The village where Van Gogh spent his final days celebrates its most distinguished visitor

An exhibition titled "Van Gogh, Influencer: Legacies in Motion" has opened at the Château of Auvers-sur-Oise, the village near Paris where Vincent van Gogh spent his final 70 days and died by suicide in July 1890. The show, running until 3 January 2027, features nearly a hundred works by artists influenced by Van Gogh, including Léonide Bourges, Charles-François Daubigny, and Léo Gausson, though no original Van Gogh paintings are included. Curated by Wouter van der Veen, the exhibition explores visual parallels and stylistic contrasts between Van Gogh’s iconic works—such as *Church at Auvers* and *Wheatfield with Crows*—and those of his contemporaries and followers.

As Cuban crisis deepens, diaspora artists have a message of compassion

Artists Antonia Wright and Ruben Millares are showcasing a salvaged, bullet-ridden Cuban migrant vessel at Miami’s Piero Atchugarry Gallery. The exhibition, titled 'Exile', serves as a visceral focal point for the escalating humanitarian crisis in Cuba, where citizens face systemic collapse, starvation, and political imprisonment. Through the concept of 'embodiment' rather than mere empathy, the artists confront the harrowing 93-mile journey across the Straits of Florida undertaken by those desperate to escape the island's dictatorship.

British Art Show—exhibiting UK's 'most exciting' art in past five years—announces line up for tenth edition

The artist lineup and thematic framework for the tenth edition of the British Art Show have been revealed. Curated by Ekow Eshun and titled 'A Chorus of Strangers,' the exhibition will feature 30 artists, including Alex Margo Arden, Liz Johnson Artur, and Jesse Darling, and will tour five UK cities from October 2026 to June 2028, beginning in Coventry.

LACMA’s New Building Invites You to Chart Your Own Path

The Los Angeles County Museum of Art (LACMA) is set to open its long-awaited and highly debated new building, the David Geffen Galleries. Designed by Swiss architect Peter Zumthor, the $720 million concrete structure spans Wilshire Boulevard and replaces several older buildings with a single, elevated exhibition level. The opening marks the culmination of a decade-long project spearheaded by Director Michael Govan, featuring a non-linear layout that integrates the museum's encyclopedic collection into thematic displays rather than traditional chronological or regional divisions.

First US Survey of Mexican Artist Teresa Margolles Coming This Fall

MoMA PS1 in New York City will host the first United States survey of Mexican artist Teresa Margolles this fall. Trained as a forensic pathologist, Margolles creates works using organic and bodily materials from homicide victims, morgues, and crime scenes. The exhibition will feature pieces confronting murder and violence along the US-Mexico border, including a 2026 evolution of her ongoing series "Air" (2003–), where a gallery will be humidified with water carrying degradable material from homicide sites. The Museum of Modern Art will also present a new experiential installation, "Aproximación al lugar de los hechos (Approaching the Scene)" (2026), starting September 17, which drips water carrying evidence of violent death onto heated steel plates.

« Le jardin anglais incarne une vision de la société » : une expo à Versailles explore cette passion de l’Europe des Lumières

The article explores an exhibition at the Grand Trianon in Versailles dedicated to the English garden, a style that emerged in 18th-century Europe as a deliberate contrast to the rigid symmetry of the formal French garden. Curator Élisabeth Maisonnier and museum director Laurent Salomé explain how these gardens, with their winding paths, irregular flowerbeds, and surprise features like grottoes and pagodas, were carefully constructed to imitate and amplify nature's complexity, drawing on influences from antiquity, the Middle Ages, and China.

