Jumper Maybach Turns Abstraction Into Emotional Space

American artist Jumper Maybach, known for his abstract expressionist paintings, debuted a new suite of works titled "Radiant Spaces" at the inaugural Salt Lake Art Show in 2026. The series explores themes of emotional energy, human resilience, and healing, using layered textures and color fields to create immersive experiences. Maybach has also created site-specific installations in architecturally significant buildings, including the 1900K building in Washington, D.C., and continues to blur the lines between fine art, installation, and luxury design.

Behold! Nina Simone’s chewing gum! Inside the show celebrating extreme pop fandom

The Guardian reports on 'Holy Pop,' a new exhibition at London's Somerset House that celebrates extreme pop fandom through personal shrines and collections. The show features photographer Alice Hawkins's Dolly Parton shrine, including leaves from Parton's garden and hair extensions, alongside artifacts from fans of Prince, the Spice Girls, George Michael, Marc Bolan, and others. Curated by Tory Turk, the exhibition includes visual art by Graham Dolphin and Tox26, as well as films and photos of fans visiting stars' graves and impromptu memorials.

‘America’s Mona Lisa’: how chance, genius and cheap paint made the masterpiece Whistler’s Mother

James Abbott McNeill Whistler's iconic painting of his mother, Anna, known as 'Whistler’s Mother' or 'Arrangement in Grey and Black No 1', is returning to London for the first time in nearly two generations as part of a Tate Britain exhibition. The article recounts how the portrait was painted in 1871 in Whistler's Chelsea studio during a low point in his career, using cheap paint and a used canvas after a young sitter canceled. The author, who restored the painting for the Musée d'Orsay, details the work's accidental genesis, Whistler's radical minimalist aesthetic, and the initial critical confusion it caused.

Emma and Chloe Fineman Talk Prosthetic Boobs, Bible Sluts, and Late-Life Lesbianism

Emma Fineman, a visual artist based in London, is presenting her first solo show at Alexander Berggruen gallery in New York, on view through June 24. The exhibition features 18 paintings that explore her queer identity and self-acceptance, drawing from Christian mythology and the Book of Genesis to celebrate female desire. In a conversation with her sister Chloe Fineman, a cast member on SNL, the two discuss their creative processes, the overlap between comedy and painting, and how they support each other through artistic blocks.

Artist Nathaniel Mary Quinn, admired by the Rolling Stones and Leonardo DiCaprio, returns with hometown show

Artist Nathaniel Mary Quinn, known for his distinctive collage-like composite portraits, is opening his first solo exhibition in his hometown of Chicago at the National Public Housing Museum. Titled "A Love Letter to My Mother," the show honors his late mother and includes a replica of his family's living room in the Robert Taylor Homes public housing project. Quinn, who is represented by Gagosian, has seen his work acquired by major institutions including the Whitney Museum of American Art, the San Francisco Museum of Modern Art, and the Art Institute of Chicago. His art will also appear on the cover of the Rolling Stones' forthcoming album "Foreign Tongues."

Fairfield University Art Museum To Present James Welling: Cento

Fairfield University Art Museum will present "James Welling: Cento," a major exhibition of over 60 photographs by the renowned contemporary photographer, from September 25 to December 12, 2026. The show focuses on the classical world, featuring images of ancient Greek and Roman architecture and statuary, printed on plastic sheets and hand-altered with oil paint and pigment. It includes works from the Cento series (2019-2021) and the Personae series (2021-2022), alongside historic plaster casts from the museum's collection.

Five Whirlwind Days in Venice, at (and Beyond) the Biennale

The article recounts a whirlwind three-day visit to the 61st Venice Biennale, focusing on the main exhibition at the Giardini della Biennale curated by the late Koyo Kouoh, titled "In Minor Keys." The author highlights textile works by artists such as Thania Petersen, Billie Zangewa, and Annalee Davis, as well as Beverly Buchanan's "Spirit Jars" and Maria Magdalena Campos-Pons's portrait of Kouoh and Toni Morrison. The trip also includes visits to collateral events, a performance at Jordan Roth's palazzo, and a side trip to Gabriele D'Annunzio's estate on Lake Garda.

