The article reflects on the conclusion of New York's spring art fair season, highlighting TEFAF New York at the Park Avenue Armory and the Independent Art Fair, which relocated to Pier 36. It notes the ongoing Focus fair for emerging Asian art and spotlights specific artists, including Taiwanese painter Tseng Chien-Ying at Kiang Malingue's booth and Frank Gaard at Post Times, describing their works and the fair's atmosphere of discovery.
Comment le British Museum prépare l’arrivée de la tapisserie de Bayeux
The British Museum will display the Bayeux Tapestry from September 10, 2025, to July 11, 2027, in its Sainsbury Exhibitions Gallery, coinciding with the closure of the Musée de la Tapisserie de Bayeux for renovation. The 68.38-meter embroidery will be shown flat for the first time in over two centuries, in a custom-designed case with low lighting and continuous visitor flow. Tickets go on sale July 1, 2026, priced between £25 and £33, with free entry for under-16s. The exhibition includes loans such as the Junius II manuscript from the Bodleian Library and coins from the Chew Valley hoard, plus an outdoor installation by Andy Sturgeon. The UK government has provided an £800 million indemnity guarantee.
The Guggenheim New York has announced its spring and summer 2026 public programs, featuring a range of events including a performance lecture by LG Guggenheim Award recipient Trevor Paglen on May 18, a conversation between artist Carol Bove and curator Katherine Brinson on June 2, and the annual Museum Mile Festival on June 9. Other highlights include Late Shift evening events with live music, family-friendly activities like Stroller Hour and Art Cart, Teen Circle and Teen Tuesdays, and a screening of Douglas Gordon and Philippe Parreno's video work "Zidane, a 21st century portrait" in celebration of the 2026 FIFA World Cup. Poet-in-Residence Patrick Rosal will also launch summer activations.
What Pipeline gallery presents "Sad Cowboy," a group show organized for Miguel Bendaña at The Falstaff Project in El Paso, running from May 28 to July 4, 2026. The exhibition features three Detroit artists—Israel Aten, Cay Bahnmiller, and Dylan Spaysky—whose works explore American mythology, masculinity, and identity through collage, drawing, and sculpture. The title references a collage by Bahnmiller incorporating Amiri Baraka's poem "Sad Cowboy," critiquing the lone cowboy myth. Aten's colossal figures blend medieval iconography with video games, Bahnmiller's text-based works deconstruct language, and Spaysky's carbon paper drawings capture disposable media moments.
The XXIX edition of the Compasso d'Oro award, founded in 1954 by Gio Ponti and Rinascente, concluded at the ADI Design Museum in Milan. The jury awarded 3 Compassi d'Oro Young, 10 student project recognitions, 38 honorable mentions, and 20 Compasso d'Oro ADI prizes. Winning projects include Array sofa by Snøhetta for MDF Italia, Bilboquet lamp by Philippe Malouin for Flos, D'Antan armchair by Raffaella Mangiarotti for De Padova, and the Salone del Mobile.Milano Annual Report 2024. Career awards were given to nine figures including Giovanni Arvedi, Paola Lenti, and Alberto Meda, while three iconic products—Sedia '64 by AG Fronzoni, Tavolo Eros by Angelo Mangiarotti, and Tavolo con ruote by Gae Aulenti—received career Compassi d'Oro. The exhibition of all nominated projects runs until June 4, 2026.
A major exhibition at Palazzo Reale in Milan explores the Macchiaioli, the 19th-century Italian painting movement often seen as a precursor to Impressionism. The show brings together works by key figures such as Giovanni Fattori, Silvestro Lega, Telemaco Signorini, Giuseppe Abbati, and Odoardo Borrani, alongside tangential artists like Giovanni Boldini, Federico Faruffini, and Gerolamo Induno. It traces the movement's origins at Florence's Caffè Michelangiolo, its epicenter at Castiglioncello under patron Diego Martelli, and its evolution from the 1850s through the 1870s, when the group's democratic ideals and en plein air techniques challenged academic conventions.