The invisible worlds of Hilma af Klint, pioneer of abstraction, finally revealed at the Grand Palais

Les mondes invisibles d’Hilma af Klint, pionnière de l’abstraction, enfin révélés au Grand Palais

The article reveals the long-overlooked story of Hilma af Klint (1862–1944), the Swedish artist who created abstract paintings years before Kandinsky, Mondrian, and Malevich, yet kept her work secret until 20 years after her death. Her monumental output—1,600 abstract paintings and 124 notebooks—was first publicly shown in 1986 at the Los Angeles exhibition 'The Spiritual in Art, Abstract Painting, 1890–1985'. A 2019 retrospective at the Guggenheim Museum in New York drew 600,000 visitors, a museum record. Now, the Grand Palais in Paris presents the first-ever French exhibition of her work, focusing on her 'Paintings for the Temple' cycle (1906–1915), a series of 193 works that synthesize her spiritual quest.

Jo Ractliffe at the Jeu de Paume: “I am not a militant photographer, but when you work in South Africa you cannot escape stories of violence”

Jo Ractliffe au Jeu de Paume : « Je ne suis pas une photographe militante, mais quand on travaille en Afrique du Sud on ne peut échapper aux histoires de violence »

South African photographer Jo Ractliffe discusses her upcoming retrospective at the Jeu de Paume, reflecting on her career path that began during the isolation of the apartheid era. Eschewing traditional photojournalism, Ractliffe developed a singular poetic language focused on landscapes and animals to address the heavy histories of violence, ownership, and displacement in Southern Africa.

The Italian artist who sails from the Island of Elba to Saint Helena: talking about power and making a film

L’artista italiano che parte dall’Isola d’Elba in barca a vela per raggiungere Sant’Elena: si parla di potere e si gira un film

Italian artist Luca Vitone (born Genoa, 1964) has launched a project titled "Pro Tempore," which involves a two-month sailing journey from the Island of Elba—Napoleon Bonaparte's first place of exile—to the remote island of Saint Helena, where Napoleon died in exile. The voyage, aboard the boat Adriatica, includes four intermediate stops (Balearic Islands, Algeciras, Canary Islands, Cape Verde) and is funded by the 14th edition of the Italian Council grant, in partnership with the Fondazione Oelle. The project explores the concept of temporary power and uses Napoleon's biography and the sea as metaphors for control and instability.

Who Do Chicago’s Art Fairs Serve?

Expo Chicago and its satellite fairs serve as a complex barometer for the Midwestern arts ecosystem, highlighting both the successes of local representation and the tensions of institutional growth. While galleries like Andrew Rafacz and Corbett vs. Dempsey demonstrate viable career paths for Chicago-based artists like Melissa Leandro and Gabrielle Garland, the fair's shifting structure reveals a narrowing field for smaller nonprofits.

Tuguldur Yondonjamts’s Animalistic Realm

Mongolian artist Tuguldur Yondonjamts explores the habitat of the saker falcon through a series of accordion-style books titled *The Secret Mountain of Falcons* (2011–14), created during fieldwork across Mongolia. The drawings, presented in Perspex vitrines at his solo exhibition *Wolf Loving Princess* at Gallery Ver in Bangkok, depict the falcon's perspective as imagined by the artist, blending black-and-white film-like imagery with abstract textures. The work responds to the falcon trade, particularly to the Middle East, and the species' declining population, which led to its designation as Mongolia's national bird in 2012.

The 90 Years of Legendary Italian Artist Giorgio Griffa. All the Exhibitions Celebrating the Master's Birthday

I 90 anni del mitico artista italiano Giorgio Griffa. Tutte le mostre per celebrare il compleanno del maestro

Giorgio Griffa, the Italian painter known for his radical and minimalist approach, turned 90 on March 29, 2026. A comprehensive program of celebrations includes the exhibition "Summer 69" at the Fondazione Giorgio Griffa in Turin (through July 2, 2026), which revisits his breakthrough summer of 1969 with photographs by Paolo Mussat Sartor alongside his early and recent works. The Castello di Rivoli Museo d’Arte Contemporanea has opened a monographic room with works from its permanent collection, and the Galleria Civica d’Arte Moderna e Contemporanea di Torino will dedicate a similar space in May. The MAXXI – Museo Nazionale delle Arti del XXI secolo has acquired six monumental works spanning over thirty years of Griffa's career, from the 1970s to the early 2000s.

