural dialogue that shaped the development of modern art in Korea. The piece examines specific artworks, exhibitions, and the role of key figures who facilitated this artistic flow.

Ruggero Baragliu brings the painting of "how much is enough" to Rome

From May 30 to June 30, 2026, Blocco 13 in Rome hosts "Qb," the first Roman solo exhibition of Sardinian artist Ruggero Baragliu (born 1987). Curated by Antonello Cuccu and Chiara Manca, the show presents oils, papers, and bas-reliefs that explore the boundary between painting and sculpture through an essential, layered language. Works include small-format oils on panel such as "Colossus" (2026), the multi-year "Untitled with Checkers" (2019–2024), and the bas-relief "Garbata," which transforms brushstroke into volume. The exhibition is part of Blocco 13's "Guests" section, which has previously hosted artists like Pierluigi Fresia and Alessandro Finocchiaro.

Final Ivan Wheale art exhibition and sale at Perivale Gallery attracts large crowd

The Perivale Gallery in Spring Bay, Ontario, hosted the final exhibition of renowned Manitoulin artist Ivan Wheale, titled 'THROUGH IVAN’S EYES - A NORTHERN VISION LIVES ON.' Wheale, who passed away in September, had been a fixture at the gallery for over four decades. The opening featured his last works, including 'Tranquility,' his final completed painting, which he finished from his hospice bed. An unfinished piece sat on his custom easel, marking the end of a long tradition of annual shows.

Exhibition | Sassan Behnam-Bakhtiar, 'Sanctuary' at SETAREH, Düsseldorf, Germany

Sassan Behnam-Bakhtiar presents his exhibition 'Sanctuary' at SETAREH gallery in Düsseldorf, Germany. The show features the artist's latest works, exploring themes of refuge and inner space through his distinctive painterly language.

Cyborg Butterfly: Threshold | YOSHIAKI NAKAMURA

Japanese artist Yoshiaki Nakamura presents 'Cyborg Butterfly: Threshold', an exhibition featured on Ocula. The show explores the intersection of technology and nature through hybrid butterfly forms, blending organic and mechanical elements in a visual meditation on transformation and boundaries.

A Milano c’è una mostra di bambole giapponesi. Un tempo prodotti industriali oggi pezzi da collezione

A new exhibition in Milan at the gallery N.51 presents the work of Japanese artist Shigeru Arai, known as NAGNAGNAG, who is celebrated for transforming industrial soft vinyl dolls (Sofubi) into unique art objects. The show, titled "Shigeru Arai Tribute Exhibition," marks the first time his work is displayed in Italy, tracing the history of Sofubi from its post-WWII origins in Japan—where it replaced dangerously flammable cellulose toys—to its elevation as a collectible art form through Arai's distinctive techniques, including biting the soft vinyl and applying multiple layers of paint.

Great Pulteney Street gallery presents Soho Solos: 4 solo exhibitions by Soho Open prize winners

Great Pulteney Street Gallery (GPS Gallery) is launching the inaugural edition of Soho Solos, a new exhibition programme developed from last year’s Soho Open in partnership with Parker Harris. Running from 10th–28th June, the show features four solo exhibitions by prize-winning artists Mandy Hudson, James Robert Morrison, Conor Quinn, and Alice Sheppard Fidler, each presenting new work that explores themes from queer memory and car-crash eroticism to the transformation of everyday objects.

Danish recycling artist brings his giant trolls indoors for a first museum exhibition

Danish recycling artist Thomas Dambo, known for creating nearly 200 giant wooden troll sculptures hidden in natural landscapes across 19 countries, is presenting his first museum exhibition. Titled "The Garbage Man," the show opens at the Arken Museum of Contemporary Art near Copenhagen and features a new narrative in which mischievous trolls secretly take over the museum, building a giant human figure from trash as a lesson about waste. The exhibition runs from Sunday until November 29 and includes works made from discarded materials like electronics, cardboard, and clothing, some of which would not survive outdoors.

He’s Royal: Kingsley George Lawton Cooper

The 19th Annual African American Fiber Art Exhibition opened on April 29 in Charleston, South Carolina, featuring over 70 artists from 22 states under the theme 'Regal Threads: The Majesty of Blue and Purple.' Curated by Torreah 'Cookie' Washington, the juried exhibition explores the spiritual and historical significance of blue and purple in African diasporic traditions. Among the works is Donnette Cooper's quilt 'He's Royal: Kingsley George Lawton Cooper,' honoring her late brother Kingsley, who died in June 2024, incorporating the adinkra symbol Nyame Nwu Na Mawu and referencing Dr. Martin Luther King Jr.'s eulogy.