Tate Britain has opened the largest European retrospective of James McNeill Whistler in over 30 years, featuring 150 works across painting, drawing, printmaking, and design. The exhibition traces Whistler's career from his student days at the Imperial Academy of Arts in St Petersburg and West Point to his bohemian years in Paris and London, highlighting his pioneering nocturnes, the iconic *Arrangement in Black and Grey: Portrait of the Painter’s Mother* (known as *Whistler’s Mother*), and rarely seen sketchbooks. It reunites a familial triptych of portraits and assembles the largest-ever collection of his nocturnes, exploring his radical approach to composition and color.
Actress and performance artist Tilda Swinton will stage a performance titled 'House of Gestures' at the Guggenheim Bilbao on June 5 and 6. The work, a collaboration with fashion historian and curator Olivier Saillard, is commissioned by Dom Pérignon as part of its 'Creation is an eternal journey' series. The piece explores gesture, presence, and transformation, set in the museum's atrium, and is free and open to the public with advance registration.
The Whitney Museum of American Art raised $6.3 million at its annual benefit gala on Tuesday night, honoring artist Julie Mehretu, Board Chair Fern Kaye Tessler, and Director Emeritus Adam D. Weinberg. The event drew a crowd of artists, actors, musicians, and arts leaders, with a performance by Grammy winner Shaggy and a seated dinner at the museum's downtown flagship.
Le délicat bouquet de roses et de pivoines de Redouté et de Thilo Westermann à Malmaison
An exhibition titled "Roses & Pivoines" has opened at the Château de Bois-Préau in Malmaison, France, pairing the 19th-century botanical watercolors of Pierre-Joseph Redouté with contemporary glass-painting works by German artist Thilo Westermann. Redouté, famous for his meticulous rose and peony illustrations commissioned by Empress Joséphine Bonaparte, is shown alongside Westermann's pointillist technique on glass, which he developed from 2014 onward. The show also includes works by Jan-Frans van Dael and Cornelis van Spaendonck, plus scent stations for visitors to smell rose essences.
An exhibition titled "Vasari and Rome" has opened at the Capitoline Museums in Rome, running until July 19, 2026. Curated by Alessandra Baroni and promoted by Roma Capitale, the show features over seventy works—including drawings, prints, engravings, letters, medals, sculptures, and paintings—that trace Giorgio Vasari's relationship with 16th-century Rome. Sixteen autograph works and seven drawings are among the highlights, arranged in four sections that follow the chronology of Vasari's Roman sojourns, from his arrival in 1532 under Cardinal Ippolito de' Medici to his later engagements with patrons like Bindo Altoviti and Cardinal Alessandro Farnese. The exhibition is staged in an intimate, chamber-like setting on the top floor of Palazzo Caffarelli, contrasting the small space with the vast theme of Vasari's role in papal Rome's political and cultural life.
Taipei Fine Arts Museum (TFAM), in collaboration with the Institute for Cultural Exchange in Tübingen, Germany, has launched its major spring exhibition "Surrealism: The World in Dialogue." Featuring over 120 works by nearly 60 international artists, the exhibition marks a century since André Breton's 1924 "Surrealist Manifesto." It juxtaposes historical avant-garde works with contemporary practices, organized into sections such as "Collective Dreams," "Body of Desire," and "Absurd Play." Highlights include Yves Tanguy's dreamscapes, Lauren Moffatt's augmented reality installation, Max Ernst's scraping-method works, Patricia Piccinini's hybrid sculptures, and works by Man Ray, Meret Oppenheim, Sarah Lucas, Luis Buñuel, and Salvador Dalí.
Taiba Akhuetie, a London-based artist who uses human and synthetic hair as her primary medium, is preparing for her first solo exhibition at the Sarabande Foundation. Her unsettling, taxidermy-like sculptures transform everyday objects—handbags, mirrors, rocking chairs, and umbrellas—into eerie, hair-covered artworks. Akhuetie began her career as a braider, founding the salon Keash Braids in Peckham, and pivoted to sculptural work during the pandemic. Her creations have attracted high-profile clients including Rihanna, Cate Blanchett, and Nigerian singer Tems, and have been featured by Vogue.
