‘America’s Mona Lisa’: how chance, genius and cheap paint made the masterpiece Whistler’s Mother

James Abbott McNeill Whistler's iconic painting of his mother, Anna, known as 'Whistler’s Mother' or 'Arrangement in Grey and Black No 1', is returning to London for the first time in nearly two generations as part of a Tate Britain exhibition. The article recounts how the portrait was painted in 1871 in Whistler's Chelsea studio during a low point in his career, using cheap paint and a used canvas after a young sitter canceled. The author, who restored the painting for the Musée d'Orsay, details the work's accidental genesis, Whistler's radical minimalist aesthetic, and the initial critical confusion it caused.

Mario Schifano al Palazzo Esposizioni di Roma. Una grande mostra che ci insegna a guardare

Palazzo Esposizioni in Rome has opened a major exhibition dedicated to Mario Schifano (1934–1998), running alongside a solo show by Marco Tirelli titled "Anni Luce." The exhibition, curated by Daniela Lancioni, explores Schifano's work through the lens of Kazimir Malevich's Suprematism, particularly his 1915 "Black Square." It features Schifano's early monochromes from 1960, his painting "Chiamato K. Malewič" (1965), and a rarely seen pre-1960 phase including landscapes and informal works from 1956–1959, which have often been marginalized in his official catalog.

Tate Britain opens Europe’s largest James McNeill Whistler retrospective in 30 years

Tate Britain has opened the largest European retrospective of James McNeill Whistler in over 30 years, featuring 150 works across painting, drawing, printmaking, and design. The exhibition traces Whistler's career from his student days at the Imperial Academy of Arts in St Petersburg and West Point to his bohemian years in Paris and London, highlighting his pioneering nocturnes, the iconic *Arrangement in Black and Grey: Portrait of the Painter’s Mother* (known as *Whistler’s Mother*), and rarely seen sketchbooks. It reunites a familial triptych of portraits and assembles the largest-ever collection of his nocturnes, exploring his radical approach to composition and color.

America the Artful: U.S. 250th anniversary exhibits bring revolt and revolution to The Wadsworth

The Wadsworth Atheneum Museum of Art in Hartford, Connecticut, has launched a series of exhibitions under the collective title "Framing American Democracy" to commemorate the 250th anniversary of the United States. The exhibits include "Radical Roots," which explores 18th-century America through historical artifacts like the Charter Oak; "Contemporary Artists Reflect," featuring protest works by Sam Durant and the Guerilla Girls; and "Rebel/Revolt/Resist," which examines Black civil rights struggles with pieces by Jacob Lawrence and Sonya Clark. The shows run through various dates in 2025, 2026, and 2027.

MONET TO MATISSE: DEFYING TRADITION to Launch at Art Gallery of South Australia

The Art Gallery of South Australia is set to launch a new exhibition titled 'MONET TO MATISSE: DEFYING TRADITION,' which will feature works by iconic modern artists such as Claude Monet and Henri Matisse. The show aims to highlight how these artists broke away from conventional artistic norms to pioneer new movements in art history.

James McNeill Whistler at Tate Britain: The Fleeting Nature of Light, and of Life

Tate Britain is hosting a major exhibition of James McNeill Whistler, exploring his mastery of light and atmosphere across paintings, etchings, and pastels. The show traces Whistler's career from his early realist works to his iconic nocturnes and portraits, emphasizing his radical approach to composition and color.

‘I will always fight against fascism’: Zineb Sedira on her Tate Britain commission

Zineb Sedira has been selected for the Tate Britain commission, creating her largest UK installation to date, titled *When Words Fall Silent, Cinema Speaks…*, on view until January 2027. The site-specific work in the museum's Duveen Galleries pays tribute to radical African cinema of the 1960s and 1970s, highlighting Algeria's role as a revolutionary hub. Sedira recreates the Parisian cafes of her childhood, featuring Scopitone machines that play short music films, and draws on the legacy of the Cinémathèque Algérienne and the 1969 Pan-African Festival.

Step into artist Francis Picabia’s experimental world in London

A new exhibition titled 'Francis Picabia. Expanding Horizons' has opened at Hauser & Wirth London, showcasing five decades of the artist's experimental work. The show includes dense, layered postwar paintings from his return to Paris with his wife Olga, as well as earlier pieces spanning Impressionism, Dada, and his Transparencies series. Organized with the Comité Picabia, the exhibition features works such as 'Composition abstraite' (1947) and 'Le Zèbre' (c. 1909-1933), highlighting Picabia's habit of revisiting and painting over canvases across decades.

Picasso, the figure: Inside Louvre Abu Dhabi’s transformative exhibition

Louvre Abu Dhabi has opened "Picasso, the Figure," its first exhibition dedicated entirely to Pablo Picasso, running until May 31. The show brings together around 60 works exploring Picasso's fascination with the human figure, spanning his cubist experiments, neoclassical portraits, surrealist compositions, and late works. It is presented in collaboration with Musée National Picasso-Paris and France Muséums, housed within Jean Nouvel's iconic floating dome on Saadiyat Island.