Artist Nathaniel Mary Quinn, Who Grew Up in the Robert Taylor Homes, Returns to Chicago for New Exhibit

Chicago-born artist Nathaniel Mary Quinn, now based in Brooklyn, is opening his first museum show in his hometown at the National Public Housing Museum. Titled “Nathaniel Mary Quinn: A Love Letter to My Mother,” the exhibition runs from May 21 to August 23, 2026, and features 10 artworks alongside a recreation of his childhood living room in the Robert Taylor Homes. The show is dedicated to his late mother, who encouraged his early drawing on the apartment walls. Quinn, known for his collage-like portraits, recently created the album cover for the Rolling Stones’ upcoming album “Foreign Tongues.” The museum will also host community conversations about the history of the Robert Taylor Homes.

Turin's new art gallery is an apartment where works are displayed in the kitchen, bathroom, and bedroom

La nuova galleria d’arte di Torino è un appartamento dove le opere si espongono in cucina, bagno e camera da letto

The Italian branch of Paris-based gallery CiacciaLevi is relocating from Milan to Turin in September 2026, opening a new space that is an apartment where artworks will be displayed in the kitchen, bathroom, and bedroom. Founders Antoine Levi and Nerina Ciaccia, who first met and began their careers in Turin between 2005 and 2010, describe the move as both a professional and personal life choice, deepening their ties to the city where they previously worked with Galleria Franco Noero and a.titolo.

Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen

The Museum of Fine Arts, Houston will host the U.S. debut of "Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen" from May 20 to September 13, 2026. The exhibition features over 95 works by Pablo Picasso, Paul Klee, Henri Matisse, Alberto Giacometti, and other postwar European avant-garde artists, drawn from the collection assembled by famed gallerist and collector Heinz Berggruen. It explores Berggruen's relationships with artists and his Paris gallery, Berggruen & Cie, and includes thematic galleries on still life, portraits, and the human figure, as well as a dedicated space on Berggruen's life story.

In London, Churchill's astonishing talent as a painter celebrated by an unprecedented retrospective

À Londres, l’étonnant talent de peintre de Churchill célébré par une rétrospective inédite

The Wallace Collection in London is hosting the first major posthumous retrospective of Winston Churchill's paintings, titled "Winston Churchill: The Painter." Running until November 29, 2026, the exhibition features nearly 60 still lifes and landscapes, many from private collections rarely shown publicly. Churchill took up painting in 1915 after the Dardanelles disaster and used art as a therapeutic escape from the pressures of politics and war, producing luminous, impressionistic works inspired by Monet, Cézanne, and Renoir.

Unfolding narratives (...)

Sakshi Gallery is marking its 40th anniversary with an exhibition titled "Unfolding narratives: perspectives in contemporary Indian art" at the Mall Galleries in London, opening June 30, 2026. The show features works by six artists—Amit Ambalal, Manjunath Kamath, Ravinder Reddy, Rekha Rodwittiya, Shine Shivan, and Surendran Nair—who have significantly shaped Indian contemporary art. Many works were created specifically for the exhibition, offering insight into the artists' current directions. The presentation serves as a prelude to a larger institutional exhibition planned for 2027 in London.

Jill Bedgood: Vestiges of Existence

Andrew Durham Gallery in Houston announces "Vestiges of Existence," a solo exhibition of multi-media works by artist Jill Bedgood, running from June 6 to August 1, 2026. The show explores how physical remnants—such as worn jewelry, handwritten letters, and natural anomalies—carry memory and document human presence, functioning as contemporary memento mori. An opening reception on June 6 and an artist talk on July 11 accompany the exhibition.

Bruno Birmanis and Mareunrol’s on Representing Latvia at the 61st Venice Biennale

Bruno Birmanis and the artist duo Mareunrol’s (Mārite Mastiņa-Pēterkopa and Rolands Pēterkops) will represent Latvia at the 61st Venice Biennale in 2026, with their pavilion located in the Arsenale. Their project draws on memories of Latvia in the 1990s, particularly the avant-garde fashion event The Untamed Fashion Assembly (UFA), conceived by Birmanis, which took place two months after Latvia regained independence from the Soviet Union. The installation is not a nostalgic archive but a space of dialogue and reflection, using the visual codes of a fashion show backstage to explore themes of memory, freedom, and utopian intentions.

How Can Art Depict Everyday Violence?