Artist Mary Sims is the subject of a new exhibition at the Dixon Gallery & Gardens in Memphis, featuring her eclectic and imaginative works. The article highlights a signature piece titled "Merlin," inspired by a 1978 photograph of interior designer Rodgers Menzies dressed in a yellow caftan, purple cloak, and newspaper cone hat, posing by a stone lion outside a now-demolished Union Avenue mansion. The exhibition showcases Sims' kooky, crazy, and imaginative style.
Rosso20sette arte contemporanea in Rome is hosting a group exhibition titled 'SHE Street (Art) – Her (Art) – Exhibition,' featuring six internationally acclaimed female street artists: Swoon, Faith XLVII, Sandra Chevrier, Jacoba Niepoort, Handiedan, and Patrícia Mariano. Curated by Giorgio Silvestrelli, the show presents works on paper and canvas, some never previously exhibited and others created specifically for the occasion. The exhibition runs until 10 July at the gallery on Via del Sudario 39.
The article outlines various events and exhibitions in Washington, D.C., celebrating the 250th anniversary of the United States this summer. Highlights include the "In Pursuit of Life, Liberty, and Happiness" exhibit at the National Museum of American History, featuring 250 objects from 1776 to the present; a Gen-Z-focused coffeehouse chat at Tudor Place; exhibitions at the National Museum of Women in the Arts, including "Ms. Americana" and "Burnished: Pueblo Pottery"; and the Spirit of America Festival at the National Archives, showcasing rare documents.
Storia di Max Peiffer Watenphul, il pittore del Bauhaus che trovò in Italia la sua nuova patria
A major retrospective titled "Max Peiffer Watenphul. Pittore del Bauhaus" has opened at the Galleria Nazionale d'Arte Moderna e Contemporanea (GNAMC) in Rome, curated by Gregor H. Lersch, director of the Museo Casa di Goethe. The exhibition explores the complex artistic journey of Max Peiffer Watenphul (1896–1976), a German Bauhaus-trained painter who found a second home in Italy. It highlights his multidisciplinary approach, his troubled painting style marked by unusual materials and scratched surfaces, and his deep connection to Italy, where he fled after Nazi persecution and where he lived until his death.
Frederik Meijer Gardens & Sculpture Park in Grand Rapids, Michigan, will host "CHIHULY at Meijer Gardens" from May 2 to November 1, 2026, featuring the largest exhibition of Dale Chihuly's work ever held at the institution. The show includes 12 large-scale outdoor installations, over 80 indoor glass pieces, and 40 related drawings, with a 30-foot tower and glass boats in the Japanese Gardens. This marks the third Chihuly exhibition at Meijer Gardens, following shows in 2002 and 2010, and is one of only two 2026 exhibitions of the artist's work worldwide—the only one in America.
The Musée d'art et d'archéologie in Valence, France, is presenting an exhibition titled "Hubert Robert & Fragonard. Le sentiment de la nature" from March 7 to June 21, 2026. The show traces the artistic friendship between Hubert Robert and Jean-Honoré Fragonard, who met as young French artists sketching in the ruins of Rome under the guidance of Charles-Joseph Natoire. It features works from the museum's renowned collection of sanguine drawings, notably those from the foundational bequest of Julien Victor Veyrenc (1835-1836), and includes new attributions proposed by curator Sarah Catala, a graduate conservator from the Institut National du Patrimoine.
Le British Museum mise sur « l’immersion totale » pour exposer la tapisserie de Bayeux qui sera présentée à plat
The British Museum has announced plans for an exceptional exhibition of the Bayeux Tapestry, which will be displayed flat for the first time in its history, rather than hung vertically as it has been for decades in Bayeux. The 70-meter-long 11th-century embroidery depicting the Norman conquest of England will be shown in London from September 10, 2026, to July 11, 2027, with tickets priced between £25 and £33. The museum promises an 'immersive' experience featuring raking light, digital devices, and loaned objects to contextualize the 58 scenes and 626 characters.