James McNeill Whistler at Tate Britain — a plunge into the rush of the modern world

Tate Britain presents a major exhibition of James McNeill Whistler's work, showcasing his immersive depictions of early industrial life alongside masterpieces of Victorian portraiture. The show brings together a wide range of Whistler's paintings, prints, and works on paper, highlighting his innovative approach to capturing the energy and atmosphere of the modern world in the late 19th century.

Stimmung: sakral

The Anozero Biennale in Coimbra, Portugal, opens at the former Santa Clara convent, blending religious imagery with anarchist ideas. Artists including Taryn Simon and Nan Goldin present works that explore utopian visions of community and reciprocity within the monastery's walls.

‘How can nudity be so provocative?’ Florentina Holzinger on rocking Venice with naked jetskiers, human bells and urine divers

Florentina Holzinger, an Austrian dancer and choreographer known for provocative, physically extreme performances, is representing Austria at the Venice Biennale with a new work titled *Seaworld Venice*. The piece features naked performers on a barge in the lagoon, including a woman suspended upside down inside a cast-iron bell hoisted by a crane, a guitarist rocking at a vertiginous height, and a vocalist screaming like Yoko Ono. Holzinger’s previous opera *Sancta* included a climbing wall, nuns on roller skates, and a pregnant pope on a robot arm, and has toured European opera houses for two years.

Palate Cleansers at Frieze NY

Hyperallergic's coverage of Frieze New York and concurrent art fairs in the city frames the experience as overwhelming yet punctuated by standout works. Senior Editor Valentina Di Liscia compares the fair to an assembly-line salad, finding reprieve in art that evokes lush canopies, diaphanous portraiture, and ancestral gardens. The issue also includes dispatches from Future Fair, 1-54, TEFAF, NADA, and Independent Art Fair, alongside a tribute to Austrian performance artist Valie Export, who died at age 85, remembered for her radical feminist guerrilla performances that challenged the male gaze.

UMich art museum glorifies left-wing protests

A new exhibition at the University of Michigan Museum of Art (UMMA) titled “American Sampler: The Art, Language and Legacy of Protest” features posters, pamphlets, and video from 1960s and ‘70s left-wing protest movements, including the Black Panthers, Vietnam War protesters, and the anarchist Yippies. Guest curator Julie Ault organized the show using materials from U-M’s Labadie Collection, which holds radical literature. Conservative commentator Bobby Mars, writing for the Michigan Enjoyer, criticizes the exhibit for allegedly glorifying violence and anti-American sentiment, arguing that the museum’s framing encourages today’s students to protest against the government.

You can retrace the entire career of the legendary designer Alessandro Mendini in this exhibition in Verbania

Si può ripercorrere tutta la carriera del mitico designer Alessandro Mendini in questa mostra a Verbania

A new exhibition titled "Alessandro Mendini. COSE. Stanze come mondi" has opened at Villa Giulia in Verbania, Italy, running until September 27. Curated by art historian Loredana Parmesani, the show condenses the career of legendary designer Alessandro Mendini (1931–2019) into seven rooms, each centered on one of his iconic objects—such as the Poltrona di Paglia (1974) and the Poltrona di Proust (1978)—alongside 130 total pieces including drawings, paintings, and texts. The selection was made with Mendini's daughters Elisa and Fulvia, and the layout follows the villa's 19th-century plan, turning each space into a distinct chapter of his creative journey.

The Language Beyond the Human in the Surprising Polish Pavilion at the 2026 Venice Biennale. The Interview

Il linguaggio oltre l’umano nel sorprendente Padiglione Polonia alla Biennale di Venezia 2026. L’intervista

The Polish Pavilion at the 2026 Venice Biennale presents "Liquid Tongues," a project by artists Bogna Burska and Daniel Kotowski, curated by Ewa Chomicka and Jolanta Woszczenko with the collective Choir in Motion. The installation eschews spectacle for a subtle, immersive exploration of language beyond the human voice, incorporating sign language, underwater immersion, choreography, and whale songs to destabilize conventional communication.

Santarcangelo Festival 2026: The Village Fills with Performances, Speaking of the Body as a Political Space Under Pressure

Santarcangelo Festival 2026, il borgo che si riempie di performance parlando di corpo come spazio politico sotto pressione

The 56th edition of the Santarcangelo Festival, titled "Deep Pressures," will take place from July 3 to 12, 2026, in the historic town of Santarcangelo, Italy. Curated by Tomasz Kirenczuk in his final year as artistic director, the festival transforms the town into a "city-festival" with over 100 events including performances, concerts, and participatory practices. The program explores the body as a political space under pressure—from geopolitical conflict and colonial legacies to emotional and social tensions. Key works include "In relation to whom?" by Palestinian artists Marah Haj Hussein and Nur Garabli, "When I Saw the Sea" by Lebanese choreographer Ali Chahrour, and "Homem Novo" by Mozambican artist Yuck Miranda, among others. The festival was presented at Mambo in Bologna, with Kirenczuk emphasizing that the role of the festival is to be unsettling, not reassuring.