Australian artist Khaled Sabsabi reveals details of presentations in the Australia Pavilion and in the International Exhibition In Minor Keys at Biennale Arte 2026 – News Hub

Australian artist Khaled Sabsabi will present two major installations at the 2026 Venice Biennale. At the Australia Pavilion, he unveils "conference of one’s self," an immersive multisensory work featuring eight monumental canvas paintings, video projections, and a soundscape inspired by a 12th-century Sufi allegory. Simultaneously, he becomes the first Australian artist to also exhibit in the International Exhibition, titled "In Minor Keys" curated by Koyo Kouoh, with a second installation called "khalil" at the Arsenale. Both works explore spirituality, migration, and shared humanity through a framework of Sufi thought.

Khaled Sabsabi Unveils Biennale Arte 2026 Showcase

Khaled Sabsabi will represent Australia at the 61st Venice Biennale in 2026 with two major installations. At the Australia Pavilion, he presents "conference of one's self," an immersive multisensory installation featuring eight monumental canvas paintings, suspended video projectors, and an analogue soundscape, all inspired by the 12th-century Sufi allegory "The Conference of the Birds." In a historic first for an Australian artist, Sabsabi also debuts a second work, "khalil," in the Biennale's main exhibition "In Minor Keys" curated by Koyo Kouoh at the Arsenale. Both works explore spirituality, migration, and shared humanity through a Sufi philosophical framework.

In Kyoung Chun: Make Room

The Halsey Institute of Contemporary Art at the College of Charleston is presenting "Make Room," a solo exhibition by South Korean-born, Atlanta-based artist In Kyoung Chun. The show features a mix of paintings and site-specific installations, including transparent houses and suspended structures that explore the artist's experience as an immigrant. By blurring the lines between interior and exterior spaces, Chun’s work invites viewers into environments that reflect on the fragility and resilience of home.

What Is the 2026 Met Gala Exhibit “Costume Art” All About?

The Metropolitan Museum of Art's Costume Institute will unveil its 2026 exhibition, “Costume Art,” on May 4, 2026, coinciding with the Met Gala. Curated by Andrew Bolton, the show explores the relationship between fashion and the human body, juxtaposing garments like Rei Kawakubo's bulbous Comme des Garçons ensemble with artworks such as Hans Bellmer's “La Poupée” and Albrecht Dürer's “Adam and Eve.” Mannequins cast from real bodies and mirrored heads by artist Samar Hejazi will enhance the immersive experience. The exhibition runs from May 10, 2026, to January 10, 2027, in the new Condé M. Nast Galleries.

The Clark presents exhibition of Giorgio Griffa

The Clark Art Institute in Williamstown, Massachusetts, presents "Giorgio Griffa: Paths in the Forest," the first solo museum exhibition in the United States dedicated to the Italian artist Giorgio Griffa (born 1936). On view from June 13 to October 12 at the Lunder Center at Stone Hill, the exhibition features works spanning nearly six decades, including highlights such as "Sessanta frammenti" (1980), "Rosa" (1968), and "Narciso" (1986). Griffa is known for his use of diluted acrylics on unstretched, unprimed canvases, and his practice emphasizes the intelligence of materials and an ecological ethic. The exhibition is curated by Robert Wiesenberger, John and Barbara Vogelstein Senior Curator of Contemporary Art at the Brooklyn Museum and former curator of contemporary projects at the Clark.