Singer-songwriter Jewel has transformed into a multimedia artist, presenting a solo exhibition titled '24 Hours with Jewel' at the 2026 Venice Biennale. The show features 34 new works, including paintings, sculptures, and kinetic installations, with the centerpiece 'Heart of the Ocean'—an eight-foot kinetic sculpture created in collaboration with scientists from NASA, NOAA, Stanford, and UC Berkeley that translates real-time oceanographic data into light and sound. V Magazine followed Jewel for 24 hours as she prepared for her Biennale debut, documenting her day from rooftop meditations and water taxi rides with her son to private patron tours and an opening night performance in a custom Schiaparelli dress.
La via italiana del Simbolismo nella mostra alla Fondazione Magnani-Rocca
The Fondazione Magnani-Rocca in Mamiani di Traversetolo, Parma, recently made headlines due to a dramatic theft targeting its permanent collection. Despite the incident, the museum's temporary exhibition spaces remain unaffected, and the show "Simbolismo in Italia" (Symbolism in Italy), curated by Francesco Parisi, continues without disruption. The exhibition aims to update critical discourse on Symbolism, a movement that spread across Europe from the 1880s to the early 1900s and arrived in Italy with a distinct, often tradition-rooted character. It features works by artists such as Cesare Saccaggi, Giulio Aristide Sartorio, and Adolfo Wildt, organized into thematic sections exploring literary sources, mythological landscapes, and the dual nature of femininity.
The F.E. McWilliam Gallery & Studio in Northern Ireland has opened a new exhibition titled "Threads of Time: Industry, Ecology and the River Bann," presented by Shore Collective, an artist-led group based in Lurgan. The show features work from twenty local artists across painting, textiles, photography, and performance, exploring the River Bann's historical role in Irish linen production, its agricultural significance, and its evolving environmental story. The exhibition runs until July 2026 with free admission.
Photographer Sandro Miller's exhibition "Steppenwolf 50: Through the Eye of Sandro Miller" is on view at the Art Center Highland Park through June 13. The show features a series of portraits and composites created in 2012 that celebrate 50 years of Steppenwolf Theatre Company. Works include large-scale composites like "Orgasmic Theatre" with 25 actors, a tribute to the late John Mahoney, and a collaboration with the late artist Tony Fitzpatrick. The exhibition also presents a grid of 45 black-and-white photographs capturing raw emotional moments from rehearsals and performances, along with diptychs and individual framed portraits of Steppenwolf actors.
The 'Hospital of Emotions' is an immersive art exhibition occupying 80 rooms across four floors of the shuttered St. Vincent Medical Center in downtown Los Angeles. Running from May 27 through July 31, the 45,000-square-foot show features over 70 artists whose works are organized into emotional departments such as grief, fear, hope, joy, and sadness. Installations incorporate the hospital's existing fixtures—surgical lights, beds, IV bags—transforming former medical spaces into interactive art experiences, including a life-size Twister game, ceramic egg-covered walls, and neon-lit beds.
The Armstrong Spallumcheen Museum & Art Gallery in British Columbia is opening a dual exhibition on May 28, 2026, featuring the Shuswap Plein Air Troupe and artist Nancy Vince. The Main Gallery presents "Together: From There to Here," a group show by Diane Akey, Maureen Howard, and Patricia L. Smith, who paint together as the Plein Air Troupe, capturing landscapes with varied textures and emotional depth. In the Freeze Gallery, "A Touch of Whimsy" showcases Vince's high-definition metal prints filled with vibrant, playful imagery of flowers, cottages, and lakeside scenes. The exhibition runs through June 27, with a reception on opening night.
Gallery visitors responded to the exhibition "For Which It Stands…" by contributing original poetry and prose, as demonstrated by a submitted poem that reinterprets themes of patriotism, land, and brotherhood through vivid imagery and critical reflection. The poem engages with the exhibition's exploration of American identity and the complexities of national symbols.