Anuar Maauad and Roger Muñoz have cocurated the exhibition "La Alegría de Vivir" at Estudio Anuar Maauad in Mexico City, featuring works by Jorge de León, Benjamin Orlow, Miguel Ángel Rojas, Berenice Olmedo, Miguel Ventura, Paul McCarthy, and Teresa Margolles. The show confronts themes of necropolitics and systemic violence through sculptures, photographs, and installations that depict war, state power, and human suffering as ongoing, normalized conditions.

‘A once-in-a-generation opportunity’: Europe’s biggest exhibition of James McNeill Whistler in 30 years will open in London this week

Tate Britain in London is opening a major retrospective of James McNeill Whistler, the largest exhibition of his work in Europe in 30 years. Featuring 150 works spanning painting, drawing, printmaking, and design, the show includes iconic pieces like *Arrangement in Grey and Black No.1* (commonly known as *Whistler's Mother*) and *Nocturne: Blue and Gold - Old Battersea Bridge*. For the first time, the exhibition examines Whistler's teenage years and also displays his personal notebooks, easel, paint palette, and collections of East Asian ceramics and Japanese prints. The exhibition runs from May 21 to September 27, 2026.

Nan Goldin Gets a Major UK Moment with ‘You Never Did Anything Wrong’

The Hayward Gallery at London's Southbank Centre has announced 'You Never Did Anything Wrong,' Nan Goldin's first major UK exhibition in over 20 years. The show, on view from November 24, 2026, to March 7, 2027, will survey Goldin's autobiographical photography, highlighting her intimate depictions of love, loss, queer and post-punk communities, and her recent anti-war activism. The exhibition follows the UK debut of her opera 'The Ballad of Sexual Dependency' at Gagosian London earlier this year.

Landmark exhibition of Alex Katz drawings at Colby College

Colby College Museum of Art in Waterville, Maine, will present “Alex Katz | Out of Sight,” a landmark exhibition of drawings by Alex Katz, on view from May 21 to October 11, 2026. The show brings together more than 80 works, including never-before-exhibited drawings from Katz’s personal collection, pieces from the museum’s holdings, and loans from private and institutional collections. It spans Katz’s career from high school sketches to recent portrait drawings, featuring preparatory studies, collages, cartoons, and related paintings, and is organized by Kiko Aebi, Katz Curator at the Colby Museum.

To Paint is to Love Again at Crèvecoeur, rive droite

Crèvecoeur gallery in Paris presents "To Paint is to Love Again," a group exhibition curated by artist Louise Sartor running from April 9 to May 27, 2026. The show brings together works by eleven artists: Geneviève Asse, Sadie Benning, Whitney Claflin, Anne-Lise Coste (Uruk), Jean Dubuffet, Jean Hugo, Ulalai Imai, Françoise Lapeyre, Louise Sartor, Li Shan, and Naoki Sutter-Shudo. The exhibition is documented with 49 images on Contemporary Art Daily.

See exhibition by Erin Jane Nelson, ‘Living and Working,’ at UAB’s AEIVA through Sept. 26

The Abroms-Engel Institute for the Visual Arts (AEIVA) at the University of Alabama at Birmingham presents “Living and Working,” a survey exhibition of artist Erin Jane Nelson, running through September 26. This is Nelson’s largest solo exhibition to date and her first survey, spanning a decade of her practice across photography, textiles, and ceramics. The exhibition will travel to the Knoxville Museum of Art in August 2027, and AEIVA is co-publishing an exhibition catalog with Institute 193. The opening reception is May 21, and free community programming includes summer drop-in tours, a pinhole camera workshop, Science Nights in partnership with the Birmingham Zoo, and a chamber music event.

Marat Guelman and the group + - Komma: First of all, it’s beautiful

Marat Guelman's exhibition at Ethan Cohen Gallery in New York (April 23–May 30, 2026) features AI-generated monoprints created in collaboration with the Montenegrin digital art group + - Komma. None of the works were painted by Guelman himself; instead, he programmed AI outputs based on historical models by artists like Picasso, Gauguin, Monet, Warhol, Lichtenstein, Turner, Matisse, and Richter. Every piece in the show incorporates an image of an atomic mushroom cloud, a motif Guelman uses to respond to Vladimir Putin's nuclear threats during the Ukraine war.

This First Nations artist wants your racist 'Aboriginalia' – video

Indigenous artist Tony Albert has issued a public call for Australians to donate their 'Aboriginalia'—objects that depict Aboriginal people and designs but were created by non-Indigenous people, often as caricatures or exoticized souvenirs. Over 3,000 items from Albert's own collection, including tea towels, ashtrays, and playing cards, are now on display in his solo exhibition 'Not a Souvenir' at the Museum of Contemporary Art (MCA) in Sydney, opening on 21 May.