The All-Women Exhibition Putting Penzance On The Art Map This Summer

An all-women exhibition titled 'Making Her Mark: A Celebration of Women in Art' has opened at Penlee House Gallery & Museum in Penzance, Cornwall, as the first stop on a three-part UK tour. The show features over 60 works by female artists from the 19th century to the present day, including Tracey Emin, Barbara Hepworth, Elizabeth Forbes, and Laura Knight. It is a collaboration between Penlee House, Worcester City Art Gallery & Museum, and Kirkcaldy Galleries, curated jointly by the three venues with local leadership from Penlee House deputy director Katie Herbert. The exhibition is part of Art Fund's £5.36 million Going Places programme and will travel to Worcester and Kirkcaldy in 2026 and 2027.

Beyond Body-Con: In the the Met’s Spectacular New Exhibition, “Costume Art,” the Human Form Connects Fashion and Art

The Metropolitan Museum of Art has opened a new fashion exhibition titled "Costume Art" in its newly established Condé M. Nast Galleries. Curated by Andrew Bolton, the show features faceless mannequin heads by sculptor Samar Hejazi that reflect visitors' own images, encouraging self-reflection and empathy. The exhibition is structured around a typology of bodies, using mannequins of diverse body types modeled after named individuals to challenge traditional beauty standards. It explores the connection between fashion and the human form, positioning the dressed body as a unifying thread across the museum's collections.

Art Fund launches UK-wide touring programme

Art Fund has launched a UK-wide touring programme called Going Places, backed by £5.36 million from the National Lottery Heritage Fund and the Julia Rausing Trust. The first exhibition, *Making Her Mark: A Celebration of Women in Art*, opened at Penlee House Gallery & Museum in Penzance, featuring over 60 works from three museum collections alongside community responses. It will travel to Worcester City Art Gallery & Museum and Kirkcaldy Gallery through 2027. The programme plans 12 major touring shows over five years, with six already scheduled, including exhibitions on green spaces, journeys, radical living, art and nature, and community making.

Inside the new David Geffen Galleries at LA County Museum of Art

The Los Angeles County Museum of Art (LACMA) has opened its new David Geffen Galleries, a $724 million building designed by Pritzker Prize-winning Swiss architect Peter Zumthor. The structure features a floating floor, floor-to-ceiling windows, and minimalist concrete interiors that create a calm, light-filled space. The inaugural exhibition presents 26 interconnected galleries with no set path, displaying artworks from ancient Egyptian hieroglyphs to contemporary installations like Do Ho Suh's "Jagyeong Hall, Gyeongbok Palace" (2026), aiming to eliminate hierarchies of time, place, or genre.

LACMA's David Geffen Galleries invites visitors to get lost and move through art without a set path.

The Los Angeles County Museum of Art (LACMA) has opened its new David Geffen Galleries building to the public. Designed by architect Peter Zumthor, the 900-foot-long structure features a non-linear, single-level layout with abundant natural light, intentionally encouraging visitors to wander without a set path. The inaugural exhibition, organized by 45 curators, abandons traditional art historical categories in favor of a thematic presentation centered on major bodies of water and global trade routes.

Suspended Labyrinth of Woven Pathways Invites Visitors To Wander in Midair

The Museum of Fine Arts, Houston (MFAH) has reinstalled Ernesto Neto’s monumental site-specific commission, "SunForceOceanLife," in its Cullinan Hall. The immersive installation consists of a massive, hand-woven crochet labyrinth suspended 12 feet in the air, featuring a vibrant color palette that symbolizes the cyclical relationship between the sun, sea, and earth. Visitors are invited to walk through the spiral pathways, which are filled with soft plastic balls designed to challenge their balance and induce a meditative state.

MoMA Delivers with First American Marcel Duchamp Retrospective in 50 Years

The Museum of Modern Art (MoMA) has launched a comprehensive retrospective of Marcel Duchamp, marking the first major American survey of the artist's work in five decades. The exhibition follows a chronological path through Duchamp’s radical career, featuring early pen-and-ink drawings, his transition through Cubism and Dadaism, and his revolutionary "readymades" like the urinal titled Fountain. Highlights include the rare gathering of all three versions of Nude Descending a Staircase and documentation of his final, secretive installation, Étant donnés.

