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59th Carnegie International tests the limits of connection and inclusion

The 59th Carnegie International, titled "If the word we," opens at the Carnegie Museum of Art in Pittsburgh, curated by Ryan Inouye, Danielle A. Jackson, and Liz Park. The exhibition emphasizes community and collaboration, featuring immersive installations by artists such as Shala Miller, Jasleen Kaur, and Georges Adéagbo, whose work incorporates local thrift-store finds like Pittsburgh Steelers merchandise. Offsite programming extends to venues including the Mattress Factory and Children's Museum of Pittsburgh.

Kumu to unveil Kristi Kongi's largest solo exhibition 'Chromatic Drift'

Estonian painter Kristi Kongi's largest solo exhibition, 'Chromatic Drift,' will open at the Kumu Art Museum on May 22. The exhibition fills the museum's great hall, courtyard, and windows with new works featuring earthy tones like purple, brown, and burgundy, described by curator Ann Mirjam Vaikla as reflecting the aesthetics of the Anthropocene. The show is accompanied by a book with essays by Sara Garzón, Sirje Helme, and Vaikla, and includes works created during Kongi's residency at Cerámica Suro in Guadalajara, Mexico.

Multidisciplinary Exhibition Opens at The Parrish

A multidisciplinary solo exhibition titled "Sanford Biggers: Drift" has opened at the Parrish Art Museum in Watermill. The exhibition was organized by Chief Curator Corinne Erni and Curator Scout Hutchinson, and was marked by a public conversation between artist Sanford Biggers and Erni. The discussion focused on Biggers' use of textiles, symbolism, and layered cultural references.

Bright future for the next generation of artistic talent

Hong Kong Secretary for Culture, Sports and Tourism Rosanna Law Shuk-pui visited Venice to support the Hong Kong Collateral Event at the 61st Venice Biennale, themed “Fermata: Hong Kong in Venice.” The exhibition features artists Kingsley Ng and Angel Hui, with five installations exploring poetic rhythms in everyday life, curated by the Hong Kong Museum of Art (HKMoA). Law also viewed American artist Nick Cave’s sculpture *Amalga (Plot)* and announced the Venice Biennale Internship Programme 2026, which will send six arts-background interns to Venice for a six-week residency.

Part root vegetable, part deity: Inside Everything Is Terrible’s new Meow Wolf L.A. installation

Meow Wolf's upcoming Los Angeles location, set to open later this year in a former Cinemark movie theater in West L.A., will feature a 20-foot-tall, 1,000-pound amoeba-like creature named WoWoW, created by the L.A.-based multimedia collective Everything Is Terrible. WoWoW serves as the centerpiece of "the N.E.S.T.," an EIT-designed section of the 26,000-square-foot immersive exhibition space that tells the story of the Noothies, a fictional community of former film workers who discover a god and a hidden truth about reality. The installation pays tribute to maximalist roadside attractions like Wisconsin's House on the Rock and New Mexico's Tinkertown Museum, and is one of 45 installations by local collaborating artists including Gabriela Ruiz and David Altmejd.

In Pol Taburet’s New Show, Being Paranoid Is the Point

French artist Pol Taburet has opened a solo exhibition titled *Paranoia as Method* at Villa Medici in Rome, on view through July 15. The show features sculptures, large-format paintings, and charcoal drawings created during his spring residency at the institution, transforming the villa’s gardens, loggias, and salons into tense psychic landscapes. Taburet’s figures drift between human and animal, evoking transformation, mortality, and spiritual tension, drawing on his Caribbean roots, voodoo traditions, contemporary culture, and classical painting.

Archives : MAMM : Lauren Greenfield : Generation Wealth

The Multimedia Art Museum, Moscow (MAMM) presents 'Generation Wealth' by American documentary photographer and director Lauren Greenfield as part of the XII Moscow International Biennale 'Fashion and Style in Photography 2021'. The exhibition, opening May 21, 2021, includes over 200 photographs, documentary films, and interviews drawn from Greenfield's 25-year investigation into global consumer culture, wealth aspiration, and the transformation of happiness. It marks Greenfield's third exhibition at MAMM, following previous shows in 2000 and 2004.

Endre Koronczi on Representing Hungary at the 61st Venice Biennale

Endre Koronczi, the artist representing Hungary at the 61st Venice Biennale (2026), discusses his upcoming exhibition in the Giardini pavilion. His project, titled "Pneuma Cosmic," explores the movement of air as both a physical and metaphysical phenomenon, drawing on decades of research into invisible forces like wind and breath. The exhibition also references his long-term experimental zone, Ploubuter Park, inspired by drifting plastic bags. Koronczi notes a strong resonance with the Biennale's curatorial theme, "In Minor Keys" by Koyo Kouoh, describing it as a "cosmic zeitgeist."

The painter who pulls light from the darkness

Toronto-based artist Laura Findlay presents *Night Vision*, a solo exhibition at Glenhyrst Art Gallery in Brantford, Ontario, featuring ethereal oil paintings of nocturnal garden scenes. Using an Old Masters subtractive technique, Findlay applies dark glazes and wipes away pigment to create luminous images of birds, blooms, and bats that appear to emerge from darkness. The show runs through the spring of 2026.

Plas Art Show goes back to basics with renewed focus on its sculpture, 3-D work

The Plas Art Show, a Seoul-based art fair specializing in sculpture and three-dimensional works, returns for its 11th edition from June 4 at Coex in Gangnam District. Featuring 102 galleries (91 domestic and 11 from Taiwan, Germany, Japan, and Georgia), the fair presents roughly 750 artists and 3,500 works under the theme “New Chance.” Fair president Shin Jun-won acknowledged criticism that the event had drifted from its sculptural focus and announced stricter curation, including on-site inspections and penalties for galleries that fail to include at least one three-dimensional artist and one stereoscopic work. Standard booth prices range from 5.7 to 6.7 million won, which Shin says attracts Gangnam-area galleries priced out of larger venues.