Ain Bailey “The Jamaica Project” at Camden Art Centre, London

Camden Art Centre in London announces a major new exhibition by London-based composer, artist, and DJ Ain Bailey, featuring a new commission in Gallery 3. The commission is the latest installment of a film trilogy begun in 2021, rooted in Bailey's biography and centered on her personal history.

Major summer exhibitions bring international artists to seaside gallery

Hastings Contemporary in the UK is hosting three major summer exhibitions until September 13, featuring international contemporary and modern artists. The shows include the first major UK solo exhibition of German-Brazilian artist Janaina Tschäpe, a solo show by Argentinian artist Miguel Rothschild with a new seascape installation, and "Moore / Freud," which brings together 20 works by Lucian Freud and Henry Moore exploring familial and personal connections.

Sophie Von Hellerman “After a Dream” at Greene Naftali, New York

Greene Naftali presents Sophie von Hellermann's eighth solo exhibition, "After a Dream," featuring pairs of figures drawn from literature, art history, the artist's personal acquaintances, and imaginative constructs. The show explores creative relationships through the charged dynamic of the couple, presenting narrative chimeras that examine different forms of alignment and connection.

Roberto Lugo brings monumental tribute to Puerto Rican culture to Manhattan park

Roberto Lugo has unveiled a monumental 20ft-tall urn titled *Capicú de Cariño (I Heard It Both Ways)* (2026) in Manhattan’s Madison Square Park, as part of his exhibition *Alfarero del Barrio (Village Potter)* commissioned by the Madison Square Park Conservancy. The urn features portraits of prominent Puerto Rican figures including Bad Bunny, Sonia Sotomayor, Lin-Manuel Miranda, Roberto Clemente, and the artist’s own parents, Gilberto and Maribel Lugo. The installation also includes a 15ft-tall orange fire hydrant sculpture, *Para Los Días Caliente (This Is For The Hot Ones)* (2026), and several planters and domino tables, all designed to invite public interaction and community engagement.

‘Entertainment is often violence shrouded in a fun disguise’: Marianna Simnett on being tickled for hours and having Botox injected into her throat

Marianna Simnett, a Croatian British multi-disciplinary artist, discusses her new exhibition 'Circus' at the Secession in Vienna, which features a light, sound, and sculpture installation in a pitch-black basement. The show includes works like 'Catherine Wheel' (2026), a blue spinning reflective skirt accompanied by the sound of the artist being tickled for four hours, and 'Fountain' (2026), a neon of a woman urinating referencing Balkan folklore. Simnett explores themes of violence, desire, pain, and power, often using her own body as a site of transformation, as in her earlier work 'The Needle and the Larynx' (2016) where she had Botox injected into her throat.

Moyra Davey at greengrassi

Moyra Davey presents an exhibition at greengrassi gallery in London, featuring a series of new works that continue her exploration of photography, text, and everyday objects. The show includes 14 documented images, blending personal narrative with conceptual art practices.

Russian Museum to host an exhibition with eleven Indian artists

The State Hermitage Museum in St. Petersburg will host its first contemporary Indian art exhibition, 'Sediments of Becoming: Fossilised Present, Summoned Pasts', opening June 4. Curated by Marina Schulz and Tunty Chauhan in collaboration with Delhi's Threshold Art Gallery, the four-month show features eleven Indian artists—including Afrah Shafiq, Ravinder Reddy, and Pushpamala N.—who have created new works responding to the museum's collections and architectural context.

The Top 5 Art Exhibitions to see in London right now

Tabish Khan, the @LondonArtCritic, selects five current exhibitions in London. These include Aleksandra Karpowicz's 'Remember What You Forgot' at Felstead Art, which transforms her cancer treatment into a powerful installation; Gabriel Abrantes' 'Bardo Loops' at Gasworks, featuring emotionally charged video works; Racheal Crowther's 'Liquid Trust' at Chisenhale Gallery, examining psychological manipulation through a militaristic structure; Eleanor May Watson's 'There is No Time Like Spring' at Soho Revue, capturing nostalgic domestic moments; and the group show 'South Open 4' at OHSH Projects, showcasing diverse works from an open call.