IN LYON, CONTEMPORARY ART HAS A HISTORY : THREE STAGES TO EXPLORE IT

The Lyon Museum of Contemporary Art (MAC Lyon) has launched a major seasonal program featuring three distinct exhibitions that explore memory, archives, and the evolution of contemporary media. Central to the program is Giulia Andreani’s solo exhibition, "Cold Painting," which presents sixty canvases created between 2011 and 2025 that interrogate historical power structures and the erasure of women from art history. Complementing this is a significant showcase of video art drawn from a massive donation by collectors Isabelle and Jean-Conrad Lemaître, alongside a retrospective dedicated to Jean-Claude Guillaumon.

Károly Ferenczy, Elusive Inventor of Hungarian Modernity at the Petit Palais

Károly Ferenczy, insaisissable inventeur de la modernité hongroise au Petit Palais

The Petit Palais in Paris is presenting a major exhibition dedicated to Károly Ferenczy, a pivotal figure in Hungarian modernism. The show features works like his 1896 painting 'Le Sermon sur la montagne,' exploring his role within the Nagybánya artists' colony and his synthesis of plein air painting with a European artistic education.

What We Throw Away Does Not Disappear

Was wir wegwerfen, verschwindet nicht

The Museum Ostwall at the Dortmunder U in Dortmund has opened a new exhibition titled "Müll – die globalen Wege des Abfalls" ("Waste – The Global Paths of Garbage"), curated by Christina Danick and Michael Griff. Featuring around 50 international artworks from the 20th and 21st centuries, including two newly commissioned pieces, the show uses art to explore waste as material, motif, and aesthetic strategy. Key works include Kader Attia's "Los de Arriba y Los de Abajo," which addresses power imbalances through the lens of garbage in Hebron, and historical pieces by César Baldaccini, Arman, and HA Schult. The exhibition also highlights contemporary issues such as e-waste, global waste trafficking, and the environmental impact of industrial nations on the Global South.

Au macLyon, l’art vidéo comme vecteur d’émotions

The article reports on the exhibition "Regards sensibles" at the macLyon (Musée d'Art Contemporain de Lyon), which showcases 28 video artworks from the collection of Isabelle and Jean-Conrad Lemaître. The exhibition celebrates the couple's complete donation of their video art collection to the museum. It begins with Gillian Wearing's 1996 video "Boytime," the first video artwork the Lemaîtres acquired, and spans works from 1984 to 2025 by artists of 43 nationalities, offering a broad panorama of the video art genre.

Art Gallery of Burlington to host inaugural exhibition for emerging artists

The Art Gallery of Burlington (AGB) will host the inaugural Henry Goodman Exhibition for Emerging Artists starting May 21, presented by the arts charity FUSION. The traveling show features over 25 emerging artists working in ceramic and glass under the theme 'gathering,' curated by 2025 Sobey Award finalist Chukwudubem Ukaigwe. Artists include Laura Wagner, Thomas Paik, Deborah Hatanaka, and Ryan Nesbitt. The exhibition will later travel to Rails End Gallery in Haliburton and Neilson Park Creative Arts Centre in Mississauga.

From DJing club nights to gallery walls, Scots artist returns home for major show

Francis Dosoo, a self-taught Scottish artist now based in Vienna, is mounting his first solo show at Dundee Contemporary Arts (DCA) titled "Portrait Of Dorothy Gale." Dosoo began his career in nightlife, running club nights and DJ sets that blended into performance and installation art. His practice spans sound, film, and visual art, with past collaborations including Joanne Dawson, Aniela Piasecka, and Alberta Whittle, and commissions from the Glasgow Film Festival and Edinburgh Art Festival. The DCA exhibition draws on the 1978 film *The Wiz*, reimagining *The Wizard of Oz* with an African-American cast, focusing on star Diana Ross's career and personal life at the time.